Yeah, that's it, that's beautiful.
In this shoot I'll be using natural light that's coming from the windows.
Yeah, I like that with the leg.
We have really beautiful light here in the studio.
Okay Heather, just let me check.
Here we can afterwards put the shoe there.
We can just do a few more to see if we can get the shoe to be right.
The corner of the studio is facing north.
So you always have really good light at sunrise and sunset.
And in the middle we always have very soft light coming from both directions.
Put more sand here.
The plan is to make a picture with the girl on the wall and the dogs are just lying down.
The challenge today is to get the dogs in place and with the right attitude.
They are a little bit sleepy.
Can the male go next to the window in the corner there?
So let's hope they get a little more happy during the shoot.
I don't know how that's going to work.
I think the model she loves dogs so I think that will help.
Hopefully everything will go as planned.
Heather, can you tilt your foot a little bit so I can see the heel?
We start building up from the natural light using artificial light just to
build the spaces that we want in order to create the right mood.
I never take light measures.
Because sometimes we get an error so it's not the perfect exposure but then it works and
you have something new. I think that's why my work is varied.
When you get to the pose you just freeze, because we're using a little bit longer exposure
because of the natural light.
Maybe we get one good picture with the dogs and then we just use the image and then
in post production include that dog in the one that we choose with the model.
And we do a composite between the two images.
Here it's right on the spot.
You can see the picture 100% and it looks perfect.
It's going to be really nice. It's looking good.
It's really important that everybody takes care of the finest details.
You need the hair stylist to be there and keep looking at the hair to see if
the hair is moving in the right way. As the model moves, the hair moves with her.
It's really difficult to do post production on the hair afterwards, so its really important
you get the right hair in the set.
Even with clothes, all the folds on the clothes need to be in the right place and giving the right
shape of the model because afterwards it's really difficult for you to change that.
All those small details need to be very carefully taken care of.
Everybody needs to be focused on them.
I think in this production everyone is paying attention to the finest details
trying to make it as perfect as possible right there on the shoot.
There's something that's not working.
Sometimes the clothes, some accessories or some colors don't work on that model
We need to change everything and start over again.
It's blocking. We're all getting blocked there.
We're going to change everything and start from a different point
and see what happens.