There's no cathartic process in painting.
I only get pleasure while there's a problem and then when I solve it.
Then, of course, as soon as that’s done
I need to make another problem
and then solve that.
I love painting
so I love making still things
contemplative still moments
that don’t particularly change, or they just change with light, which is a very gorgeous thing.
I paint with gloss paint, just household Dulux paint
because it's fluid, it sets
it's standard, it's recognisable.
It's the sort of mundane stuff that we've all got
old pots in the cupboard and under the stairs and things.
When you make a painting out of it, it becomes beautiful.
It transforms itself from a mundane object into a beautiful object
Quite often what happens is that the paintings have to be broken
because they're not getting anywhere.
Everything that I can think of that makes them better
is just rubbish
and I have to break the painting by ruining it to free myself up again and have some idea
of what I'm going to do.
This painting here, that was many colours and I just painted that upright
because I just want to see straight away what the hell that is.
I like abstract formalism
which drew me towards the shapes in the first place
but I also like picture making.
I have an image that I find, generally speaking, and for one reason or another
the image goes around your painting
and I go "great, I've found you"
and very, very rarely will the colours that I choose have any relation to the original image
so then I have to make up a palette
and see whether that works.
There's no new work in the show.
The latest one would be from two years ago, I think.
Apart from the door I've made specifically for the exhibition.
Enter the brain of Gary Hume.
I've always tried to make sculptures and I'm not as relaxed with it as I am with painting.
I made a painting and then I decided to go and make snowmen and dye them
up in Yorkshire and then photograph them
and then I decided to make a sculpture.
That was easy because that’s like a ready-made.
It's not my natural thing
so I have an on-going battle with it.
I wanted to paint a very, very powerful German leader.
Everything's about the painting.
I choose the colours not to represent Angela Merkel
I'm using the shapes of her face
and my interest in the political rise of Germany to make a painting.
My greater interest is in making a painting that I can look at.
It seemed somehow accurate colours for painting a very powerful politician.
Is it straight?
But it's about the painting so in the end it doesn’t really matter to me what it is
it's what the painting looks like.
I'm a slave to it.