Thomasin, how are you?
Know, I'm good, how are you?
I'm good, thank you, I'm good.
Congratulations on the film.
Thank you.
It's quite good, isn't it?
It's quite good, it's quite good.
Being a Brit myself
and seeing Soho pretty much every single day as I live in London.
I say everything that I wanted to ask you about your scenes in the toucan
and wherever Edgar [Wright] told you about the pressures of pulling a pint properly.
Because to us, Brits pulling a pint properly is a big deal,
so it didn't take long to master the skill of pulling the proper pint.
Do you know I'd like to say that it was a natural added?
And it is quite addictive.
Once you get started, it's hard to stop.
I would be like, you know,
if we were filming like in the Toucan and I was pulling a pint
at the end of each take, I'd go, I think I think we might have to do that again.
I don't think I quite got the pouring right in that one.
So just give me another take.
And yeah, I became quite addicted to it.
But I did go to the toucan with Edgar
and Krysty [Wilson-Cairns], the writer, before we started filming.
And because Krysty used to work at the Toucan,
and so she's the one who taught me how to pour a pint.
Oh, that's cool.
I used to drink in the Toucan, which is it's so, it's so strange.
But I never knew Krysty works.
And now that's maybe she serve me one day. Who knows?
There are so many amazing kind of aesthetic things
going on in the film, but I wondered
what the challenges were for you and for and by extension for Anya [Taylor-Joy] of doing
the kind of duplicate scenes where you were kind of
in scenes together, where you're walking past mirrors or you're dancing with...
How challenging was that for you guys to get right?
So I imagine it must take a bit of you have to get it kind of spot on to make
the seamless transition.
It was definitely a bit mind mind boggling.
I think.
I had a lot of fun doing it, to be honest, it was unlike anything
I've ever done before having to mimic someone and their movements.
So exactly and that it was really fun to be kind of
because, you know, in the scenes and with any big part of
my role was just to observe, really, which is kind of weird.
I felt a bit funny
sometimes just like kind of always standing in the corner, just watching.
And so, yeah,
I mean, I just love Anya's performance and I love Matt [Smith]'sperformance in it.
So it really was kind of an honor just to be able to watch them do their thing.
And yeah, I had a really great time and it was a great bonding exercise
for any and I to have to like you do the mimicking and all the other stuff.
I imagine if you didn't know before, obviously not being from from England
or from London as you are, the lure of Soho is so is so big
and there's so many people that love that part of London.
Can you see the attraction?
Have you seen when you were making the film just how alluring that place is?
100%?
Yeah, I spent a lot of time in Soho, and while we were filming
last night in Soho and it was pre-COVID, so I was able to
freely walk around the streets and get a sense
of some of that environment and the people that spend their time there.
And I was able to go to a few plays and I went to Sweet Charity
and to this day, the Harry Potter stage production and I had an amazing time.
My family was there with me and we just like, Yeah, we got to explore a lot.
And also, I just love.
I think I'm very lucky to and to be able to travel so much for my work because
it's such a cool thing not to not to be a tourist in a new place,
but to actually get a sense of what it is like to live here.
Yeah, I loved it.
If I were to move anywhere
and it would be London, I think
Thank you so much for your time.
Pleasure to talk to as ever. And hopefully he goes well for you.
Nice talking to you. Thanks so much.