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- What's up guys!
Welcome to this video today,
we're gonna be sharing ten cinematic GoPro shots
that you need in your next travel film.
Now, making a travel film can be hard,
especially if you don't have a shot list.
So today, I just wanted to create this video
if you've got an upcoming travel, vacation,
or you're shooting a travel film,
you can just use this as a shot list.
So you can just go through some of these shots,
tick them off as you go.
Also, (computer noise beeping)
today's video is sponsored by the amazing friends at Zyro.
If you're looking for a new home to house your photography,
GoPro content, or videography online.
Well, check out the top link in the description,
but more on that later in the video.
Let's get stuck into it.
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Shot number one is the "hyperlapse."
Now, as technology has evolved,
this has become readily easy,
and extremely available
especially on the GoPro HERO9.
Now, there's two ways that I recommend
that you create a hyperlapse.
The first is just like forwards or backwards.
So it's just moving from point A to point B.
And the second is panning.
It's the same thing,
it's moving from point A to point B,
but going around the subject.
Now, if you've got the HERO9 (or HERO8),
you can also try tapping to real time.
And if you checked out my last video up here,
that'll give you some insight as to how you can maybe
use that as a transition.
And lastly, I'll say when you're creating a hyperlapse,
think about the distance
of subject to lapse.
The longer the lapse,
the cooler I generally think it is.
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A dome is an awesome way to transition
your over to underwater content.
It looks super cinematic in a lot of travel films.
What I recommend, if you are shooting with a dome,
is thinking about your environment.
Lighting is major key.
You can get some really weird refractions in the lens
if you're shooting into the sun.
So make sure the sun is behind you,
and also think about the condition.
Is it deep water?
Is it an estuary?
Is it a creek?
Is it a pool?
The calmer the water, generally the better.
And lastly, water magnification.
These domes do create some magnification.
So if you've tilted the dome slightly upright,
underneath the water might blow up
the subject or vice versa.
So you just think about the way
that you are positioning the dome
in proximity to the water level,
but a very, very cool shot to add to your travel film.
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And from the dome is the "drone."
Now this I think is a major key for storytelling.
It's come into fruition in the last five years.
The technology is readily available,
but when we look at action cameras specifically,
there's a few ways to go about this.
FPV is killer!
It's a shot which I think moves,
and bends, and blends so well
with the wide angle of action camera content.
But if you don't have an FPV,
or you're not the best FPV pilot like myself,
then you can also just mount your GoPro to a regular drone.
Super simple to do,
we just used the sticky mount,
and mounted it underneath
just to create another perspective.
Again, when I say storytelling,
it's about giving your audience a better scope
as to where you are and what you're doing there.
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Next up is the "time-lapse or night-lapse."
Something which looks super dope to blend and add flow,
and to make your travel films a little bit more fluid.
They're really, really nice
for either establishing locations,
or just adding movement through your film.
Now, if you've got a couple of GoPros,
I would recommend just setting one up
at each location that you go to,
and set and forget.
If you haven't familiarized yourself
with the scheduled capture feature,
this is new to a GoPro HERO9.
Scheduled capture basically just means
you can dial in when you want that camera to turn on
and just start recording a time-lapse.
Think sunrise or sunset,
set it up before you go to bed and bam!
That's an easy way to capture bangers.
Now lastly,
I would definitely recommend shooting
in the highest frame rate.
Like choosing 5K,
because when you have a 5K time-lapse,
there are so many options that you can do
with a 5K time-lapse in post production.
Also, one last thing to note,
when you are setting up your time-lapses,
think about going for 30 minutes minimum or more
on a five-second interval,
just so you have enough content to work with
when it comes to editing.
If you guys are enjoying today's video,
make sure you punch
that thumbs up button (computer noise beeping)
to help out the channel.
And if you wanna grab yourself a free cheat sheet,
just to keep on your mobile phone,
check out the description below.
It will just help if you're on a vacation,
or you're traveling and you're like,
"Forgot some shots."
You can just go through and tick that off.
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Next up is "slow motion,"
an absolute staple of the action camera
or action travel film.
Now slow motion basically just comes down
to what frame rates you're shooting in.
