We started with the poster and that transitioned
into the postcards as well. Yeah, and then there
was a little series of animations, some splash pages
for the website, social media and then all the labels as well.
It was a real lesson in collaboration and teamwork.
It really did stem from the idea of the Panopticon being
this kind of self-regulation of behaviour and, you know,
the people on the outside are watching in, but part
of the artist's brief was that there was a living body
in each installation. So, we then thought what happens
when the art is looking back at you? So, it's actually
a dialogue between the two rather than just the observer
and just the self-regulation, it's a conversation, so that's
where we got the tagline — nice to see you.
Not only is it a real-world project but it's part of what's
obviously becoming a very big event.
So being a part of that feels like a step-up
for us as artists, and
a really exciting opportunity.
It's an amazing platform to be given and to have your work be
a tiny part of it is like, yeah, incredible.
Maybe it won't get any better than this.
Maybe this is the peak. Maybe this is the peak,
but it’ll be a good one if it was.