Hey guys, welcome back again to Ken Tamplin Vocal Academy, where the proof is in the singing!
Today I want to give you three easy tips on how to sing without strain.
But I want to clear a couple of things that are in the air that I see on the Internet
that are a little wacky, and I’ll explain to you what I mean.
The first thing is that if someone gives you a tip for something, it should always be with
a view towards how you’ll be able to use it with a practical application for singing.
Okay?
So the very first thing, tip number one is make sure that you if get information from
someone, that that someone can show you how to really use it in a song, it’s not just
some zany exercise that you do to do something that you won’t be able to use in real songs,
okay?
But within that tip, I want to discuss breath control and abdominal strength.
Now I just saw one artist/vocal coach say that tension starts from the ground, and builds
its way up.
Well, that’s true, in part.
But I don’t want to confuse the words strength and tension.
So it gives this idea that any time there’s any kind of, you know, work that has to be
done in the abdomen, that could be construed as “tension”.
It’s patently false.
In fact, your abdomen, and your core, and your diaphragm is the very engine that drives
your car for singing.
So without this strength, you will not be able to sing well and you will not be able
to release tension throughout the rest of the body.
Now let me explain to you what I mean, because we’re going to go through three steps with this.
So the first one, again is make sure that if you’re getting a tip from someone that
they can show how well they sing, and they can demonstrate it in a song and not just in a scale or some
weird exercise, but something that can be practical, okay?
So when we go to take this breath, let’s not confuse strength with tension. OK?
That’s very, very important.
So we’ve discussed the abdominal breath and I’m going to take this breath really
quick, and I want you guys to do this with me.
So do you see my whole abdominal cavity here, and as I go to take a breath I’m going to
breathe in, and we’ve done this before…
I’m going to go (inhales) there’s my breath in…
There’s my breath out…
There’s my breath in…
There’s my breath out…
Now if you notice, you see my rib cage.
My rib cage is actually not collapsing like this.
It’s staying in an expanded state.
So I’m not huffing and puffing and closing down the rib cage or collapsing the rib cage,
so, you can see it from a front angle…
See that big balloon of air?
Now, people can make this big balloon of air, and really it not be that effective.
Just because I’m huffing in and out, I’m not really gaining any strength in the sound.
So what I want you to do in this first tip, is I want you to go like this: take in your
breath…
And go Huh!
Huh!
Huh…
Okay?
Now!
If you feel like it’s starting to bind up, yes, then, it is starting to create tension.
Get your fingers in there.
Just kind of grind in your stomach just a little bit…
Work out what ever details that are in here…
Right?
And make sure that you can have this ebb and flow of this breath that you’re taking…
You can take the breath.
Eventually you’re going to get to where you can take the breath like this, and you go...
Huh, huh, huh, huh, huh, huh….
And you’ll be able to have this ebb and flow.
Now, why is this important?
What’s important to understand is that it’s this breath that gives us the strength to
go “Haaaaaaaaaaaaaaaaaaaaa!”
You know, to get these crazy notes, and to do these crazy things.
Now, I’m a baritone, as you know, and I’ve increased my range to do some pretty awesome
stuff, I think, awesome, it’s a relative term or word...
Awesome fun for me.
But it’s because of this strength that I have been able to actually relax my chest.
And to relax my neck.
And to relax my throat.
Now the second thing was posture, as we discussed posture.
And again I just saw this vocal coach that’s, you know they have this kind of rolling sensation,
where there’s this teapot thing going on…
You know there are some yoga exercises that are great for relieving different spinal tension
and different neck tension, and we don’t have time to go into all of that.
Tip number two is NOT to get the spine tipped.
We don’t want to tip the spine in any direction.
We don’t want to tip the spine forward.
In fact, you’re going to note that when you sit, you lose up to 30% of your abdominal
strength, and therefore you can start to mount tension, because you can’t get enough strength
to accomplish some of the things that you want to accomplish.
If you want to sing high or sing with a good robust sort of sound, you have to really focus
on NOT moving the body.
That doesn’t mean be stiff.
That’s not what I’m saying.
But not tipping the spine, because once you tip the spine in a certain direction, especially
forward, you actually lose control of abdominal strength.
