Item #: SCP-2747
Object Class: Euclid Keter
Threat Level: Green ● Black ●
Special Containment Procedures: Foundation watchdog algorithms are to monitor online
and print media for mention of SCP-2747-positive keyphrases.
All matches are to be tagged and forwarded to the Department of Analytics, which will
provide further confirmation of SCP-2747 manifestation.
In case of positive identification, all affected media are to be suitably corrected via standard
Foundation media alteration protocols (912-A "TWILIGHT ZONE", 943-A "POISONED WELL").
Observational Procedure LUCID CHALICE
Controlled observation of SCP-2747 will take place using local computing resources to procedurally
generate narratives at varying levels of complexity and nestedness.
Simultaneously, descriptions of the narratives are to be generated using Foundation media-parsing
analytic/meta-analytic software at varying degrees of abstraction.
The results can then be examined for signs of SCP-2747 by periodically scanning for data
irregularities.
Any generated narrative containing such irregularities can then be flagged as an instance of SCP-2747,
with its seed conditions subsequently tagged as SCP-2747-conducive.
Given a large enough sample size, the boundary conditions of SCP-2747 can then be identified
and mapped with a sufficient degree of clarity.
Furthermore, a watchlist of 7,000 artists is to be maintained and observed at all times
for localised signs of SCP-2747 manifestation in their respective works using the aforementioned
analytic/meta-analytic software.
In order to increase the observable resolution and range of deeply-nested metafictional manifestations,
this watchlist should consist mainly of individuals, groups and organisations whose works tend
toward containing metafictional content, such as mise-en-abymes and stories-within-stories.
The sponsoring and/or covert influencing of such content creators can be sanctioned to
that end.
The results of LUCID CHALICE will be documented within the current documentation as Appendix
B.
Description: SCP-2747 is a phenomenon appearing in print and online media whereby platforms
dedicated to the discussion of works of fiction begin to mention a nonexistent instance of
fictional media.
Despite said nonexistence, articles, posts, comments, and other related metacontent created
with regard to the nonexistent work of fiction will be found treating it as real.
The nonexistent work of fiction can be mentioned by various individuals in varying capacities,
ranging from brief mentions in forum posts to being the subject of entire academic essays.
Descriptions, screenshots, photographs of physical copies, and brief segments of text
from said work of fiction can often be discovered in SCP-2747-affected media.
Descriptions of it are entirely consistent with each other, and it has proven possible
to reconstruct whole segments of fictitious media via descriptions of it taken from SCP-2747-generated
metacontent.
A list of fictitious media generated by SCP-2747 has been appended below (see Appendix A).
Where possible, the affected material can be traced to existing individuals; however,
when questioned under duress, said individuals invariably deny having written the affected
material, and deny all existence of the fictitious media mentioned within.
SCP-2747 has never been documented in real time; all observed instances thus far have
been recorded post-hoc.
No instances have been documented prior to January 2008.
The reason for this is unknown.
conforms to pataphysical observations documented in full in Appendix B.
It is the current hypothesis of the Department of Analytics that SCP-2747 represents evidence
of a naturally-occurring anafabula, or anti-narrative: a cluster of interdependent signs, iconography
and narremes that, when included to a sufficient extent within a fictional construct, leads
to mutual annihilation.
A narreme is defined as a base unit of a narrative, much in the same way that a mytheme denotes
a base unit of myth, or a meme denotes a base unit of culture.
First-hand reconstruction of the anafabula's properties is impossible given its anomalous
nature, but second-hand and third-hand descriptions have been generated from Observational Procedure
LUCID CHALICE and appended below (see Appendix B).
It can effect through layers of metafictional narrative, i.e. a metanarrative containing
the anafabula will cease to exist within the narrative, followed by the narrative itself
disappearing from our reality.
This interpretation of pataphysical reality ("layers of metafictional narrative") has
yet to be verified by Foundation observations at large, but appear concurrent with observations
obtained from transfictional anomalies such as SCP-1304, SCP-2614, and 001/███-████████.
The key identifier of the anafabula is that it invariably represents an in-universe antagonist
or anathema in all manifestations of SCP-2747, likely due to inherent narreme components
indicating its alien, yet centralising, nature.
UPDATE: The abovementioned hypothesis has been confirmed as a working model of SCP-2747.
Please refer to Appendix B.
UPDATE: The following procedures are to be enacted following the successful conclusion
of Observational Procedure LUCID CHALICE (see Appendix B).
At no time are the properties of the anafabula as outlined in Appendix B to arise in real
life, whether as a result of deliberate or natural action.
