KEVIN MANNO: First up,
inspired by one of the all-time Broadway greats,
"Phantom of the Opera."
Please welcome Travis and Kalani.
[cheers, applause]
[MUSIC - REMIX OF "THE BARBER OF SEVILLE"]
(SINGING) Figaro.
Figaro.
MOTHER: Ooh, they almost fell.
(SINGING) Figaro, Figaro, Figaro, Figaro,
Figaro, Figaro, Figaro, Figaro.
What happened down here?
Did you trip and go off the front of the stage?
I slipped.
So you slipped, and you almost took her down with you.
Travis, I needed more from you.
I felt like Kalani was supporting herself.
I felt like even when you guys did the double-- that "ha, ha,"
I don't think she was riding on you at all.
Please welcome Tyler, JoJo, and Trinity to the stage.
[cheers, applause]
[MUSIC - OLLIE GABRIEL, "MY RADAR"]
(SINGING) Beep, beep, back it up.
[PERFORMERS SHOUTING, A LA NEWSBOYS]
Would you like [inaudible]?
Thank you.
Would you like [inaudible],, pretty lady?
Do you want one?
(SINGING) Try to run, run, but I'm gonna catch you.
Gonna pop, pop, firecracker.
Got you locked in my sights like a satellite.
5, 4, 3, 2, 1, bullseye.
Cute face, big [muted].
The mission.
But the blues got me thrown off my vision.
And now you on my radar.
Now she on my radar, my radar, my radar.
[cheers, applause]
RICHY JACKSON: Tyler, you have a lot to work on.
You definitely got to go harder.
You should have been center.
Were you in the middle at the beginning, and he moved you?
Yes.
(SASSILY) Ooh-ooh.
MOTHER: That was the worst thing you could've said.
There you have that, troops.
Because she outdanced you.
I have to hand it to the choreographer and Trinity.
I would've moved you, too.
Travis, tonight, it was a difficult routine.
And I think you need to do a lot more partner work.
That's important for a guy, especially on Broadway.
Tyler, you had every opportunity to dust the Great White Way,
and you didn't.
Neither one of you did a great job.
Travis, you've done really well in the challenges.
Tyler, today is not your day.
Thank you.
Tyler, with that being said, I want you to know that I
think that you have improved.
And anytime you want to come to Pittsburgh,
I think I need a few boys now.
Is there anything you want to say?
Miss Abby, I'm staying with my brother.
So I'm going to go with him-- home with him, too, so--
[music playing]
You're giving up the chance for $100,000
and the Joffrey Ballet School of New York scholarship
for your brother?
Yes.
You're 100% sure about this?
Yes.
ABBY: Let me get this straight.
When one of these kids gets a Millennium Scholarship
to Harvard, you're going to let that kid
give up that education?
SHERYL: Absolutely not.
This is a twin bond.
TRAVIS: I just think I was the weaker link.
So if he's going to be sent home,
I feel like I should go with him.
It's one winner.
You knew that it's ultimate-- one ultimate dancer.
So this isn't a surprise.
(SHOUTING) You know when your brother needs you?
When he needs a kidney or a lung.
Not when he has the opportunity to win $100,000.
Every one of those girls over there
would give up their right arm to stay in this competition
one more week.
You're ridiculous.
All due respect--
And now you're going to stand on this stage
and waste my time?
I'm sorry.
This is very unique.
I'm not trying to waste time.
Travis, are you staying here, or are you leaving?
I'm staying.
[applause]
If you're going to be here, you better
be fully committed to this competition,
to Rachelle, to Richy, and to me.
Go.
Thank you.