Hellooo, everybody!
My debut writing craft book, Shut Up and Write the Book was officially released yesterday!
A huge thank you to everyone who preordered, and who celebrated with me at my release livestream
yesterday. I really, really appreciate the support. It means so much to me. If you missed
the release livestream, I got another livestream coming up on Friday. So definitely come and join
me. You may have heard that the ebook format of Shut Up and Write the Book was available for 50%
off during its presale, however I just checked, and it is still listed at the 50% off price. So if
you haven't picked up a copy yet, get on it, get that sale, it's not gonna last for much longer.
And if you're more of an audiobook, paperback, or hardback fan, get those copies too! They're
all available right now. In honor of the release, today I’m tackling a topic that was pretty much
the reason that I wrote Shut Up and Write the Book. Writing a book is hard, especially if you're
writing your very first book, and you're doing it without guidance. My debut novel came out almost a
decade ago. It was a fun sci-fi adventure. It's no longer in print. I had a blast writing it,
but it was a really difficult journey because I didn't have any mentors. I didn't know any other
writers. I was doing it completely on my own. It was a major learning experience. And there were a
ton of things that I wish I knew before I started tackling that book. That's why I wrote Shut Up
and Write the Book. It's for writers who don't wanna feel alone through this process. Who want
a step-by-step guide for doing the damn thing, the right way. And today I'm giving you a taste
of what you can find in Shut up and Write the Book, because I am listing the ten things I wish I
knew before I started writing my debut novel. Pay close attention to this list, especially if you're
writing your debut novel because I'm about to make the process a whole lot easier. Let's get to it.
(The sound of a pen scratching. LOGO.)
Don't forget to subscribe to my channel. I post new videos on Wednesdays, and if you
wanna be alerted AS soon as I upload, you know you gotta do. You gotta ring that bell. Do it. It's
awesome. We'd have fun here. Friendly reminder, The Savior's Champion is still on sale in ebook
format. It's priced at 99 cents. This sale is available internationally, and it's available
at all ebook retailers. So you can get it on Google Play, you can get it for your Kindle,
you can get it for your Nook—whatever. It's on sale, but it's not gonna be on
sale much longer. I think it only lasts for a couple of days. So get on it. Do it. Yeah.
And now in breaking down the ten things I wish I knew before I started writing my debut novel,
because had I known this stuff, it would have made the process a whole lot easier.
Number One (1): Outlines are a godsend. “But Jennaaa! All real writers write by the seat
of their pants.” Well then it looks like millions of successful writers aren't real writers because
lots of us use outlines. Like a lot of writers, I began my debut super quickly. I was so excited
to write it. I just dove right in. I rambled, I went on tangents, I invented characters that
didn't need to exist. And without an outline, I wrote myself into a corner. I reached chapter
four and didn't know how to proceed. And I ended up with the worst case of writer's
block I ever had. For four months. After weeks and weeks of slamming my head against the wall,
I finally bit the bullet and wrote an outline. I was able to locate all of my problem areas,
find the source of my issues, and get my novel back on track. I also had to delete about 75% of
those first four chapters. All those rewrites and those four months of nothing, could have
been avoided if I started the process with an outline, or if I at least tried outlining sooner.
Number Two (2): Write what you want to read. A lot of writers are afraid of judgment.
They think “If I write horror, my family's gonna think I'm crazy.” “If I write romance,
people are gonna think I'm cheesy.” What writers don't realize is,
no one's thinking about you. In fact, no one cares that you're writing a book at all. There's
a chance that this book won't sell and no one will end up reading it. So if you're gonna take that
big of a risk, you might as well write the book you wanna read. This is a smart option because
one, if you're writing the book you want to read, you're probably very passionate about it. Two, if
you're passionate about the story, it's probably going to be a lot more enjoyable to write. Three,
if you're passionate about the story, it's going to be a lot easier to get through the
rough patches of the writing process, and there are many of those. And four, if you want to read
this book chances are other people want to read it as well, so it's a great marketing decision. Like
a lot of people I went into writing my debut so worried about judgment and embarrassment,
and it honestly was a waste of my time. Take it from me, just write the damn book.
Number Three (3): Mingle with the writing community. Writers, I know you may not believe me,
but I promise you it is so much easier to write and publish a book if you have writer friends or
acquaintances along for the ride. I didn't start making writer friends until toward the end of
writing my debut novel, and let me tell you, it was a game changer. Writer friends are a major
asset for an obvious reason, they can relate to the struggle and know exactly what you're going
through. But beyond that, every writer friend brings an asset to the table. One of my writer
friends is an expert at self-publishing. If I have any questions about the indie route,
she usually knows the answer. Another one of my writer friends is a trauma therapist, so
anytime I'm writing about trauma and I have some questions, she provides a wealth of information.
Writer friends can support you during the writing process. They can help improve your writing. They
can help promote your work. And it's easier than ever to mingle within the writing community. There
are YouTube channels, like this one, all about writing. There are Facebook groups. There are
instagram, twitter and Tiktok hashtags. There are also discord groups. I have my own writing discord
group available through my Patreon and it is called Cyborg Central, and it's a blast. However
you find these writers it doesn't matter. You just gotta do it. And the sooner you do it, the better.
Number Four (4): Filter words are not your friend. Filter words are words that filter the reader's
experience through the character's perspective. They distance as readers from the story,
which makes the work less immersive and thus less enjoyable. I didn't even know what filter words
were before I started writing my debut novel. And you know how I learned about ‘em? From mingling
within the writing community. Words like, see, hear, think, and feel are all filter words. And
if you can avoid them, you probably should. Take the sentence ‘She saw dancers twirling across
the stage.’ Saw is a filter word. It doesn't benefit the sentence. It makes it clunkier,
longer and less vivid. Instead, you could write it as ‘Dancers twirled across the stage.’ It conveys
the same message without filtering the reader's experience through the character's perspective.