Any object, person or event bearing more than significance-level α to the semblance threshold
is to be altered via whatever means possible.
Access to information regarding SCP-2747, especially the information contained within
Appendix B, is to be strictly limited to clearance levels 4-2747 and 3-ANALYTICS.
Due to the pataphysical implications and inherent uncontainability of SCP-2747 as detailed in
Appendix B, it is to be classified as Keter with immediate effect.
Appendix A: Partial list of manifestations of SCP-2747
Nonexistent work referenced: Punta de la espira Medium: Short story
Extent of manifestation: 17 articles created and edited on http://es.wikipedia.org.
Summary of work: Punta de la espira (English: "Tip of the Spire/Spiral") is apparently a
1951 short story by Gabriel García Márquez.
It describes an unnamed protagonist as he sails down a river towards a desolate, "black,
horned" mountain in order to deliver a gift to an unspecified recipient.
The journey is rough and treacherous, and he dies of exhaustion at the end of the story
appearing to be no closer to his goal than when he first began.
The mountain is described in detail throughout the story, with recurring metaphors alternatingly
alluding to it as either an abode of the gods or a demonic presence.
Nonexistent work referenced: Taitoru (Japanese: タイトル)
The film's title describes itself; it is the Japanese phonetic pronounciation for the English
word "title".
Medium: Animated film Extent of manifestation: 1 article created
on http://www.tvtropes.org, with 55 edits made to various trope pages ranging from "Despair
Event Horizon" to "Foreshadowing" and "What Do You Mean, It Wasn't Made On Drugs?"
Summary of work: Taitoru appears to be an animated film directed by Satoshi Kon shortly
before his death.
It is described as a psychological thriller chronicling a struggling manga artist as she
attempts to complete and publish her first work under a tight deadline.
Stress takes its toll and boundaries blur; she begins to hallucinate, and the movie ends
ambiguously as to whether she has achieved her goal or succumbed to her weaknesses.
Typical of Kon's style, the animation is described as meticulous, kaleidoscopic, and occasionally
deeply disturbing; one scene features the protagonist physically grappling with the
shadows in her apartment - described under the trope entry for "Your Mind Makes It Real"
as the manifestation of her creative block - which eventually engulf and consume her.
Nonexistent work referenced: No Sister of Mine
Medium: Video game Extent of manifestation: 77 threads on http://forums.somethingawful.com,
each carrying between 3 to 103 comments.
Most users were established members of the Something Awful community.
Summary of work: No Sister of Mine is supposedly a turn-based role-playing video game of the
fantasy/horror genre published by Poakahan for the Nintendo Gamecube in 2005.
While Poakahan existed as a major game development studio operating out of Seoul between 2002
and 2005, no record of No Sister of Mine has ever been found.
According to reviewers, the player controls a party of 6 unnamed characters as they explore
a ruined kingdom with the intention to find a lost companion referred to as "Sister".
It was widely panned by the reviewers, with much criticism being levelled at the glitch-filled
battle system, incoherent dialogue, seemingly incomplete graphics, repetitive soundtrack
described as "nauseating" and "headache-inducing", as well as being impossible to complete.
The game's non-playable characters continuously mention a "coalblack thornbound tome" that,
when read from, would enable one to either obtain great power, or unleash a dreadful
curse; what most reviewers assumed to be the final quest line required the player to backtrack
through the game's previous areas and recover fragments of the tome using their newfound
abilities.
However, the reviewers unanimously claim that no fragments can be found.
One reviewer goes as far as to claim that the items themselves were never found inside
the game's coding in the first place.
Nonexistent work referenced: The Scolipendra Wiki
Medium: Collaborative fiction Extent of manifestation: 49 different pieces
of fanfiction (ranging from 343 to 2,401 words in length) posted on http://www.fanfiction.net,
each bearing between 1 and 6 comments.
Summary of work: The Scolipendra Wiki is deduced to be an online collaborative fictional universe
belonging to the horror, speculative fiction, and weird fiction genres.
It appears to have been hosted on some form of wiki site, though the address itself is
never mentioned.
The exact nature of Scolipendra's plot is hard to discern, as the various pieces of
fanfiction sport vastly differing storylines and a range of character interpretations,
further complicated by the involvement of other fictional universes and settings.
What is known is that it involves a cast of 7 characters wandering between a series of
realms, amassing and collecting items possessing supernatural or abnormal properties.
One item features heavily throughout the compiled works: a 7-sided obsidian emblem said to possess
the power to destroy any object, person, or abstract concept with a single touch.
