(tap shoes)
Hi, my name's Cameron Adams,
currently in "My Fair Lady"
on Broadway at Lincoln Center Theater,
and today I'm gonna dance through my resume.
(brassy music)
("76 Trombones" orchestral music)
I made my Broadway debut at 17 years old
in Susan Stroman's production of
"The Music Man" at the Neil Simon Theater.
It was an incredible experience.
Unbelievably athletic and balletic choreography,
and I made life long friends.
("76 Trombones" orchestral music)
("Oklahoma" orchestral music)
My second Broadway show was "Oklahoma"
at the Gershwin Theater,
another Susan Stroman production.
I came into the show as a vacation swing
at 19 years old and learned 12 female tracks,
which was slightly overwhelming.
(laughs)
Later took over for an onstage track
and had an incredible experience.
(orchestral music)
("Nicest Kids in Town")
♪ Hey there teenage Baltimore! ♪
♪ Don't change that channel 'cause it's time ♪
♪ For the Corny Collins Show ♪
♪ Brought to you by Ultra Clutch Hairspray ♪
♪ Ooh ooh ooh ♪
♪ Oh every afternoon when the clock strikes four ♪
"Hairspray" was the gift that kept on giving.
I started off on the first national tour,
and then came into the Broadway company,
and then left and became a vacation swing,
and went in and out of both productions for,
off and on, four and a half years.
It was one of my favorite shows,
if not my favorite show.
♪ Nicest kids in town. ♪
♪ Ooh ooh ooh ooh ooh ooh ♪
♪ Woo! ♪
("Promises, Promises" orchestral music)
After appearing in "Cry Baby" and "Shrek",
I went into "Promises, Promises",
a Rob Ashford musical.
He continues to do incredibly athletic
and challenging choreography,
but dancing "Turkey Lurkey" with Megan Secora
and Naily Miguel is still to this day
one of the highlights of my career.
♪How to, how to succeed ♪
("How to Succeed")
Following "Promises, Promises",
I went into "How to Succeed",
another Rob Ashford show,
another show in the 60's and another
show where I played a secretary.
(laughs)
Um, also incredibly athletic with
unbelievable partnering and I had
the luck to go for the role of Rosemary
opposite Daniel Radcliffe,
which was very, very, very fun.
("Nice Work If You Can Get It" orchestral music)
"Nice Work If You Can Get It" was my
eighth Broadway show.
It was a Kathleen Marshall production.
She choreographed and directed it,
and she's one of my favorite choreographers
to work for.
She celebrates women, she loves women,
and it was just a really fun show
set in the 20's, all laughs, incredible cast.
And I was really happy to be a part of it.
(orchestral music)
("She Loves Me" orchestral music)
After "Nice Work", I went into "Gigi",
choreographed by my friend Josh Bregas,
and then I jumped right into "She Loves Me"
at Studio 54, choreographed by the
incredible Warren Carlyle,
who I had known for years but had not
had the opportunity to work for yet.
It's an incredibly funny show that is
still to this day one of my favorites,
up there with Hairspray.
♪Here's Victor! ♪
(cheer)
("Hello Dolly" orchestral music)
My 11th Broadway show was "Hello Dolly",
starring the Bette Middler,
also choreographed by Warren Carlyle.
It was one of the coolest experiences
I think I've ever had.
Being on stage with Bette Middler
every single night and hearing the audience
applause every single night.
Also wearing those costumes.
(laughs)
(soft orchestral music)
("My Fair Lady" orchestral music)
Currently I am in my 12th Broadway show,
"My Fair Lady" at the Lincoln Center Theater.
I am having the time of my life.
I've never worked with Bart Scherr
or Chris Cateleak before,
and it is truly exceeded all of my expectations.
I hope we run for a long time,
and I hope everybody comes to see it.
(orchestral music)
(tap shoes)