Come on, let's go!
Elliana, you are doing a piece that is lyrical called
"Am I Enough."
Do you think you're ever going to be enough for your mom?
All right, OK, you know who used to dance to a lot
of this Rachael Sage stuff.
Who?
(SINGING) It would be enough.
Maddie.
That's right.
(SINGING) We were lost.
We were cold.
Ankle.
(SINGING) In the middle of the night you calmed.
So what do you think of Elli's solo?
YOLANDA WALMSLEY: I really like it.
It's just kind of like the rebound solo.
It's been a while since she has felt that win.
But I'm not even mentioning it to her because I don't
want her to focus on that.
When she would get on stage before,
she always had this confidence where she would just
command attention on the stage.
She never looked nervous.
And the past couple weeks, she looked nervous
when she went out there.
She didn't have that confidence.
She was, like, so frazzled.
Elli has been in a slump.
Every single dancer can hit a low, but it's up to her
to be able to find that passion again.
This week I feel like she's really setting up Elliana.
She has a really strong solo.
She gave her like the solo.
The beautiful Maddie type of a dance.
She-- she needs this, she really does.
She has to bring it.
She's got to get that confidence back,
or it's going to show on stage.
She may not be able to get solos after this.
Elliana, your biggest problem is you do a fan
kick right at the beginning.
And all the judges, if they're over there,
they're going to see a thigh, a butt, and a hip.
You have to cheat it, so that this is your front.
We should see the leg so do it.
You're still doing it wrong.
And why the attitude?
Come on, you're better than that.
Pay attention.
When you step up, you should be stepping to the corner.
[screams] Stop!
It's killing me.
Go get a drink.
Next?
Who's next?
Elli, stop.
Oh, honey, don't start.
No, you can't.
You can't, no, no, no.
You have to use this.
You can't.
It is beautiful.
No, she's not.
She's not.
Here's the thing--
You are.
No.
Elli, Elli, listen, this morning in the car,
you said she's a very good teacher.
Elli, listen-- she's giving you so much feedback right now.
You need to stop crying.
I know you are.
Elli, you know--
Yolanda, if your kid is crying,
she's not dancing tomorrow.
Not dancing.
Come on, you don't do that.
I heard you all the way over there, crying.
That's spoiled brat behavior.
You're nine years old.
Grow up.
Elli, I have to agree with her.
Why?
Because I'm trying to help you?
OK, well then how about I walk away?
You walk away, and then I won't have to be annoying.
I tried to help as much as I could.
I think she'll pull it together.
But she doesn't-- I don't know.
When she gets critiques, she takes it really personally.
Yeah, and it's almost like she sees it as an insult.
You know, I just said--
Yolanda.
Elliana, it just needs to stop.
See this as a benefit.
What's the deal with all the crying?
- Stop. - I'm not going to stop.
You are deplorable.
Maybe you need to look in the mirror--
- You are disgusting. - --because you know what?
You're not enough.
Get out of my face.
Why does your kid come out here crying every--
Get out of my face.
Get out of my face!
I'm so sick of you.
I'm not in your face.
You are trying to affect me and my daughter.
This is ridiculous.
You are disgusting.
You are deplorable.
I think it's disgusting that your kid
comes out here crying-- - And I am done.
I am absolutely done.
--every single time because of you.
You're not--
Go back to Iowa, go back to your corn field.
You know what? I'm going to tell you--
Go back to where you came from--
--good luck, picking up the pieces.
--because I am sick of it.
Do not go as low as Jamie.
Because you know what?
When the next best thing comes in,
which I think is right there against your kid tomorrow,
you're going to have a rude wake up call.