oh yeah like this is lit I'm always down
for cellos acting like rhythm guitars
[Music]
okay so this is a girl group that
debuted in 2006 with four members and
they are definitely six yeah whoa
they're the oldest k-pop group that
we've know dying with super junior this
is the oldest kpop girl group that we've
never reacted to and they're also
currently the longest-running kpop girl
group they're run eleven years yeah so
they actually did you'd mainly as a
vocal group with a R&B oriented style
but they branched out so much since then
this very first song it's called The
Sixth Sense it's their 2011 comeback
it's a statement on the media slave
contracts to kpop companies and the
government at that time in South Korea
more than simply displaying Illuminati
symbolism the video presents the
blueprint of how popular figures can be
used to communicate a specific message
using sex and music as an incentive each
one of the group's members are shown in
different positions of submission each
representing two different ways that
elite controls entertainers to serve its
interests yeah [ __ ]
[Music]
hmm
well that's foreboding Wow
there's sisters help yeah whoa this is
terrifying this is terrifying and I like
this like a horn sound in the back she
is hot as [ __ ] good
wow that's also scary neighbour tones go
Lord
yeah belly drives it forward you know
yeah oh man I did not wanna ever lose
that care stomps didn't match up with
the beat and it was very off-putting
there drink again
Oh nope okay yeah I would like the sound
of the stops does it match up with the
visual though whatever the girls look
cool these strings the going ham cello
playing oh yeah it's like this is lit
I'm always down for cellos acting like
rhythm guitars I know it's gonna be a
bomb
I like the tones in the density yeah
this is very very bright yeah like
tribal like I could I I think impulse
and stobbles yeah it's an interesting
beat yeah really I don't know what you
sing the strings and it's like yeah I
don't know how much of like a groove I'm
getting from it too and then they only
come back in and three or or that mean
now they're coming in on one and two in
their autumn wow there's a lot this is a
lot the mix of the trumpets and the
violin you know when I came here yes
that's sweet some dorade [ __ ] I feel
like the bom bom bom is so constant and
heavy it reminds me of like those guys
marching and you know that's the
constant kind of fear going on in this
song I wonder if there is a reason that
there's no females in this music video
I mean besides them obviously an
additional commentary whoa the the blend
of sacked like fake saxophone trumpet
strings and her boy and mascara and
mascara
a really good job of accentuating the
music rather than it being its own weird
confusing yeah yeah like way more than
usual so suggesting holidays which alike
rhythmical senado between the strings
and in life Pano's in something else
yeah depending on who's singing it seems
it like phases between being really
prominent and being now prominence at
all so I think there's like a lack of
like middle noise middle sound yeah like
where a horn would be in that working
sure they don't have that yeah feels a
little bit stagnant in terms of like the
growth or the peak of the of the tear
just kind of always seems like really
high external see they just like keep
bringing it back to that like
predominant and resolving to it which is
like oh she's breaking free
and that's demonstrated musically with
the high singing Mariah would be so
proud of that no absolutely
that's better Ashley yeah it's way
better because that that was a different
person right yeah that could not have
been the same yes they sounded out of
tune but hey they expect her to do alive
so alive I'll point it out later but
that's like a very kpop II thank you
mama
I noticed feel like it's always the
older groups that are like the edgiest
yeah like thank you fall to the most I
guess you think it's gonna go higher but
they're also the brass at the end nice
jazzy and it's not ended yet scary oh of
course it ends there of course it ends
there I like how they're just like
embracing it they just stand strong at
the end that's cool you know I respect
that that's pretty ballsy mmhmm yeah
what do you think about that song
overall musically first I got to me and
most was like throughout this song you
have like that but uh but it up would
have like it's really prominent to
beginning but then throughout you is is
very subtle then you have like that
subtlety a place to like like you know
place your brain is just like a sense of
familiarity that you don't know where
it's coming from but very well crafted
you know I kind of compare it to my
motorcycle jacket this jacket like is
not the finest quality
it's got like a few loose strands here
and there like the stitching is not like
a hundred percent there but like there's
so many freakin features like I have a
million pockets and that's kind of how I
feel just like this song attaches all
those chords there's a lot of stuff
going on like the sweeping synthesizers
and the heavy mixes of a lot of stuff
going on top of a very repetitive
you know vocal riff very very fast very
militarist
yes it makes sense given the water
current the symbolism of what they were
going for yeah no definitely I mean like
even though the jobs would be like I
mentioned before like very serum based
like very militaristic evenly symbols
kind of like a military parade ban like
what you'd hear so and I mean obviously
match with what was going on yeah it was
cool that they were using their full
voices instead of like kind of
manipulating it into like a lighter
girlier sound yeah it sounded older and
more mature but also at the same time
there was some yeah pushing him I don't
know I don't feel like it's the kind of
voice that should be belting like
especially if I don't know what their
old style was like but especially if it
was more like with the rest of the stuff
it wasn't to kind of like light airy and
heady and then just to go immediately
into like belting that's like just
probably know it it's used to it yeah
it's a difference I know he's harsh it's
a different set of muscles so if you do
both neither can be very much little
stuff that's fine that's cool that's
cool at first I was kind of questioning
whether or not the visuals and the music
really like I was smashed but like as it
went on like it maybe don't make more
sense together
I was scared is going to be cheesy but
it wasn't though yeah yeah it was dark
