We're using depth, we're using space, we're using light.
All of these tools are used to tell the story exactly the same way that a Renaissance painter
would do.
When you look at the Venusti picture and look at the setting of, for instance, Nero's palace,
then you can see a lot of similarities.
We have the columns, the space, we use the same sort of depth of field, we use the same
vertical composition because we want to emphasise greatness, we want to emphasise scale, we
want to emphasise almost a superhuman or godly presence.
Nothing is incidental, everything is planned.
That's how these things are created.
Nothing is left to chance.