- I LOVE THE MOVIE. - OH, THANK YOU.
- YOU DON'T KNOW WHAT'S GONNA HAPPEN, AND IT'S REALLY...
- WE'RE SO SORRY YOU GOT CUT OUT.
- REALLY GOOD. YOU KNOW, CAN YOU TELL ME WHY?
- IT WAS--YOU KNOW, YOU WERE STEALING THE LIGHT.
- OH, YEP, I CAN SEE THAT.
I CAN SEE WHERE--YEAH.
- YOU DID ME A BIG FAVOR BY... - BOWING OUT?
- BY BOWING OUT.
- YOU'RE RIGHT. I DID STEAL THAT SCENE.
UM...
NO, IT'S REALLY-- I THOUGHT, ESPECIALLY THAT,
'CAUSE THAT'S HOW--IT'S KIND OF ONE OF THE FIRST SCENES.
IT OPENS UP REAL BIG.
- YEAH, THAT'S ONE OF MY FAVORITE SCENES, IS,
I COME TO MOSCOW, AND I'M AN ANALYST,
SO THIS IS MY FIRST TIME KIND OF BEING IN THE REAL WORLD,
AND I ENCOUNTER THIS VERY LARGE GENTLEMAN,
AND I GET INTO THIS FIGHT WITH HIM,
AND TALKED TO KEN, THE DIRECTOR, ABOUT IT,
AND OFTENTIMES IN ACTION FILMS, YOU GET INTO THESE FIGHTS
AND PEOPLE DIE, AND YOU GET INTO ACTION SCENES
AND NO ONE'S SWEATING.
NO ONE'S FREAKING OUT THAT, YOU KNOW, YOU HAVE TO INFLICT SOME,
YOU KNOW, PRETTY HEAVY STUFF,
SO WE WANTED TO SEE WHAT IT WAS LIKE
TO HAVE A REAL GUY IN THAT SITUATION
AND HOW HE WOULD REACT AND THE FEAR THAT,
YOU KNOW, COMES WITH THAT.
- AND HOW LONG DID IT TAKE?
'CAUSE THAT WAS REALLY--I MEAN, I'M SURE THAT WAS NOT YOU.
THAT HAD TO BE SOME STUNT PEOPLE,
'CAUSE THERE'S--HOW LONG DID IT TAKE TO SHOOT THAT?
- THAT WAS ABOUT, I THINK, A WEEK.
YOU KNOW, IT TAKES A LOT OF CHOREOGRAPHY TO FIGURE--
EVEN IN A SMALL, CONFINED PLACE--
THE FIGHT TAKES PLACE IN A BATHROOM,
THEN THEY BUILT THE SET OBVIOUSLY--
BUT IT TAKES A WHILE TO FIGURE OUT THE CHOREOGRAPHY,
AND MIDWAY THROUGH, I ACTUALLY BROKE MY FINGER
IN A VERY DANGEROUS STUNT.
I LOVE SAYING THAT.
I FEEL SO HARDCORE.
UM...
- HOW DID YOU BREAK YOUR FINGER AND THEN DO THE--
BECAUSE DIDN'T YOU HAVE TO WEAR A SPLINT?
- I DID HAVE A SPLINT, BUT IT WASN'T, LIKE--
IT WASN'T IN THE MIDST OF ANY, LIKE, GREAT--
I JUST FEEL LIKE SUCH A--
- HOW DID YOU DO IT?
WELL, IT WAS--SO I'M THROWING THIS HAYMAKER PUNCH,
AND IN FILM/ACTING FIGHT TIME, IT'S NOT--
YOU DON'T ACTUALLY THROW A PUNCH.
YOU HAVE TO THROW THESE KIND OF WIDE PUNCHES
TO MAKE IT SEEM-- SO THE CAMERA CAN SEE IT.
- HERE, PUNCH ME. I'LL SHOW YOU.
- SURE. LIKE THIS, RIGHT?
BAM.
- EXCEPT YOU SAW THAT SIDE.
IT'S SUPPOSED TO GO THE OTHER SIDE.
- WAIT A MINUTE. - OKAY.
DID IT LOOK LIKE HE HIT ME? - THAT GOOD?
- NO, NOT AT ALL.
- HIGH FIVE.
- IT DIDN'T LOOK REAL AT ALL.
- WE'RE PROFESSIONALS.
- SO YOU'RE DOING THAT.
