[upbeat music]
- H Vogue!
It's Cara Delevingne.
I am about to get ready for the Met.
Well, guess why? As you can see,
getting ready, I do not wake up like this,
but the perfect way to get ready is with a bottle of D.V.
Let's go. Happy Met everyone!
[laidback music]
This is my number...
I'm going to say it's either six or seven, maybe it's five.
Which is a great, great answer.
Hey, Katie! - [Katie] Yeah?
- What number Met Ball is this for me?
There's one with the, what about the one
with the poofy dress with Douglas Booth?
That's not on there.
- [Katie] This one and that's why
I don't think it's on there.
- [Mara] Oh yeah, so six. - [Romy] I was right!
- What did I say?
- [Mara] You said five. - [Katie] Five or six,
She said-- - No no no guys,
I said six or seven or five.
I don't know. - [Katie] You're right.
- I don't know, you're right.
This year I am wearing Dior, Maria Grazia
we kind of designed, well,
I had a kind of idea of a concept
and they really made it come to fruition,
which was just so sweet because again,
it's kind of making a bit of a statement,
not a bit of a statement but it's got,
it's got a clear message,
which obviously is kind of meant to be a bit more
lighthearted and tongue in cheek,
but we didn't really have a conversation in person about
what we wanted the exact,
or what I wanted the exact message to be,
but it must have gone through the grapevine.
And so when I sat down with her and she just showed me the
full sketches of my idea that I'd sent to her,
or that I had sent to the team.
I nearly burst into tears.
I was just, I felt so grateful because again,
it was quite a bold message or bold statement to make,
and she really just made it happen.
And I was so, I was just so happy.
I felt really honored
and it's probably my most simple Met piece
that I've ever worn.
But I think it's just, it kind of says it for itself.
It is peg the patriarchy.
And for those of you that don't know what pegging is,
it's when a woman uses something
to penetrate a man in the ass.
Pegging the patriarchy one peg at a time.
- [Romy] That's right. - Yeah.
[upbeat music]
It's two girls hanging out on the phone
while I get ready for the Met.
Can I have a gummy bear?
- Yes, you can.
Supposedly we are,
yeah, about an hour and 15 minutes out.
So I feel like we've got time.
Does that mean we're going to be rushing
or does that mean we're going to be--
- [Woman] Fine. We're fine.
That means we're fine. Which never happens.
Usually we're rushing.
So we will be, you know,
meditating together, kumbaya-ing together,
keeping each other together.
But somehow I know we're going to get stressed as one point.
So we'll just see how it goes.
I kind of like the high induced anxiety moments,
like when everything's going wrong
or running late, like last year.
Yeah, my cane broke.
So we found a hot glue gun from a woman on the street
and we're doing it in the car, that was fun.
I like the chaos, which sounds about right.
- [Romy] Should we make this more chaotic for you?
- Please don't. I'm so tired.
I think the younger I get, the younger I get.
The older I get, the less chaos I enjoy.
But those are the bits that I remember the most,
not the bits I enjoy.
I mean, I'm nervous every year for this ball,
just cause it's like,
everyone puts in so much effort
and it's all coming down to one moment on a red carpet,
which always feels so strange.
And obviously you are the person
representing that look or whatever
all the work has kind of gone into.
So yeah, it's pretty nerveracking.
It always is.
But I think the first year I was just a lot more dumbstruck
or like, I dunno, just for me,
it was kind of more of a shock,
everything, I suppose.
Yeah. I mean,
I don't think you ever really get used
to this kind of thing, though.
[energetic music]
- Do you mind me just getting
introduced to everyone on your team?
- I'll just say your name is Mona.
- Oh no, oh Jesus.
- Rami Malek. - Gerard.
- Gerard.
I just call her Mary, Mary, and Mary.
My wonderful nails.
This is Thuy, my extremely amazing...
She especially has a very hard job
because I never stop moving.
This is Mara again,
who I've worked in for a very long time.
We decided to definitely go
for a bit of a hair moment today.
"We decided," she decided.
I definitely didn't decide.
- I really was digging this idea
of this kind of nineties, wet, a little bit grungy look.
- See?
- But like molded this, you know,
finger wave in the front because you're a classy lady.
- Kind of the perfect thing. - Yeah!
- Classy grunge. - Yeah.
- So thank God you decided that.
And this one following in front of me is Romy.
- Hi.
- Who, we've met a couple of times before at the Met ball,
but yes, today she also decided.
- That's right.
I love the ladies making decisions.
- Well, she did the iconic silver head.
- She did the iconic silver head,
which really I've never seen before.
- [Romy] Instead of doing like a classic red lip,
we're doing a red eye and kind of a stain,
like a bleeding stain on the lips.
It's a bit more of like,
I don't know, like a vampire superhero in Japan,
anime kind of vibe?
- These ladies, again,
they take some idea and then make it
completely their own and different and transform it.
'Cause I was like, oh yeah, we can just do a red lip.
And she's like, no, no, no, no.
Let's go, let's take it a step further.
So I'm very happy to be working
in the presence of such professionals.
There's a whole room of people back there,
Katie is somewhere back there screaming at people.
But, Katie!
- [Katie] Yes!
- So this is the woman behind the operation.
[all laughing] - Katie, please!
I wanted her to do that.
Yeah, she gets embarrassed.
This is the lady behind the operation.
- Hi. I'm leaving now.
- Clearly, she loves the camera.
She's pretending.
Hey, thanks Katie.
Can you film this?
Could you possibly get more things caught-
Oh, it was. Anyway.
That's how I feel today. [energetic guitar music]
[mumbles] Oh Jesus, now I'm not.
Bye guys! See you later.