- Check this out.
Big question is, can this Osmo fit on this?
Got the battery clipped in.
Woo, okay, it's working.
Whoa, that's pretty quick.
Look, it left a little burnout marks on my table.
This thing can burn some rubber.
I think I need a new table now. (laughs)
We're going to recreate the scene from Jurassic Park.
(dinosaur growls)
Lefty, that was perfect.
You get an Oscar for that.
(dog barks)
This fits pretty nicely just in there,
so we'll see if this is a good placement
for it, and hopefully we don't wreck this camera.
(adventurous music)
(dog barks)
This thing is fast, but it's also very easy to flip over.
Just gotta be extra careful I guess.
All right, we're now rolling at 4K,
30 frames per second, here we go.
(rock music)
I think it's time for a real challenge now,
because you're gonna eat the camera, huh?
Hopefully, my driving skills are okay.
I'm gonna try switching this over to 60P
real quick so we can slow-mo it a little bit.
Let's see which one's faster, a three-legged dog
or this RC car. (laughs)
No!
Okay.
It did not go as planned.
Camera's still fine.
We're gonna give this another shot.
- [Kari] Oh no!
(laughs)
- Must go faster.
(dinosaur growls)
(screaming)
- Look out!
(car crunches)
- [Kari] Oh no!
- I don't think this is gonna survive much more,
so I'm gonna switch it out with the GoPro.
GoPro, I think has a fixed focus,
so I don't think it's gonna have
all that issue with the jitter.
Especially when the RC car goes on the grass,
it just goes (clunking sound) with the auto focus,
so I think the GoPro actually might
work a lot better in this case.
Oh, by the way, I messed up my tabletop,
can you make me a new one please?
- I thought you'd never ask.
- Can you not point that at me please?
(rhythmic music)
Thank you. - You're welcome.
- What do I owe you for that tabletop, huh?
- Oh no, you know what I want.
- Oh (censored). (laughs)
Can I go now?
- What?
It's only been like 30 minutes.
Plus you still gotta do the dogs.
- Manning a GoPro itself should be
a whole lot easier with adhesives.
That's on there good.
I think this is gonna work a whole lot better.
I didn't even see you there.
He just came out of nowhere.
The adhesive actually is not working
very well, because this part is coming off.
It's peeling, so gotta figure something else out.
Kari's gonna go run down this strip,
and I'm gonna chase her, so let's
see what that looks like.
(rhythmic music)
(laughs)
And that is why we're using a GoPro
now instead of that Osmo.
That actually ended up looking pretty cool,
and now I have it mounted onto the back right here.
It's on a swivel mount, so I can point it
in different directions, which should be pretty interesting.
I think the sweet spot is probably 4K
at 60 frames per second, because it has
hypersmooth, and that really cleaned out all the bumpiness.
We also did a few shots at 240 frames per second,
but that doesn't use image stabilization,
so it came out looking a little bit rocky,
but I used Warp Stabilizer in Premiere,
and that cleaned that right out.
So, I think the wide angle of this GoPro
just makes everything look a lot more interesting,
because you see the ground, and it looks
like you're going really, really fast.
But yeah, I think it's looking pretty awesome.
Let's just get a few more shots at 4K 60
with that hypersmooth so I don't have
to do any stabilization in post,
and let's see what we get.
All right, for this part Gio's gonna
be driving my Jeep, and then I'm gonna try
to send our little RC Jeep in underneath the car.
There's enough clearance, so I'm hoping
that he can kinda come towards me, and we go underneath.
Let's see how that looks.
(rock music)
This thing went completely under one of my tires.
It's totally fine, the camera's fine,
the RC car's still running fine.
Looks like we're still in business,
so let's get back to the studio.
My old microphone, the one that's blue,
it stopped working again, so I ended up
getting this microphone, and yes,
this microphone is still in the shot.
I can actually get it out.
This is what it's like with the microphone in,
and I can take it out pretty easily.
And boom, now it's just barely out of frame.
I don't know man, I'm just so used
to having a microphone in my shot,
but I get so many comments about the
microphone bothering you guys.
I don't know, can you guys take that poll real quick
let me know how much it bothers you guys?
Should I keep it in the frame or leave it out?
This one's the Shure SM7B, and I can get
this one easily out of frame,
and I think it still sounds pretty good.
I don't know, should I leave it out
of the frame like this, or should I bring it back in?
I don't know.
Pretty big decision, so choose wisely please.
I gotta admit, I had a lot more fun
playing with this than I thought I would,
so I ordered myself a bigger one.
I think it's a one 10th scale, so it's gonna
be quite a bit bigger, little bit more stable.
I kinda wanna play with this a little bit more,
what do you guys think?
Per usual, we're gonna read some of the top comments
from the last video, but I got sent
a few interesting things this weekend. (laughs)
First of all, The Matt 222, how did you...
That must've taken you a decent amount of time.
I'm not gonna lie, I'm pretty impressed. (laughs)
Murasaki sent me this. (laughs)
I'm flattered that you guys are spending all this time
Photoshopping me into random stuff.
But at the same time I'm a little bit terrified,
because I have no idea what you guys
are gonna start sending me next.
Anyways, let's see what the top comment
from the last video was, which was all about
how to make a $1,000 camera setup look awesome.
Holy crap, I just found out one of my friends is pregnant.
This is how I find out all big news now,
just I pull up my phone, I'm doing something
random, I'm trying to pull up
some YouTube comments, and oh my god.
Anyways, let's stay on track here.
Top comment was from Rage Studios.
"Only the potato can make a sponsored
"introduction entertaining to watch.
"Hey, do you think you could send me that SL2?"
Well thank you, I try to make sure that all
my sponsorships are relatively entertaining to watch.
I personally hate commercials.
I was watching TV the other day for the first
time ever, and I was like, holy crap,
I can't believe how many commercials there are.
As far as the giveaway winner for this camera,
that'll be picked out next week,
and it's gonna be randomized.
Sorry, I can't send it to you even though
you asked for it very nicely.
AJ, who says, "Bro, you have to make
"two videos, how to make cheap camera footage
"look cinematic and how to color grade."
I have a video about how I color grade my own footage,
and I do it very quickly.
I made a set of eight looks that I use
for pretty much all my videos to quickly grade it.
Ricky says, "Good video about how to start off.
"I've seen too many of my pals go overboard
"and then into debt to start a production house.
"Oh well, everyone learns somehow.
"Happy New Year to you and your team."
I know nothing about going into severe debt
to have a production house, I've never done that.
Oop.
"Gimme the camera."
Possibly.
"Does the setup include a free Max/henchman/"
(laughs) Yes, it does actually.
Whoever wins the giveaway, I'll send Max with it.
He's a very good listener, and his scruffy beard
is soft as all heavens.
Al right, I'm out.
I failed hitting that 10 minute mark this time,
but next time you bet your ass
I'm gonna hit that 10 minute mark.
All right, see you guys later.
(laid back music)