let me hear this vocal for a second
we're gonna do a wideband de-esser I'm gonna use two different D s as a
combination two because this vocal is gonna have it's gonna be pretty
aggressive on the compression and so I had a distortion and the essence could
easily get to be problematic I'm gonna use a narrowband de-esser as well so
this we're gonna narrow down and just try to get some of these real specific
ones at like 6k or so and see it's ours should to kill it's ours should it's
ours should the kid it's ours should to kill until little in the middle so you
go go little in them it's ours should to kill and
amused assesses elder booth to like 8 k 4k and 2.5 or just gonna try to get just
a little more aggressive
it's our shoot to kill we're gonna add in a pull tag try to get a little feel
of proximity effect on it it should be like 900 boost 100 cut
but you know
we're also gonna use the Decapitator on this probably like pushing around three
I think
we're going to go to this 480 simulation and a snare plate get it to about 240
and a little pre delay on it so you go in the middle
it's our shoulda killed and see
yeah let's start with that again usually I would have cut up between verses and
choruses on this work if I'm going to try to find something that really feels
good all the way through I like once they get to say the track I might change
this reverb but just trying to find kind of one unified sound that works all the
way through