The Physical Impossibility of Death in the Mind of Someone Living is an artwork created
in 1991 by Damien Hirst, an English artist and a leading member of the "Young British
Artists". It consists of a tiger shark preserved in formaldehyde in a vitrine. It was originally
commissioned in 1991 by Charles Saatchi, who sold it in 2004, to Steven A. Cohen for an
undisclosed amount, widely reported to have been $8 million. However, the title of Don
Thompson's book, The $12 Million Stuffed Shark: The Curious Economics of Contemporary Art,
suggests a higher figure. Owing to deterioration of the original 14-foot
tiger shark, it was replaced with a new specimen in 2006. It was on loan to the Metropolitan
Museum of Art in New York City from 2007 to 2010.
It is considered the iconic work of British art in the 1990s, and has become a symbol
of Britart worldwide.
Background and concept The work was funded by Charles Saatchi, who
in 1991 had offered to pay for whatever artwork Hirst wanted to create. The shark itself cost
Hirst £6,000 and the total cost of the work was £50,000. The shark was caught off Hervey
Bay in Queensland, Australia, by a fisherman commissioned to do so. Hirst wanted something
"big enough to eat you".
It was first exhibited in 1992 in the first of a series of Young British Artists shows
at the Saatchi Gallery, then at its premises in St John's Wood, North London. The British
tabloid newspaper The Sun ran a story titled "£50,000 for fish without chips." The show
also included Hirst's artwork A Thousand Years. He was then nominated for the Turner Prize,
but it was awarded to Grenville Davey. Saatchi sold the work in 2004 to Steven A. Cohen for
an estimated $8 million. Its technical specifications are: "Tiger shark,
glass, steel, 5% formaldehyde solution, 213 x 518 x 213 cm."
The New York Times in 2007 gave the following description of the artwork:
"Mr. Hirst often aims to fry the mind, but he does so by setting up direct, often visceral
experiences, of which the shark remains the most outstanding.
In keeping with the piece's title, the shark is simultaneously life and death incarnate
in a way you don't quite grasp until you see it, suspended and silent, in its tank. It
gives the innately demonic urge to live a demonic, deathlike form."
Decay and replacement Because the shark was initially preserved
poorly, it began to deteriorate and the surrounding liquid grew murky. Hirst attributes some of
the decay to the fact that the Saatchi Gallery had added bleach to it. In 1993 the gallery
gutted the shark and stretched its skin over a fiberglass mold, and Hirst commented, "It
didn't look as frightening ... You could tell it wasn't real. It had no weight." When Hirst
learned of Saatchi's impending sale of the work to Cohen, he offered to replace the shark,
an operation which Cohen then funded, calling the expense "inconsequential". Another shark
was caught off Queensland and shipped to Hirst in a 2-month journey. Oliver Crimmen, a scientist
and fish curator at London's Natural History Museum, assisted with the preservation of
the new specimen in 2006. This involved injecting formaldehyde into the body, as well as marinating
it for two weeks in a bath of 7% formalin solution. The original 1991 vitrine was then
used to house it. A philosophical question was acknowledged
by Hirst, as to whether the replacement shark meant that the result could still be considered
the same artwork. He observed:
It's a big dilemma. Artists and conservators have different opinions about what's important:
the original artwork or the original intention. I come from a conceptual art background, so
I think it should be the intention. It's the same piece. But the jury will be out for a
long time to come.
Variants Hirst has made other works subsequently which
also feature a preserved shark in formaldehyde in a vitrine. In September 2008, The Kingdom,
a tiger shark, sold at Hirst's Sotheby's auction, Beautiful Inside My Head Forever, for £9.6
million. Hirst has made a miniature version of The
Physical Impossibility of Death in the Mind of Someone Living for the Miniature Museum
in the Netherlands. In this case he put a guppy in a box filled with formaldehyde.
Responses
In a speech at the Royal Academy in 2004, art critic Robert Hughes used The Physical
Impossibility of Death in the Mind of Someone Living as a prime example of how the international
art market at the time was a "cultural obscenity". Without naming the artwork or the artist,
he stated that brush marks in the lace collar of a painting by Velázquez could be more
radical than a shark "murkily disintegrating in its tank on the other side of the Thames".
Hirst's response to those who said that anyone could have done this artwork was, "But you
didn't, did you?" In 2003, under the title A Dead Shark Isn't
Art, the Stuckism International Gallery exhibited a shark which had first been put on public
display two years before Hirst's by Eddie Saunders in his Shoreditch shop, JD Electrical
Supplies. The Stuckists suggested that Hirst may have got the idea for his work from Saunders'
shop display. Notes and references
External links Official Damien Hirst Website
Article pathology Lego version by the Little Artists
Smarthistory - Hirst's Shark: Interpreting Contemporary Art, video, Beth Harris, Sal
Khan and Steven Zucker commentators, 7:49 White Cube