the
them
the only thing you know you're overly busy here
cancer first time for the New York Times New York Times
talked out here are really happy to have this great cast um
can audiences can beat up you know there's been a few films are seeing this
week
um that have not been received well
talk about all yeah
I'll that was the case of the house last night everybody
you %ah
I I feel like alone you're really is to make people laugh um
but there are a lot of tears everybody who's walking up to me saying you know I
was sobbing weeping I was thinking up might like it
I was too I'll what have the field like get the emotional reaction from people
I you
I'm used to making people wait yeah
fine know the meaning yeah
it wasn't a I mean I do you think that Pixar does that amazing gather
walking that line always and making you feel really huge feelings
and so it's that the film is still with a lot of class
by it is is definitely kleenex
crank situation a nine-year-old and
I just couldn't stop the better you know she's brilliant and she's smart and I
feel like
I rarely see kids like her in the movies
and this movie made me so happy to see a kid they remind me my own good
but I get started peep with with your daughter in a way the inspiration for
the film would like to talk about
um where the justice for the
the film in yeah yeah sure my my daughter's name alien she was
a ninety did the voice a young alien up if you saw that
movie their little kid at the beginning but if the up and a
Clark so she's got a lot like that kid and in real life she was
rambunctious and full energy and I when we're starting on issues 11
and she is starting to go into different phases life
I'll pulling back and being a little more quiet reserved and
maybe just kinda wonder what's what's going on in there you know what's going
on in her head in
thinking about emotions as characters just seemed like a really entertaining
perfect for animation kinda thing and right off the bat at that man the
casting
we could have so much fun with the casting and finding these
specific characters so was a fun journey
and just threw their whoever's nope it's right yeah I with the like
well it was it was amazing to me it was it was pretty simple he
comes with these just really great distilled ideas and
and sat there and pitch it that way and he said you know what if we had it will
be told a story
about a little girl except that she's the setting is oppose the character and
we present a buyer motions and the
story is told through those emotions I just
ice at ford and I thought loving animation FL a great arena and we
shortly after 12 a.m. John Lasseter and
pitched it to him it was great I member ice kinda sad
John Lasseter we fit everything to him and he sat in a chair is a scene is Pete
10 seconds and I C Johnson forward
are that's as well the audience and the right cell
its kinda work inside brought this girl Riley said
there's a lot going on like there's with every kid um
but these people running around in there and various forms a hard week to roll
call
although down from anger disgust sadness and joy if you tell us a little bit
about
your character that you play and what he thought the first time you saw
sorry viewers a.m. my characters the most important character a
going to move in the the the she would not be awake
if I didn't exist the rest have them all over in their world
of you my character basically instead
just the is just as the is the upset button
you know I'm the one who's just or you know always upset about something
and up and think it's interesting to a billion
the you know good really started to be alleged
last night watching it is key he truly has no effect on anything
I in the air tankers worthless
are so I the but it's it's
it it's a lot of fun to do they sent me my character date literally sent me a
the with the initial drawings my character and I thought
the tubes yeah they didn't do it for the rest use
specia duck specially for me
kids the I need to see these things and
but it was astonished you know it's just amazing
that the trying to for what they did in the word that way the encapsulation
in the animate angered cute which is Kayla boo
creepy I
your name newspaper yeah
and getting angry bad yeah
that's what we try to do the New York Times okay yeah
I especially in the style section
%uh and you play discussed your doctor disgusted by thanks
I with so I think that 75 percent my career
is I'm in my thirties playing like a a 13-year-old girl who like Kate
everything at
I am really happy corner on that market I
okay the first to know when you think about the primal
and instinct I don't think I've discussed as as part of it you know I
think
these ones so much more but it started if a little sophisticated to me and Pete
explained it to me
Pete is like a professorial as you like it in Lizz Mr Big East Main
to me and Jess explain that discussed is what you have that keeps you from
in you know if you think a like early man from eating something out he plays
an answer
keeping away from you know think disgusting thing that could hurt me
and but I like the form that she's takin which is like
a very like a well-dressed up
I don't know she's an incredibly opinionated and
up the group she's the one that's I think sir sophisticated
in his always kept giving everyone a hard time about coming up on any
solution
at its best
and fills becomes you know and some was one the most important characters in
this film
its the role of sadness and Riley's life has absolutely
up I
bernstein yeah I'm truly I'm
I just obliviously when and record a different
I really my senate character arm actually until I actually saw the film
I it actually made me think about my own life as a child
and arm the emotions
that I had as a child and truly I wasn't that sad I was pretty much
July and beer yeah I was a combo of joy and fear
I and I'm bystanders comes from I i think people
beat me a lot yeah
do it right I and whatever it takes to
enjoy yes I should point out fear what the heck bill hater place be reworded
probably been here here and he probably he wishes he could be here but I am
you he said he's too fancy in too big for itself in
I yeah
tale fancy for Kansas your way
I bigger FW
care done with Bob Dylan I
like okay it's just a
act help us too hard
him seen a wave now princesses and her son wrote characters but this is a real
girl living in the real world
going to some real difficult moments with her family
um what rings true dat azz for the for the women on the pill what brings
true about her experience as a girl when you're talking about this yesterday
which is so true which is
it's just so refreshing to have the are setting
or protagonists setting the that that person be a young girl because it's
still
very undiscovered world also the age that Riley is that wonderful
age right before puberty starts where you kind of like the whole world is your
oyster
now I'm and you kinda believe you can do it all and
you should and no one's no one's really
come in and and screwed with you have yet and is a great moment in the film
where the boyfriend generator
yeah making boyfriend enjoys like what like
you know that to come but right now writing is still in like that
sweet spot and where
you know where young girls you almost wish they could always stay
and we tend to
you know their overdramatize are sexualized or
and that create conflicts among young girls in its like so you're pressing to
have his girl in this body
during this time in the film it's really call that
it
them
mmm