If I like someone and they turn out to be a bad kisser, I would totally still entertain
it because hey, you know.
Maybe it’s like their first time kissing who knows?
You might be able to train someone to be a good kisser, okay?
Oh, snap.
So, A Boogie, he came along on the record.
I was looking for someone who could really bring a different element to the song, and
could really...You know, I could pause from me and from some of the music and bring a
whole new world to it.
“A whole new world.”
Sorry, I had to do that.
I feel like it's just your vibe, your essence.
Yeah just having that confidence and attitude.
That is how you make someone fall in love in a minute.
This guy is trying to talk a big game.
He's like, “Listen, I don't do commitment.”
I'm like, “Okay I believe you.
But hold on.
You haven't met me yet.”
Yes, I feel like I could be the one to make him commit.
So, let's do this and let's see where this goes.
You are saying all of these things, right?
And you're trying to act all tough and you don't do commitment, and all that.
But hold on.
You're really close.
Like you're still here, and we're close together.
So, must be something.
We'll know with this kiss how it is, how our connection is, and we'll know that if it's
real or not.
A kiss is the truest way to know if a connection is real.
So, I love that lyric, and it's also flirty and sassy, but at the same time, it's also
really sweet, and I love that about this record.
It has all those different elements to it, but I love saying, “One hit, you're mine.”
This is real, and this is how we know.
Basically, it's just me acknowledging that this guy, you know, again, he's a big talker.
He's like “You know, I'm quick and all.
You know, I don't fall in love, no commitment, whatever.”
And I'm over here saying like, “No.
Like I'm slow.
I like to take my time.
Be in relationship.”
But then I let you drive past the limit.
Like, “Okay, you're leading, and I'll let you kind of like be in control of the situation.”
I like to think of it as we're at like some sort of kind of bar, lounge kind of situation, and
basically, we're over there and we're engaging, we're talking, we're conversing.
We're feeling all the good vibes, and then we start dancing and time escapes us.
And it says, “Had at least two, but we're not drunk.”
Like had at least two drinks, but we're not drunk.
So, I know it's real.
Again like, after all this conversation and back and forth, we're in this moment where
we're both like vulnerable and we both have that undeniable connection and chemistry,
and this kind of rounds out all of those thoughts in saying like, “Hey, we're here together.
We're in this moment, and I know it's real.
Now, after all of this.
After all, you know, this chatter back and forth, like this is real and we both can't
deny it, because your lips don't lie.”
The beat totally just grabbed me, and I loved the melody and the lyrics and just the playfulness
and the whole entire vibe of the record.
And I told Anna, I said, “I need this song.
This is my song.”