Now, the reason why I think we used these shots
in our films is to create,
"Wow, guys."
Is to create those moments
that really make your audience stop.
That make them just go...
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They make your audience's minds blow.
What I recommend, if you are looking
to capture buttery slow motion,
is to shoot with a frame rate
of 120 frames a second or higher.
On the GoPro HERO9 specifically,
that would be in 2.7K,
or you can capture 240 frames a second in 1080.
That is not to say that 60 frames a second won't do the job,
but for the buttery slow motion,
the stuff that really makes you go, "Damn!"
Then shoot with 120 frames a second or higher.
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The next shot is probably one of the most foundational
or founding shots in cinema,
and we probably overlook it,
but it's just having a locked off tripod shot.
Something that you're seeing right here.
I've just set the tripod up, and I'm talking to you guys.
Now, this can be used to create your time-lapses,
to just to add yourself in the frame.
If you're a solo traveler,
traveling without a tripod is probably a crime.
You're gonna wanna use this to just frame up
and put yourself in the shot.
It's a great way for your films to breathe,
but it's also in post-production,
a great way for you to add a little bit more pensiveness,
a little bit more thoughtfulness.
To evoke emotion in your films
where you know exactly what's in the frame,
and you can be very meticulous about your content.
On the topic of travel filmmaking,
I have been super fortunate to land a number of jobs
with travel companies, and tourism boards,
and brands specifically who cited that my website
was the reason why they chose me,
and offered me the contract.
Now creating travel films
and taking beautiful travel photos is one thing.
But having a portfolio of that work online
is what separates you from the rest.
If you're looking to do this,
I highly recommend Zyro
as the most affordable website builder on the market.
And if you use my code "JAKERICH,"
the top link of the description,
you can get three months off all yearly plans.
Zyro is a drag and drop intuitive,
grid-based editor, (lively music)
no coding or extensive design skills needed.
And it's also hands down,
the most affordable option in the market.
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Tracking shots are a really useful way
to introduce a place,
reveal a location,
but adversely,
they're also super powerful for revealing people.
If there's a prominent character
that you're wanting to showcase,
maybe it's the hero of your travel film,
maybe it's you, maybe it's your partner,
maybe it's someone that you're making the film about.
Having a tracking shot
is a really vital shot to add your travel films,
and the best or the easiest part about creating
a tracking shot with a GoPro is HyperSmooth.
You do not need a gimbal for this kind of shot.
Now, one thing I will recommend
if you are using HyperSmooth, (birds chirping)
I tend to recommend
not having the boost option on,
because it digitally crops.
So just to add a little bit more width
or to create the wide angle perspective
of your tracking shot
is just shoot with HyperSmooth on,
but don't boost it.
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Two mounts that I'd recommend adding to your travel kit
would be the suction cup mount
and the magnetic swivel mount.
Now the suction cup mount, for obvious reasons,
you can mount your GoPro or any action camera to a car,
to a surf board, to a jet ski, to anything that moves.
And also the magnetic swivel mount,
which you can't necessarily mount to everything,
but it's something that you can use.
Whether you can just stick it on a train,
or it has that element of magnet,
which just allows you to put the camera
in places you probably never thought of.
And also from a sustainability standpoint,
I prefer these mounts to say sticky mounts,
because I can get more than a single use out of them.
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When I think about action camera filmmaking,
when I think about building out my shot list,
I always add a point of view shot to it.
Now you can use this to build out blocks, and layers,
and depth to your montages.
Think about providing your audience with four shots
rather than one of the same experience.
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Couple of tips for creating the best selfie shots
to add into your travel films would be.
A. To move the selfie stick from either left to right.
If you create a series of movements
from left to right in a number of locations,
you can create match cuts,
or running, or diving.
The point of this is to just give your audience
a second perspective and to build out
the depth of your work.
Guys, thank you so much for checking out today's video.
If you have enjoyed it, punch the thumbs up button,
subscribe to the channel.
Again, If you're wanting a little cheat sheet
to keep on your mobile phone
for your upcoming trip or vacation,
just a short list.
It's just linked in the description below.
Thank you to Zyro for sponsoring the video,
and I'll see you guys in the next upload.
JR.
Peace!
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