- SO ANYWAYS, SO I'M DOING IT, AND IT WAS A LONG DAY,
AND I JUST KIND OF-- I DID IT LAZILY,
AND MY FINGER JUST SWIPED HIS JACKET.
IT WAS JUST KIND OF LIKE VERY, VERY...
- OH, NO.
- UNMASCULINE.
THAT'S THE WORD. - OH, NO.
- AND THEN THERE IS DEFINITELY FOOTAGE OF ME GOING DOWN
IN A HEAP OF JUST..."AH!"
YEAH.
JUST AWFUL, AWFUL SOUNDS.
- BUT TO--HOW CAN YOU--
WELL, YOU MUST'VE BEEN GOING VERY FAST TO BREAK--
- A VERY FAST SLAP.
- A VERY...
[both laugh]
- OH, THAT'S SAD.
BUT IT'S VERY PHYSICAL.
THERE'S A LOT OF RUNNING. - YEAH.
- YOU HAD TO BE IN GOOD SHAPE.
AND YOU'RE WORKING WITH KEVIN COSTNER,
WHO'S FANTASTIC IN IT AS WELL.
- I MEAN, HE'S-- HE IS SUCH A COWBOY.
WE SHOWED UP TO THE--
WE WERE DOING PRESS, AND HE WAS IN HIS CUFFED JEANS
AND HIS COWBOY BOOTS AND HIS VEST.
AND, YOU KNOW, YOU FORGET THAT HE WAS--
I MEAN, HE'S "BULL DURHAM."
HE'S "DANCES WITH WOLVES."
AT MY AGE, AT 33, I THINK HE WAS MAKING "DANCES WITH WOLVES."
I MEAN, HE'S AN ICON,
SO IT WAS INCREDIBLE.
- YEAH, HE'S A GREAT GUY.
- GREAT GUY. AND HE'S GOT A BAND.
I MEAN, HE'S GOT A LOT OF STUFF GOING ON.
- YEAH, AND YOU SHOT--
AND YOU ACTUALLY SHOT IN RUSSIA, DIDN'T YOU?
- WE SHOT-- YEAH, WE SHOT MOST OF IT,
ACTUALLY, IN ENGLAND, IN LONDON, AND AROUND THERE,
AND MOVIE MAGIC MAKES IT LOOK LIKE IT'S MOSCOW.
BUT WE DID DO, LIKE, TWO DAYS OF GUERILLA FILMMAKING
IN THE HEART OF MOSCOW.
- YEAH.
IT'S A BEAUTIFUL CITY,
AND I THINK THERE--YOU KNOW, THERE'S A LOT GOING ON
WITH THEM RIGHT NOW WITH THE OLYMPICS BEING THERE
AND THEIR STANCE ON THEIR POLICIES,
AND YOU'VE BEEN VERY OUTSPOKEN ABOUT THAT,
WHICH I THINK IS GREAT.
- YOU KNOW, I HAVE CERTAIN FEELINGS ABOUT IT.
I KNOW--YOU KNOW, I'M A FRIEND OF ZACH QUINTO,
AND I'M VERY SENSITIVE TO THAT ISSUE.
AND OBVIOUSLY, THEIR POLICY ON IT IS NOT--
I MEAN, IT'S ARCHAIC AND NOT OF THE 21ST CENTURY, CLEARLY.
- IT'S NOT, AND IT'S A SHAME.
IT'S A BEAUTIFUL CITY. IT'S AN AMAZING PLACE.
- IT'S A STUNNING CITY. IT'S SO MUCH HIST--
WHAT I FIND, LIKE, DRIVING IN FROM THE AIRPORT,
YOU HAVE ALL THESE LAYERS OF HISTORY.
YOU GET THE COMMUNIST BLOCK,
WHICH IS KIND OF CONCRETE, YOU KNOW,
50-STORY TALL APARTMENT BUILDINGS,
BUT THE CLOSER YOU GET INTO THE CITY,
IT BECOMES THIS KIND OF INTERESTING SERPENTINE,
COBBLESTONE STREET.
I MEAN, YOU FORGET THAT, YOU KNOW,
IT WAS ONLY, WHATEVER--
A HUNDRED YEARS AGO, IT WAS A COMPLETELY DIFFERENT WORLD.
- YEAH, YEAH.
IT'S A BEAUTIFUL--VISUALLY, IT'S A BEAUTIFUL FILM TO WATCH,
IN EVERY ASPECT.
- YEAH.
- ALL RIGHT, WE'LL TAKE A BREAK, AND WE'LL BE BACK WITH CHRIS.
[cheers and applause]