We went into the studio.
JT was listening to the Salt-N-Pepa version, writing her verse, and I was just over there
like, "I'm finna address all this shit they be saying about me on this motherfucking verse,
'cause I'm tired of these bitches."
For me, I felt like the song was like an old school song.
The beat, it was like "dun dun dun dun", and it was, "I take your man."
And I just felt like ... you know, I don't like old school songs like that.
I like hood music.
I like trap music.
I like rap music.
Once, you know, the song that I had picked for the album, I was like, "Why we got to
do that song?
I don't like that song."
And then Coach kept telling me, "Trust me.
I'm telling you.
I know what I'm doing.
This song is going to be big.
I done walked into a place sometimes and I just felt like people was looking at me and
people was staring at me.
And a lot of people feel like, you know like, "How the fuck they got a deal and they just
started rapping?"
In reality, I've been rapping for almost two years.
Period.
Music back then would be more focused on lyrics, and a story, or making sense.
Now music is just all about having fun and personality.
You know what I'm saying?
You could just have personality, and people would like you.
They won't even, probably even care about your music.
They just like you as a person.
Haters going to always find a way to discredit you for something that you worked hard for;
that you just ... they just happened for you so.
People will say that, "No, Yung Miami probably was talking to P, or she probably fucked her
way up, you know, for P." But that's just hater talk.
They don't want to give me my credit.
It's been awhile since I actually got into like a fist fight, but recently, at one of
me and JT's shows, I was 'bout to fight a fan, or a girl that was at the show because
she was drunk, and she was tripping.
She had pushed me, stepped on my toe, and I'm like, "Hey, you know, chill out."
I just felt like she tried me because it was the way she pushed me.
It wasn't like a little mistake push.
I felt like, it was on purpose.
But then her friends and everybody was like, "She's drunk."
I was like, "Well, I'm going to sober that bitch up."
So I had on went and mushed the girl in her face, and then they had to break it up, and
it's just like ...
You arguing with a bitch.
You got to say something that's going to hit a bitch where it hurt.
Them fighting words.
"Bitch, I'll fuck your man in his mouth, right in your house where you laying at, and your baby."
Everything I learned, all this stuff I rap about: how to finesse niggas; how to be about
my money; I get it from my momma.
My momma taught me at a young age, "Listen, ain't nothing in this world for free.
No romance without finance.
Period."
It ain't my fault.
You can't be mad at me when you had your chance.
Now it's the City Girls' turn.
It's over for you.
Yes, I took somebody man.
I took somebody man in high school.
This girl man.
I took her man.
It wasn't on purpose.
It was just like, I started talking to him.
I didn't know that was her man.
Then he became my man, and I was like, "You got to leave her."
You my man now."
Period.