and creeped me out so the next one is
their 2015 release and this doesn't have
a deep storyline or concept but
basically one of the fans told me that
the you'll see an apple and you'll see
them plug into an apple and the Apple
represents poisoned innocence and also
it like makes an appearance as a gateway
into another world so the members plug
themselves into the Apple and let the
music launch them into another dimension
[Music]
okay
nice oh wow yeah I wasn't expecting that
ooh I like the drum shot so we were like
the slowing I'm taking this these like
drums simple I've been from the drum is
jazz but everything else is just random
noise electronic Oh strain they are
plugged into the Apple
[Music]
there's the orchestra oh my god this is
so like Kraftwerk what the hell whoa all
right this is actually dank interesting
beginning this seems pretty retro yeah
oh yeah 85
oh yes yeah this isn't that violin
repetitive it's there that was simple I
would love to be the bass player this
time boom girl double gonna bow down
down home oh yeah the bass is like you
Michael Jackson yeah they're cool I love
hey yeah they are doing some cool things
with this video with lady
yeah and it's an interesting exploration
of lighting yeah I think that's
like celebrate good times did you hear
that I think we just went from F minor
to C sharp minor
I can't tell there's a fire to C sharp
minor guys they're just so much better
violator okay we're back very disco yeah
but like I'm like a pop chorus I like it
I like it
because it was just a major dream at the
end of the chorus like it has the
circular motion that most courses in pop
music have a lot of the background is
like synth vocals though yeah like it
sounds like instruments but it's voices
which I've always liked Kanye West's and
a lot of this in his newer music
especially it's gonna hit the branch
it's the bridge that goes to C sharp I
haven't said this yet I love how the
consonants in this language like work so
well oh yeah like for Korean is a good
language for something yeah it would be
horrible for a lot of our operas yes
because it's hard to be like have a good
line there's not much such strong
contact but it's so cool I still feel
like there versus in their choruses
don't have enough contrast that's for
this song as well it kind of seamlessly
go into one another so maybe that's like
a common trend for their group
[Music]
like super disco beat it's great so
cheesy but it's so cheesy
[Music]
[Applause]
do you hear they're like it sounds like
it's about to modulate but then I think
it just goes back there's like a it's
almost like they took a gonif like or
but didn't results mmm it just folks out
there yeah and then just comes back did
she's killing she's like so Lotte just
yeah nice try Tom good a girl yeah and
these are some deep lyrics I'm kind of
getting lost in them right now this is
really weird
are so weird it's like they're pretty
inconsistent and then there's just these
sounds that I made to it there's always
something that has distortion and I
really like it about this song yeah the
whole regard for you they're still
singing more full you know in the past
[Applause]
[Music]
yeah it's like they're way way less
afraid to actually use their voices they
speaks of it yeah and they like seize on
the signal I what wow this music video
is such a trip
oh my gosh oh there it is
oh they are gone they are gone they went
inside the Apple the brave new world
inside the Apple dude I have no clue
what that what was that that's a lot man
it was so much okay first things first
play that fire thing no it was just like
yeah but the wood way they come came
back it was like
[Music]
so yeah yeah so what do you think got
some overall music we great that was
that was a great song and it really
lives up to the you know the intro we
hear all these weird noises oh yeah then
it goes funk for a while and that we
reach a point where like everything
seems to be going okay but something's
always distorted in and yeah like be it
in one instrument or the rapping it was
a mix between like old like new like in
eighties like this game yeah disco vibe
and like modern beats and except for the
like like the beat drop when everything
dropped up and this is the rapping that
was pretty sick I really like count in
the beginning it just had like a really
little bass and obviously the you know
their voices are really high so that was
a really nice contrast there wasn't
really necessarily anything in the
middle to pad it
I really liked the integration of like
the kpop melody with this like yeah
Jackson feel man I don't know I pretty
well very entertaining but also yeah
pushes kind of damn like their agenda
their voices work really well together
ya know their vocal temper is pretty
good yeah it wasn't they're trying to go
for it's really tight we in the past few
sessions have heard a lot of like really
high ends yeah and this would like some
similar higher ends in terms of the
vocal like crunch like when they went to
see sharp like weird with like a kind of
like a weird cluster that like worked
that fit their texture D well but it
wasn't just like the annoying like super
high synths and drowning in like
production like just was this this is
balance this I also had a good bass line
so it looks like plenty of flow and it
felt pretty full so I felt why I felt
you've had some Headroom in terms of
like a linter with like being a listener
I like that song a lot better than the
first one yes and Mike compared to it
how did it differ the second one really
like nail
the like the ambience at their group was
going for oh yeah they definitely had a
better like group sound like a unified
group sound in this second one very
different I think they both I can
definitely see how they're from the same
artist because they both have like
qualities of kpop a date where they go
in their own direction because it's like
the obviously the first one came from an
older time where that style is probably
very popular whereas like this is kind
of the new sound as with the other song
the main kind of instrumental sound that
I was getting was a whole lot of de
synthesized stuffs and bass and Saxons
sin trumpet etc since strings and with
this one one of the big focuses was a
yeah the bass the electric bass but yeah
that was definitely played by an actual
bass players that was real that was a
treat to hear that hey guys thanks so
much for watching we hope you enjoyed
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