You can see my finger pointing there so this a level FX return right now is it
zero and then the parameter on the effects is it minimum so I'm going to
turn the level FX right now we're number one number one is a reverb in the hall
so here's minimum and here's maximum you don't hear anything different so I'm
going to start going on my return now from zero to ten and as I talk it gets
to the hall we get a little reverb action going there and now we're at five
six seven eight nine and ten so here's a 10 and this is parameter
maximum I turn the parameter the Schism nothing changes you hear the difference
here's maximum
that's number one number two here's number two so I'm gonna turn this back
down because it's a little bit a little bit hot there so anyway we'll play with
it as we go so we'll do your your your your chance
whatever okay so there's number two I'm gonna
leave the parameter at maximum I could go back to minimum but you see the
difference there's minimum and here's maximum a lot more reverb and this is an
even reverb this is the hole alright here's number three number three
reverb room number two maximum return is at five let's go up even farther so
we'll just leave these now and see what they do leave them at eight and maximum
there's number three reverb room one here's reverb room - this is reverb room
two
here's after five four five Reber number five reverb stage one river
this is number six reverb stage - hey anybody in here man let's go punch him
nobody's home okay this is number seven number seven FX
return is on eight number seven is reverb plate hello
here's number eight eight drama ambience alone not drumming this is what it
sounds like with my voice number nine this is number nine early reference rep
whatever that is hey sorry for me or something
number ten Katy reverb hey what's happening
oh no you see me have a nose okay so there's one excess right you'll have a
single delay single single this is fully flea on and this is off so
there's just a little bit of difference there oh nice here's number twelve
twelve twelve twelve twelve well I wonder I wonder wonder what this what
this does does does
Hey singing nomads so much the voice voice
while you travel is a trap with the trap with the driver it's a prisoner exchange
if it's a chance to the tribute to the tribute to the number 13 vocal echo and
echo nobody in there who's there anybody I guess you can play all day with the
1714 in karaoke Oh
oh say zombie
either one of you want watches or toys or whatever okay so let's go is number
15 15 is a phaser this is the phaser and this is the full effects of my phaser
there's a time phaser in the strife or injure it's a rancher this is a flanger
my last name is blender don't confuse that with the flanger alright thank your
time I've got a flanger for you it's right here
flattery flattery Fletcher chorus 1 this is chorus one right now so
oh you see there's not much reverb but it tends to blend more so there's like
there's more voices all kind of thick thickens up the vocal qualities
Oh course to a little different I think it's a little odd
well and here's number 19 where nineteen is because in flake
symphonic symphonic symphonic will dry on the symphonic side so there's no no
effects return zero and there's ten number 20 number 20 is tremolo so if I'm
going to go down here on my my parameter down to zero on the tremolo and now I
start cranking up the tremolo
Oh
maximum tremolo as we speak maximum trouble Oh
Oh tremolo a minimum tremolo no tremolo just my voice just the sound of my voice
so up with the tremolo we go
now you know 21:21 is auto wallah and this is kind of a new here's a
maximum blow online next move Wow no no no no no no no no no no no no
no no no maximum number 22 radio voice they call this the radio voice I don't
know that it's all that wonderful because here's Total Effects return
total parameter here's no parameter and here is an oh well actually FX return
complete on 10 with the parameter of minimum you sound like this that kind of
like what's kind of weird but as I turned it up more it starts to change so
yeah so anywhere in here you see that you can hear the nuances the changes in
the voice yeah caller number seven what do you want to hear is something special
well won't you tell me what that is you know son issues so this is what we can
do with this thing this thing this thing being number 22 or radio voice okay
let's go up to number 23 Distortion here we go
how's that sound I like the sound of that distortion that kind of freaks me
out a little bit just a little bit of distortion here's some more distortion
for you now my level of effects return is way down I'm gonna start going up
here back away from the microphone just a
little bit more so I crank this up I'm getting ready back on the bike in their
service torsion is even more tremendous LLL escape into the University of
Houston
why don't you guys fix again all that money we can build a space shuttle which
came to be audiio linking come on come on what's wrong with this picture okay
let's get out of this situation right now by going to
it's change this is pitch change number 24 so here we go full effects return all
the way up all the way up and we're in maximum right now you see I'm speaking
in my radio voice and when I talk about radio voice it sounds like this I start
to turn the pitch down and as I go as you can see my fingers there in the
video turning up pitch all the way down assume come to the door song so I can't
put the pitch like this and I can even I can play with
yeah so what do you think yeah actually you tell me do you smoke cigarettes
never smoked in my life you know what I have a voice like yours after 30 years
of six pack a day specials that can hold unfiltered you know well choice anything
because anything doesn't mess up your chords I'm not so sure about that listen
to mine they're kind of messed up anyway that's that so what we're gonna do right
now is take the effects off and this is just my voice we're back to normal again
so there's a full rundown all 24
Oh
it's not nice is this nuts just not as great as you know jumping into the hall
and something like this
okay thanks a lot for watching my silly video hope you enjoyed it hope this
gives you a better feeling for what this Yamaha is capable of it's pretty slick
so if you're into vocal thing you're saying you do whatever you do effects
you think you want to do whatever man this is a great machine this is
wonderful alright thanks for watching and bye bye