CRAIG MINCE: City's oldest theater.
[suspenseful music]
GRANT WILSON: Wow.
This building just keeps charming me.
So, paranormal-wise, what do people report seeing in here?
A dancing couple that dance in this theater
on the dance floor.
The woman wears a blue dress.
And then, that same couple going in
and out of the theater on separate occasions
have been seen.
DAVID JOHNSON: I was coming up the steps
and then happened to see a couple who had come through.
And the doors were open, and they walked
right through the theater.
And I said, excuse me, excuse me.
They didn't answer.
I said, excuse me, we're closed.
They just skip right in.
So I'm coming up the steps.
I just follow them in.
And I was in the theater.
And they just, all of a sudden, just vanished.
CRAIG MINCE: Vanished, right there.
You saw them--
Vanished.
[suspenseful music]
GRANT WILSON: All right, guys.
Night two.
Besides Brandon and Mustafa, we've got zero interaction.
So I thought, you know what?
If I'm an intelligent entity here,
what's really going to get my attention?
This place was designed to entertain, right?
[suspenseful music]
So what we need is entertainment.
So I've arranged for a string quartet to come here tonight--
Shut up.
GRANT WILSON: --and play in the theater.
That's cool.
Hm. GRANT WILSON: OK?
I want us all in there.
We can set the mood.
But we're going to hit it with equipment.
BRANDON ALVIS: Mhm.
Brandon, start thinking about how you want to arrange this.
Oh, yeah.
GRANT WILSON: And let's see if we can get some interaction.
[string quartet playing]
[heavy breathing]
Yeah.
A black shadow just walked right this way.
MUSTAFA GATOLLARI: Are you serious?
GRANT WILSON: That's why I ran up here.
The only way down would be there.
And if someone went through there,
there would be a motion light.
But there's no one here.
[heavy breathing]
[shuffling]
MUSTAFA GATOLLARI: (WHISPERING) I thought I heard something.
GRANT WILSON: What did you hear?
MUSTAFA GATOLLARI: I heard some creaks,
but I thought it was coming from up above me.
And then that's why when you came running, I was like,
oh my god, I can't be the only one.
GRANT WILSON: Really? - Yeah.
Yeah. Yeah.
I had no idea you were experiencing that.
I was literally sitting there, and I
was like, if I were to go and watch this performance,
like, I would-- I would--
GRANT WILSON: You'd be up here! - Yeah!
That's what I was-- and I was telling--
GRANT WILSON: Yes!
That's why I was looking up here the whole time.
That's crazy.
[suspenseful music]
Up on the balcony, there's a door that goes to the offices
where Craig's office is.
And there's a railing in front of that.
And on the railing, something moved quickly to the left,
which makes tons of sense.
I mean, that's where we had these reports
of a shadow figure moving over there and turning on the light.
[suspenseful music]
Craig, it's good to see you again.
CRAIG MINCE: Sir. Good to see you as well.
Yes.
So you reached out to us because this is a job that you love.
Mhm.
But there's an aspect to it that you didn't really
know you were getting into.
These stories you've heard from people about activity
in the building is something that's got you on edge.
Definitely.
So our main goal was to figure out
if there was activity in here.
Mhm.
GRANT WILSON: And if there was, we'd help you feel comfortable.
So we had these reports of this couple coming in dancing.
How are they going to resist this?
BRANDON ALVIS: Yeah.
So we kind of just lit the whole place up.
And hopefully, we're going to be able to document something--
Yeah.
BRANDON ALVIS: --during this quartet plan.
GRANT WILSON: So they're playing.
CRAIG MINCE: Mhm.
And I noticed, right outside your office door,
it looked like something was blocking the railing.
And then it walked to the left.
I shot like a rocket, and Mustafa took off after me.
And he told me that he was hearing noises from up there.
There's no one here.
We couldn't find anybody.
I'm sitting down here on the first tier.
I keep seeing movement up here.
There's something that keeps pacing in front of that door
up there.
I saw this pulsating gray or white mass between the doorway
and this rail here.
GRANT WILSON: So while all this was going on,
Brandon pointed out we had a trap camera up there.
CRAIG MINCE: OK.
This is one of those things you put in the forest,
and it doesn't record until it detects something.
This is the very first time that,
since we've been using these cameras,
that we got footage without us in it.
It only did that in the area where we were seeing things.
We also hear things.
It sounds like someone is standing right by the camera.
CRAIG MINCE: OK.
So, go ahead and play that.
BRANDON ALVIS: So you see how that starts out really dark.
CRAIG MINCE: Dark.
That gives me chills.
So, we were all just elated with how that went.
And Brandon and Mustafa, who had originally
made contact with this woman, started to reach out.
BRANDON ALVIS (OVER RADIO): So let's just make this clear
again, are you Dr. [inaudible]?
If you're-- yes, it is.
It's cool, right?
A resounding yes.
That's pretty amazing.