- [Jay Morgan] Stick around to the end of the video. We're giving away an XP800
this month, a great piece of equipment.
♪ [music] ♪
Today on The Slanted Lens, we're shooting out at the old Los Angeles Zoo.
It used to be such a creepy place, nestled in the overgrown brush above the zoo.
You know, when I was at Art Center, students would jump the fence
and go into this area and shoot some really cool images.
Today it's a place where people come to do picnics,
but the creepy factor is still there. I wanted to shoot a campy, retro B movie
mummy image with two explorers making their way in a dark cave, with only
a torch for light. I was going to use a flame on a stick for the main light,
but the City of Los Angeles said they would need a Fire Marshal and police,
and all kinds of stuff. Well to overcome that thought, I decided to use
a Dynalite Pencil Light and tape it to the back of the torch.
I also taped a warm sun gel around the light to warm it just a little bit.
This gives me a nice warm glow coming off from the light.
This was the first image. When I see an image like this, it always scares me
a little bit. The light's all over the place, it's too bright on his face.
So I have to start by fixing one thing at a time. The exposure is too bright,
so I'm gonna go for that.
This first image is shot at F5.6, 1/5 of a second at ISO 800.
That's gotta come down quite a bit. I moved the aperture to F11 to give me
a correct exposure on his face. I now opened up the shutter to 1/8 of a second
to bring the ambient light into play.
I'll now get my talent in place and refine the light. I've only one hour
to light and to get my shots, so I've got to get going. I've adjusted the aperture
and shutter just a little bit to help keep my people from blurring. The pencil light
was way too bright on her face because she's holding it.
So we put just a little piece of tape along the side of it.
I actually let just a little bit of light bleed out underneath that tape,
but that blocked off most of the light on her face, and evened out the exposure
between her and the guy behind her. It also cut all the light off of the cable
all upfront, which really helped out.
I'm shooting at F13 because I want deep depth of field, so I can see the mummy
in the background. Here's our first image with just the ambient light. Our outside
light goes blue because I've set it on tungsten. We will now add our pencil light
that is taped to the back of the torch, as our key light. Here's our image with
the pencil light. The guy was standing there in the first image but we didn't
see him because there was no light on him whatsoever. He kind of appeared out
of nowhere when we added our key light. We added a Dynalite Travel Head
in the background, just straight into the cave. It was too harsh and didn't
really work back in there very well. It was hard to get it to balance out
and to look nice, so we put up a six foot by six foot light panel,
shot the light through that light panel. That light panel diffused the light
into the cave, and just kind of helped it to fill in the back, there.
And it was much softer, much nicer. Here you can see the cave light
in the background on the wall. Things are taking shape now.
We need to fill the image though, just a little bit.
I'll add a small Photoflex OctoDome over my shoulder on the camera right side.
It's going to open up the shadows and allow us to see her a little better.
♪ [music] ♪
Here's our final image with all the lights in play.
The shadows are much more open now which gives us a lot of latitude.
Here are some of the best images before there's any editing done in post.
♪ [music] ♪
When I turn her gun into the fill light, it picks up that OctoDome,
and it stands out. Good thing to note in the future.
I like this for the main image; 0683. And adding the gun from image 0647.
I'm gonna process the raw image for the gun, so the gun is bright
and not worry about the rest of the image, and we'll strip that into the shot.
Juline's now gonna composite our image together, add the gun,
but more importantly, add the flame. First shot of the flame was a little small
and didn't have much of a glow. Juline put a larger flame in
and a little bit of warm glow around it. Feels like atmosphere in the cave
and it started to look very nice. I'm now gonna take this image
into Nik Software and add some effects to it.
I first went into Silver Efex and changed it to a black and white image.
I tried two different versions. First, a straight-up conversion,
no other effects. It's just a black and white conversion. It looks pretty good.
Then I used a recipe called Yellowed Number 2.
I like the vintage look this has. It's kind of a cool look.
I looked at two colored versions. First a color stylizer in Color Efex 4.
I added a deep brown as my color of choice which gives it kind of a nice sepia tone,
but sepia tone with color. I like this look a lot.
Then last of all, I did a bleach bypass with a vignette. I like all of these.
It's pretty hard to decide, but I'll probably end up with that brown
stylized look. Sometimes I just have to do these kinds of images that just
don't mean anything, other than it's just fun to do.
So I hope you learned a little something.
Keep those cameras rolling, keep on clicking.
♪ [music] ♪
The Slanted Lens giveaway for the month of September is an XP800 by Dynalite.
This is an incredible battery supply you take on location to run your power packs.
But the way to win, is you have to guess how many times this XP800 will fire
a 400 watt-second Dynalite pack on full power. How many times?
Take your guess. The person closest wins.
♪ [music] ♪