- Is this like a day in the life?
- This is a day in Sarah's life.
- A day. A day in Sarah's life.
- Yes.
- All right. This is typical, by the way, you know?
Because she's always at a film festival, every day.
- Doesn't it smell good here?
- Oh God, it's real air.
- It smells great.
- Real air and real snow.
- Standby and tape rolling.
- OK.
So this is Sarah Jessica's room
and we'll see if she's there.
(knocks)
[Sarah] Yes.
- She is.
- [Sarah] Who is it?
- Juliette from MTV.
- [Sarah] (opens the door) Naturally.
- Hello.
- Hi.
- How are you?
- Hi, come on in.
- So now what have you got on your schedule for today?
When did you-? You just flew in?
- I just flew in from New York.
- Right.
Where I live, where I've not been much lately.
Today, we have a press conference
at four o'clock
at The Yarrow hotel.
And then there's some interviews afterwards.
God willing.
Let's just say that we've done our best to
make the American public well aware that there's this
movie called 'Miami Rhapsody' opening
at a theater near everybody very soon
within the next two weeks, 10 days.
All right. So we're off to the press conference.
(car engine roaring)
Thank you.
You coming?
- Yes, absolutely.
- OK, we're rolling.
- Alright, speed.
- So how much do you think you will actually get to,
do you think you'll see any movies?
- I don't think I...
Maybe I might, well, I don't know.
I was going to see the Richard Linklater film tonight.
- Oh, right.
- 'Before Sunrise.'
Which I was really looking forward to,
but I'm not certain now if that's going to work out.
- Hi.
- How are you?
- Good, how are you?
- Long time, no see.
- Hi. - I'm David.
- David, nice to meet you. I'm Juliette from MTV.
- Nice to see you.
- The director of the movie.
- Hi, I'm the director of the movie.
- So, you coming in?
- Yep, absolutely.
- See you in there.
- OK.
- [Interviewer] What [drew] you to the script?
What did you like best about it?
- I think initially what was most exciting about the role
was, well, first of all,
in all candor, that they actually wanted me to do it.
And then secondly, that it was the central character
in a romantic comedy and that it was a woman and that she
was so fleshed out and she was witty and sophisticated and -
well, that's at least what the intent of the script was -
and flawed and dimensional.
And I had,
I had certainly never been presented with this sort of
opportunity before.
And as far as I could tell,
you know,
I mean, I might just sort of role this, this,
this character that was so integral to the story might
never even be written again to this degree.
So, you know, it was just an opportunity to play a
really, sort of extraordinary role.
- [Camera Man] I'm sorry.
- Goodbye, take care, thank you very much. Bye.
That was the scariest thing I've ever done in my life.
- Really, why?
- Oh my god, I don't know because they're very quiet and
I guess I'm just,
they were very gentle.
I'm used to more aggressive press atmosphere.
- Now, I heard that you were going off to a screening now.
- Is that right? (laughing)
- Look at her face.
- Oh. (laughs)
- Yeah, actually, I-
- I think you're driving for an hour.
- I think I'm going to Provo.
- I don't think we can come because press aren't allowed,
You are going to meet Robert Redford, apparently.
- I hear I'm on my way to meet Mr. Redford.
- [Camera Man] Have you ever met him before?
- Never. No, no, no, no.
- Well, hopefully- we'll just hang around and wait for you.
- Should we find you when we're coming back?
- Yeah.
- Goodbye.
(car engine roaring)
- Here, this is for Matthew [Broderick].
- You ready?
- Ready?
- [Camera Man] We're ready.
- Oh, great.
- Excellent.
- So tell us what happened.
- OK.
- Did you meet Redford?
- I did,
but the events leading up to that were extraordinary.
- So tell us the story. Tell us the story.
- So we drove, we were very late, we got very lost,
but it wasn't really the fault of the driver.
'Cause he's not from here. He's from Los Angeles.
And we get there to this premiere and,
sort of the point was that we were going
to meet Mr. Redford, but he waited.
How long did he wait for us?
- [Camera Man] An hour (laughing).
He had to go. He had other things to do.
He had bigger fish to fry.
They called Robert Redford at his house.
And next I know,
they handed the phone to me and it was him in my ear.
He was very lovely and said, he apologized for not being
there and he said, you know, come up, say hi for a minute.
So we got into a car with a driver who knew the area
and we went up and I spoke to him.
- Now, for those people who are watching,
who probably thought a film festival might be a little more
glamorous.
- I know, isn't it sad?
You can't see me with anybody.
I expected that it would be chaotic.
I knew with the schedule that we were really,
that time was an issue was going to be
the whole time we were here.
And I knew that there was going to be a constraint,
but I did sort of picture that there'd be some, you know,
some kind of like, "Hey."
I pictured like a more handshaking kind of thing.
When we're like, "Well, hello, Jack" or whatever.
I mean, I don't know what I pictured because I've never been to one.
I'm really, in all honesty,
I'm thrilled that we're here. I'm really,
I feel very, very lucky.
And,
I mean, I sort of can't believe it.
I said in the car
like, "I can't believe we're here."
You know, you've heard for so many years,
I've heard about the Sundance festival.
You always equate Sundance with quality or interesting
filmmaking or new sorts of filmmaker, you know, filmmakers.
And so I'm actually very happy to be here.