Good afternoon, my name is Hunee.
Hi, and I'm Prosumer.
And I'm going to show you What's in My Bag.
This is a record from Hieroglyphic Being, a musician from Chicago
and it's from this series '+ + +.' It's a specific label that he does, which is very limited.
He's doing very experimental music on this.
I haven't listened to it so I can't say what kind of...
but I'm sure it's going to be very beautiful.
Also one I haven't listened to. Hunee gave it to me.
It's a side project of Prince.
I think he didn't make too much bad records, especially not at that time.
'If You Feel Like Dancin'' is the cut on this one, and 'One Man Jam.'
Ok.
For anyone who finds this record.
I'm looking forward. Prince.
Ok, the next one, his name is Finis Africae.
Both of them are compilations or collections from older works from him.
It's perfect for L.A. It's breezy, new-agey
very atmospheric, lot of like jungley sounds in there
and beautiful, just beautiful music.
The next record is also an interesting record that I found here in the dollar bin.
$2.99. It's Frankie Bones 'Call It Techno.' Do you know it?
Not that one I think, no.
You have this suspicious look.
I listen to every...
Frankie Bones record
Yeah.
It's just a brutal Frankie Bones Brooklyn take on techno, I would say.
I have to say, I've seen him in Berlin DJ too, and it was one of the best nights I've been out to.
He was just like, I came to stomp your asses into the ground.
This was his attitude, you know, he was just DJing like
super brutal and no... it was very interesting
Wyndell Long on Peacefrog Records
and he's one of the Chicago producers who never has been so famous.
He has a nice way of balancing really stumpy, rough beats with a jazzy element.
So it's a nice balance of the two extremes. Great record.
Like a lot of good Peacefrog Records.
True.
Yeah.
The next one is a Salsoul disco record. It's Moment of Truth, 'So Much For Love.'
It's the instrumental version, which you can only get on the promo
and this is the promo that I'm holding in my hands.
And it's I think one of the first Tom Moulton mixes
and it's a very soulful, very lush, beautifully orchestrated disco song.
I think he was the first one who ever edited a disco track
who was allowed to take the multi-tracks and then change it
based on his aesthetic idea.
You have all these stages when you make a record, you have someone who writes the record
then someone who arranges the record, someone who plays the record
and then comes this DJ at the very end and can change everything that all the other people did.
And he was the first one who did it.
My next find, John Martyn, 'One World' the album
and there's this one track on it, 'Small Hours,' one of the most moving songs.
When you listen to it and it's really quiet around you, what's so beautiful is, you hear
that he had the windows open when he recorded the song
and you can actually hear a bunch of geese flying by and screaming somewhere in the background.
There's a YouTube clip where he plays 'Small Hours' live at a college. You know this?
And this tops even the recording, because you see him just with the delay pedal and the guitar
playing all the lines and singing.
The Patrick Cowley release, the guys who do the Honey Soundsystem parties
together with my friend Josh, who's doing Dark Entry Records.
They re-released this and it's pretty much the thing at the moment.
I still haven't listened to it fully yet, but whatever, it's amazing.
They just discovered it in some basement, basically the soundtrack for porn.
So it has a sticker: 'do not open if you find sexually explicit material offensive.'
So it's still sealed, we're not opening it yet.
And I think that's it.
Thank you very much.