I come from Artistic Gymnastics
so I started when I was two years old in
Mommy and Me classes and just kind of
grew up through the gym and I competed
for my university for four years and
then graduated and immediately
auditioned and then worked my way in
that way the trampled bed is really
childish kind of playtime act and so in
it the the essence is like when you were
young and you would take pillows off the
bed and you would throw them at each
other or you know very very childish but
with so much joy putting the routine
together I just did today the the acro
and the artistic kind of having
everything together and it felt really
good to be able to do that I am excited
to go to Port AO to be able to meet the
cats that's there and performing and
just be able to integrate within the
cast hi I'm the loyal Whistler from Cote
oh and I really can't wait to see you in
the arena my name is Heath shatru and
I'm from the Netherlands my former
sister-in-law she entered me for the
World Championships after being annoyed
with my whistling at a Christmas dinner
I said something like okay if there was
a competition I would join and she
entered me for the World Championships
in the USA and well I won mister loyal
the loyal Whistler and I'm a character
that has to take the lead but it's not
really capable of it putting mascara on
is one of the biggest efforts I had this
the past two weeks and he so please come
and visit us and I assure you you will
have love and a tear
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I'm Zack I've been a circular over a
year now I'm one of the seven riggers
with retail during the show we each have
a track backstage we're responsible for
clipping in the Angels fitting the
harnesses to them make sure that they're
nice and tight and put on properly also
inspection and maintenance of all the
acrobatic apparatus --is that are hung
above make sure they safely be flown and
landed perfectly throughout the day the
air just have trainings it's just a
short rehearsal of each of their acts
with their in as a rigger we have to
safely have those set up and ready to go
but also be there to monitor for the
safety of the performers which is why we
have a close trust and relationship
between riggers and the aerialist for
Loudoun we're responsible setting up the
structure which requires us to do a lot
of climbing to set cables and guide
wires I spend part of my day in harness
climbing around and we work alongside
other departments but rigging is
responsible for the Assembly of the
structure make sure make it spin
together properly that it's inspected as
it goes up and then it goes up safely
but efficiently my name is Robert Itza
and the arena rigging specialist for
cocktail circus ratio
today with a prereq day which means we
are attaching all the motors with the
roof structure to be ready on time for
tomorrow production loading in the
morning will mark the floor will mark
the pwhere the show goes where the
motors where the rigging points are
going
[Music]
after that we're gonna have the rigging
local rigging crew most of the times
about 25 local riggers - cases like this
Greek world this is gonna sit like that
and the hook here we have three types of
riggers the ground rigger that it sends
the points up attaches ropes and sends
the points up and make sure the points
are in the right spot then we have the
climber that it goes into beams who
attaches all the rigging to the beams
and then we have the pullers the puller
rigging there if they're on the catwalk
up in the air all right it's getting
heavy double e used in advance we
evaluate and study buildings to make
sure that the particular shows can fit
safely in the building what we're
talking about we're talking about we can
hang the whole show safely we can reach
the trim height that we need we have the
footprint on the floor big enough for
the show to fit and also of course very
important we have enough seats that we
can sell for the budget planner to meet
the target every week is different it's
a challenge because you try to make the
show fit in some building somewhere in
the world
[Applause]
hi I'm Andrew I am one of the automation
technicians here on curtail the
automation department is responsible for
the day-to-day running maintenance and
inspections of all the automation
equipment which include winches motors
chain hoist we use a lot of automation
for a Turing show we have large main
curtains that they call the polished
nails three tracks above the stage which
are constantly moving during the show
for acrobatic acts scenic elements and
other acrobatic equipment that we are
responsible for moving and for trainings
during the day we are also responsible
for the mainstage turntable which is
used extensively throughout the show and
creates a really nice effect on stage
and curtail is very special we use two
main consoles to run the show one in
front of house and one backstage which
is more than any other search show uses
on tour hi I'm Jeff Chappell and the
head of lighting for corteo corteo is a
really unique lighting rig that has
developed over years of the history of
the big top show and the necessities of
an arena tour utilizing a lot of moving
light technology so that the rig can be
easily changed city by city as we travel
and adapted to each new arena venue
we're in every day before the show we go
through and check to make sure every one
of the lights is still working
calibrated properly and ready for the
show
we'll train with the artists and make
sure that they have what they need for
the lighting rig and none of the angles
have moved or a light is in their eye
it's a constant game of communication
between the artists and ourselves to
make sure that the designers original
vision is maintained but what the artist
needs to safely perform the act is
achieved every time on corteo arena the
tracking system is extremely unique it
is utilizing 24 high def cameras
throughout the rig and it keeps track of
where the artists are that are wearing
the transmitters at all time and
communicates their position to the
lighting board allowing us to use any of
the hundred and twelve moving lights in
the air to follow the artists around the
arena
and we could use as little as one
fixture or we could use every light to
follow them if we needed to
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[Music]