It appears to be of great interest to the protagonists, who repeatedly make attempts
to acquire it; however, it also appears to be currently in the possession of a sinister
unnamed antagonist who is alluded to repeatedly in several works, yet is never seen.
Nonexistent work referenced: I/O Medium: Musical album
Extent of manifestation: Review columns in a total of 14 reputable publications, including
The New Bombay Times, Pitchfork and L.A. Flipside.
Summary of work: I/O is described as the ninth studio album by the now-defunct English rock
band Radiohead.
It contains 6 tracks measuring a total of 34 minutes and 18 seconds.
The majority of tracks appear to consist mostly of digitally manipulated samples from Radiohead's
previous albums, layered over with sparse acoustic instrumentation and vocals.
Reception of the album appears to be highly positive, with the exception of Pitchfork's
Jessica Greene who gave an average review of 7.0.
In particular, Greene felt that the album suffered from hasty and uncoordinated post-production,
likely not undertaken by Radiohead themselves; audio cuts between the 5th and 6th track were
described to be unnecessarily jarring, given the seamless flow between every other track
in the album.
It is mentioned that the album uses a characteristic grating, binaural reverb layered over lead
singer Thom Yorke's solo vocal track as a musical motif, embodying what The New Bombay
Times' Gulshan Anirudh believes to be its central themes of "spirals of isolation and
inspiration … of feedback loops that resonate into the level of the deeply personal, the
trembling core of creative psyche".
Anirudh also mentions lyrics referencing suicide and self-harm, though presented through a
series of oblique metaphors: I/O "never fears to toy with the idea of self-hatred and self-desecration
- yet the album as a whole seems to fall short of its mark, always orbiting yet never quite
touching upon the dreadful center."
Nonexistent work referenced: Mavigne, Or: A Treatise On The Metaphysics Of Inner Space
Travel, And The Kingdom Of Erikaar, Whose Name Is Darkness Made Light, And Further Theological
Expositions Thereof Medium: Novel
Extent of manifestation: 7 articles published in a single week in various academic journals
of literary criticism, each by reputable scholars.
Summary of work: Mavigne is described as the contents of a manuscript and accompanying
charcoal illustrations found in the house of a Rithabile Abrahams in 2014.
Abrahams appears to have been a reclusive writer and artist working as a maintenance
technician in Bloemfontein, South Africa and clinically diagnosed with schizophrenia
A number of individuals partially match this description, though no work similar to Mavigne
exists.
Mavigne is a nested frame narrative written in Afrikaans purporting to be a novel by a
17th-century Dutch mystic.
It describes the journey of the mystic, whose name is only given as Maas, learning of the
structure of the Earth's interior as revealed to him in a vision.
At the beginning of the novel, Maas dreams of a supernatural being that is aware of its
nature as a dream-entity and is highly indebted to Maas for bringing it into existence.
In exchange, it promises to divulge to Maas the secrets of the earth.
Maas, being corporeal, is unable to pass through the ground, and so the being decides to simply
narrate the journey.
It speaks of 6 realms demarcated by thresholds, ranging from the realm of treasure and minerals
to an intangible plane of light and sound.
Beyond these 6 realms lies another threshold, this time one of cold and silence, which is
described to be the Earth's core; before it can be elaborated upon, Maas wakes, and the
dream ends.
Nonexistent work referenced: ex lux Medium: Interactive novel
Extent of manifestation: In-depth posts on 7 different fiction review blogs, along with
a mention in a Time magazine article on experimental narrative forms.
"The End(?)" Chao, Ingrid.
Time, Issue 35, 2008
The title is also mentioned in 175 Twitter posts, largely in the context of recommending
it as an interesting, if underrated, piece of interactive fiction.
Summary of work: ex lux appears to be a work of interactive fiction of the mystery genre
written in a mixture of English, Catalan, and Spanish.
It is presented as a set of epistolary narratives from the points of view of 6 characters and
a stream-of-consciousness narration of ambiguous provenance.
Readers navigate between the 7 story threads, discovering hints of a murder, or several
murders; eventually, the narratives converge at a roadside diner during a thunderstorm,
and the characters exchange their stories.
From here, the resultant narrative structure cannot adequately be described as simple framing
devices or stories-within-stories, as the inner tales eventually begin to intertwine
such that later tales shed new light on ones recounted earlier, or themselves link to segments
of text earlier on in the narrative after lengthy detours.
At several points, characters attempt to consult the testimony of an absent individual, referred
to as the Stranger.
The identity of the murderer(s) or victim(s) is never known, nor does the story have a
conventional ending.
Appendix B: Observations and conclusions from LUCID CHALICE
[DATA LOST]