Music from the Motion Picture Pulp Fiction is the soundtrack to Quentin Tarantino's 1994
film Pulp Fiction.
No traditional film score was commissioned for Pulp Fiction.
The film contains a mix of American rock and roll, surf music, pop and soul.
The soundtrack is equally untraditional, consisting of nine songs from the movie, four tracks
of dialogue snippets followed by a song, and three tracks of dialogue alone.
Seven songs featured in the movie were not included in the original 41-minute soundtrack.
The album reached No. 21 on the Billboard 200, while Urge Overkill's cover of the Neil
Diamond song "Girl, You'll Be a Woman Soon" peaked at No. 59 on the Billboard Hot 100.
Composition Tarantino used an eclectic assortment of songs
by various artists.
Notable songs include Dick Dale's now-iconic rendition of "Misirlou", which is played during
the opening credits.
Tarantino chose surf music for the basic score of the film because, "it just seems like rock
'n' roll Ennio Morricone music, rock 'n' roll spaghetti Western music."
Many of the songs on the soundtrack were suggested to Tarantino by musician Boyd Rice through
their mutual friend Allison Anders, including Dick Dale's "Misirlou".
Other songs were suggested to Tarantino by his friends Chuck Kelley and Laura Lovelace,
who were credited as music consultants.
Lovelace also appeared in the film as Laura the waitress.
In addition to the surf-rock rendition of "Misirlou", other notable songs include "Jungle
Boogie" by Kool & the Gang, Dusty Springfield's version of "Son of a Preacher Man", "Flowers
on the Wall" by the Statler Brothers and "Bustin' Surfboards" by The Tornadoes, from 1962, which
had been one of the first instrumental surf songs to hit the United States music charts
after notables such as "Walk--Don't Run" by the Ventures.
Excerpts of dialogue include Jules' "Ezekiel 25:17" speech and the "Royale with Cheese"
exchange between Jules and Vincent.
A two-disc collector's edition of the album was issued in 2002 — the first disc contained
the songs, including four additional tracks; and the second disc was a spoken-word interview
with Tarantino.
Woody Thorne's 1961 song "Teenagers in Love" and Link Wray's 1965 single "Ace of Spades"
are two of the three songs missing from the collector's edition soundtrack.
The last song is unique to the movie: it is Ricky Nelson "Waitin' In School" as performed
by the actor Gary Shorelle, which plays as Vincent and Mia enter Jackrabbit Slim's.
Influence Pulp Fiction was one of the biggest films
of the '90s.
The soundtrack reached No. 21 on the Billboard 200, and at the time, went platinum in Canada
alone.
By November 12, 1994, total sales of more than 1.6 million were reached and by 1996
over 2 million units had been sold.
In 1995 the soundtrack reached No. 6 on the charts according to SoundScan.
The soundtrack helped launch the band Urge Overkill, which covered Neil Diamond's "Girl,
You'll Be a Woman Soon" in 1993, into a mainstream market.
Sony "received a nice sum" for "Son of a Preacher Man" and Kool & The Gang enjoyed a resurgence
when "Jungle Boogie" was released on the soundtrack.
The Orange County Register described why the soundtrack of Pulp Fiction stood out from
all the others: "Unlike so many soundtracks, which just seem to be repositories for stray
songs by hit acts regardless of whether they fit the film's mood, Tarantino's use of music
in Reservoir Dogs and Pulp Fiction exploded with a brash, Technicolor, pop-culture intensity
that mirrored the stories he was telling."
Analyzing the success of Tarantino's marketing, Billboard chalked up MCA's compilation to
identifying the market niche: "Pulp Fiction...successfully spoke to those attuned to the hip, stylized
nature of those particular films."
The eclectic "mix-and-match strategy" is true to the film.
"In some cases, like Pulp Fiction and Reservoir Dogs, which were not geared toward any specific
demographic, the soundtracks were still very focused albums," said Kathy Nelson, senior
VP/general manager at MCA Soundtracks.
"In both cases, the body of work — both the music and the film — has a specific
personality."
In 1997, Gary Thompson of The Philadelphia Inquirer said that Pulp Fiction "reinvigorated
surf rock".
That statement would be defining for Del-Fi Records, owned by legendary producer Bob Keane;
the Pulp Fiction soundtrack contained two songs that were originally released on Del-Fi:
Bullwinkle Pt II by The Centurions, and Surf Rider by The Lively Ones.
Del-Fi Records released a compilation CD in 1995 entitled Pulp Surfin' featuring songs
by those bands plus sixteen other surf tracks from the vaults.
The cover artwork was yet another parody of the Pulp Fiction movie poster.
Inspired by the soundtrack, advertisers started to use surf music in their commercials "to
help sell everything from burritos to toothpaste", making surf music hugely popular again.
More than two years after the film was released, the influence and monetary success was still
being felt in the industry.
"Mundane commercials using Dick Dale '60s surf licks, the kind made popular again by
the Pulp Fiction soundtrack...following a trend — in this case, a two-year-old hit
movie."
Track listing Collector's edition
A two-disc collector's edition was released in 2002.
It features remastered versions of the original sixteen tracks, along with five bonus tracks.
The second disc contains an interview with director Quentin Tarantino.
The additional tracks are: "Since I First Met You" performed by The Robins
– 2:20 "Rumble" performed by Link Wray and His Ray
Men – 2:25 "Strawberry Letter #23" performed by The Brothers
Johnson – 4:57 "Out of Limits" performed by The Marketts
– 2:05 "Stranger Than Fiction / Tarantino Talks!"
– 16:11 Songs not on the soundtrack releases
"Waitin' in School" performed by Gary Shorelle "Ace Of Spades" performed by Link Wray
"Teenagers in Love" performed by Woody Thorne References