Number Five (5): Sensitivity readers exist. A sensitivity reader is someone who reads
through your manuscript and points out any accidental cultural inaccuracies or
offensive language. Basically, it's their job to make sure you didn't accidentally write
something bigoted. “But Jennaaa! I don't need a sensitivity reader. I'm woke!” This may shock you,
but even woke people don't know everything about every single marginalized community.
You may be well intentioned, but everyone fucks up from time to time, so you might
as well enlist some help. When I wrote my debut novel, I compared skin color to food,
because at the time I didn't know that it was offensive. A sensitivity reader could
have helped me learn I was making a mistake. No matter how open minded you are, we’re not
infallible, and hiring a sensitivity reader can make all the difference.
Number Six (6): Genres can be really complicated. Like most writers,
when I began writing my debut novel, I thought genres were pretty straightforward. We all know
the main genres. There's romance, there's sci-fi, there's mystery. We've heard of them before. But
I didn't take into consideration the strict rules for each genre, or how genres can change
drastically when we consider sub genres. And if you get this terminology incorrect,
you are going to be releasing your book to the wrong audience. And don't even get me started on
categories. Categories represent the age range of your potential audience. Like middle grade, young,
adult, new adult and adult. A lot of writers think categories and genres are the same thing,
but they're not. They're different qualifiers and you need to understand all of them before
you write that book. I didn't understand the depth of genres and categories until
about halfway through writing my book, which meant I had to put my writing on pause and
do a whole lot of research. It behooves you to understand genres and categories,
especially the genre and category you're writing in, before you start the writing process.
Number Seven (7): Adverbs are a lot easier to avoid than you think. Most writers have heard
that adverbs are bad, but not a lot of writers understand why, and it's a lot easier to avoid
adverbs if you understand the reason for it. A lot of times an adverb describes a verb,
it's a description for an action. And they're usually pretty easy to find because they often end
in LY. The problem with adverbs is, they aren't inherently bad or evil, it’s just oftentimes,
verbs already describe themselves. You don't need to say that the man ‘whispered quietly’ because
whispers are inherently quiet. On top of that, if you're using an adverb, often it's because
the verb that you used attached to that adverb is really weak and not conveying the right message.
For example, if you said ‘She spoke angrily.’ The verb ‘spoke’ is pretty vague, which is why you
added ‘angrily’ to the mix. Maybe a stronger, more powerful verb to be used instead, like hit, yell,
shout or bark. These verbs paint a clearer picture which is exactly what you want in your writing.
Number Eight (8): Kill your darlings. Of course, everyone's heard this phrase,
but a lot of writers think that it's about killing off characters. That ain’t right.
It's about being willing to delete content from your story that doesn't benefit the plot,
no matter how much you love it. Filler is any content that moves the plot forward. It may be
fun or entertaining, but if it doesn't move the plot forward, it is not necessary to the
story and it should be deleted. If you're not sure if the scene counts as filler,
imagine that it's been removed from the story. If the story could continue without issue,
that means it's filler and it's gotta go. I know it hurts but your readers will thank you.
Number Nine (9): Thoroughly vet your editors. I hired my very first editor based of their
reputation. They had worked on some very famous New York Times bestsellers that had even gotten
movie deals. So I thought, hey, this guy's legit. It didn't matter that his rate was
much higher than the average, or that his website had barely any information on it, because hey,
he was a big deal and that's all that matters, right? Wrong! The editor didn't end up providing
the type of edit I had requested, and a lot of his suggestions were misogynistic. He basically wanted
me to make the male love interest the hero, and the heroine the damsel in distress. And
anytime the heroine was assertive, or any of the female characters behaved in an unladylike manner,
he wanted me to rewrite the scene and have them behave as passive and docile. Long story short,
I had a really rough experience, which could have been avoided if I had thoroughly vetted my editor.
Ask for recommendations, look up their rates, read positive reviews, and of course, check their genre
specialty. Just because someone sounds good, doesn't mean they're the right editor for you.
And number Ten (10): Get your writing advice from a credible source. Before I made my writer
friends, the only writing advice I got came from books and articles on the internet. The
only writing advice I got from another human being, was from a guy who wasn't a writer.
This may shock you, but his advice fucking sucked. Once I started meeting other writers I
was bombarded with writing advice, and some of it was great, but a lot of it wasn't. Usually
the bad advice came from writers who weren't yet published, didn't have any experience,
the book was still percolating in their mind. Or if they did have experience,
they weren't that great of a writer. Listen, we're all imperfect. None of us have all the answers,
but it's good to be cognizant of where you're getting your information from. If someone with
no experience is giving you advice, maybe take it with a grain of salt. But if an award winning,
bestselling author is giving you advice, sounds like it could be pretty good. Just saying.
So that’s all I got for you today. Everything I discussed in today's video and a whole lot more
is available in Shut Up and Write the Book. Oh, my hair's covering it. There we go. So if
you want to get even more writing advice, and you want an action plan for writing your book
in a step-by-step format, definitely check it out. It's available to buy right now,
you get an ebook, paperback, hardback and audiobook. I have it linked below.
Don't forget to subscribe to my channel. I post new videos on Wednesdays,
and if you wanna be alerted AS soon as I upload, ring that bell.
And be sure to follow me on social media. I'm on Instagram, TikTok,
BookBub and Facebook. And of course you can tweet me @JennaMoreci! Bye!
(Female Voice) Hey there! This is Lisa Cordileone, narrator for Shut Up and Write the Book by Jenna
Moreci. Be sure to subscribe to Jenna’s channel and ring the bell! That way you’re
alerted as soon as she posts a new video. Trust me, you don’t wanna miss this stuff.