what's going on YouTube in this video we're gonna talk about broadcast safe
and basically how to set it up and generally what it is
I'm gonna be working in this video with the raw film footage we have again read
file over here I did quick color grading so we kind of have classic ceiling
orange over here and over here we have rec.709 little spectrum window that way
you guys can see what's really going on with the color so first thing how we set
it up if we're gonna go into color management there is a little optional
here broadcasts safe and basically we have three levels of intensity this is
very lenient and this 0 to 100 a little bit more strict so let's work in 0 to
100 and let's select make broadcast safe now check it out when I'm gonna click
Save how this gonna change vary a little bit ok so it kind of compressed it a
little bit but not enough so what I mean by that if we're gonna go into view
display broadcast safe exemptions so once we click that we basically start
seeing all the yellow and outer basically dark blue I'm gonna show you
right now this is outside the legal broadcast for rec.709 so what I'm gonna
do to show you how it works I'm gonna go to hue versus saturation
and I'm gonna bump up a little bit of that teal okay so now we have very
saturated image and as we can see here we actually go above rec 709 space so if
I'm gonna turn this off for a second we can see that image let me bring the full
screen we can see that image is extremely saturated now and we
definitely beyond rec.709 so here comes in broadcast safe ok keep in mind every
region have its own specifications every news
channel have their own set of rules but this is very general so this one I'm
gonna call saturation so what you can do to fight that there's a very cool plugin
that comes with the vent resolve if I'm gonna go in to resolve color gamut
mapping okay we have rec.709 we have emit saturation compression and
basically what I'm gonna start doing I'm gonna start compressing the saturation
okay right over here we can see that it's there going below our little
warning that's one way if you don't want to use plugin it's very simple to fix so
let's go again in the hue versus saturation and let's click where it show
us warning so I'm gonna select the dropper and I'm gonna select right over
here okay right over here and let's start bringing everything down okay
let's expand it a little bit the way we're not affecting what doesn't mean to
be affected okay so we figure out one let's go and click
here what's over here okay we start figuring out another one
that's it basically we fixed everything now obviously this is very ugly in a way
solution but just for the sake of example you can see how we fix the
broadcast safe and basically extra saturation it's a very good way if you
have something that's gonna be shown on television so kind of generally keep in
mind where you think that and basically what's going on so when you start
grading and if you go outside legal limit you kind of know with this little
sheet I guess where you color staining surely instead of looking at the chart
so this is very quick tutorial just wanted to show you guys basically what's
going on with saturation and how you can use broadcast safe in DaVinci Resolve
thank you for watching be sure to check out rah film and some stuff on my
website I'm posting some additional information there and I will see you
guys next time take care