So that’s tip number two.
Don’t tip the spine in any direction.
Don’t get tight or tense on it, but maintain a straight-on position.
The third thing is: Tongue Placement, or Jaw and Tongue Placement.
Relaxation... It's called the mandible.
So relaxing the mandible and the jaw.
Now, to stick my tongue out and go augh, like this is actually a mounting for tension in the tongue.
Now, a lot of people have seen my tongue, and go, and they’ll kind of see it protrude
out of my mouth.
That’s because I’ve learned how to relax the tongue so much. It’s kind of like a lizard tongue,
where it pulls away from the back of the throat.
Now the best thing that I can tell you guys, first is “Ping is King!”
That nice, bright ping in the voice…
Is the most important, and really the most valuable thing that grows the voice.
So within “Ping is King” there’s a phrase that I’ve coined, it’s called
“It’s the Lah!!! AHH!!!”
And it’s that AH, like the Doctor wants to see your tonsils in the back of your throat.
So you might even get a little tongue depressor or something and kind of gently push down
on the back of your tongue to create the maximum amount of space.
But we don’t want our tongues protruding out of our mouth, and we don’t want that
because it’s actually going to contribute to jaw tension.
Now we can kind of go (moves jaw side-to-side) you know, just kind of relax the jaw, kinda
you know, just tilt the neck and do a couple of these, you know, like this to kind of release
some of that tension…
But we don’t want to do any exercises where we’re actually singing, because when we
sing and we go back, it actually cuts air off from the trachea, and we move forward
it also cuts air off, and it also constricts the airflow that goes in, past the epiglottis,
down and out of the mouth and through the larynx, which is our voicebox.
Now, I’m going to do “its the Lah!! Ahh!”
So this is tip number three, you want “AHHH!
AHHH!!”
And you want your tongue to be flush to the base of your jaw.
And you want the back of your throat to be as Open as possible, like think if you were
drinking a glass of water or yawning…
Now yawning was correct.
There’s one thing that this person said that was correct about yawning.
It is a yawning sensation.
But it’s like the Doctor wants to see your tonsils: “AHHH!
LAHHH!”
Now, with a view towards that, when we do these exercises, and we’ll run through a
couple of them here real quick, we actually want to concentrate on having the abdominal cavity
do all of our work for us, because it’s the engine that drives our car, and a relaxation
response in the chest, the neck, and the throat.
And that’s why we don’t collapse the rib cage.
So the rib cage stays expanded, so that doesn’t contribute to tension in the chest, neck,
and throat.
So let’s go through a couple of these.
Now I want to do that little huffing exercise.
I want to try this scale.
Now I know, it’s a little complicated.
It’s not going to be easy, and by the way, I don’t believe there’s a lazy man’s
way to ANYTHING if you want to get good. OK?
Now I’m not saying that there aren’t simple, effective things that you can do, but in my
world, and the way that I believe, if you want to be great at anything, you really need
to spend some time with it, and the more time you can spend with it, the better you’ll be. OK?
So, guys and girls, I’m going to start right here on “A” and it’s going to be an old Bel Canto scale,
and I’m going to break it down really simply, but I want you to take your breath…
“Ha, ha-ah-ah, ha-ah-ah, ha-ah-ah-ah-ah-ah-ah…”
And I'm not going to go through the whole scale, it's actually long. I'll do the whole scale so you know what it is. But I want you to notice the breath.
Here when I go to do this. Now watch my tummy. Here I go.
Ha, ha-ah-ah, ha-ah-ah Ha, ha-ah-ah-ah-ah-ah-ah-hah
OK? Now, I want to have that relaxation response in the abdomen,
because it’s a lot like when you’re doing a dumbbell. Let’s say you’re in a gym, and you’ve got a bar bell going on, right?
Now, you don’t want your relaxing spot to be like this, and you’re holding on like this!
No, you want to relax.
Once you’ve done your reps, you want to just kind of chill and relax, right?.
Then you want to do your next set of reps.
Well, so it is with the ebb and flow of the abdomen and the whole diaphragmatic cavity.
Now, let me go ahead, we’re going to move this up the food chain, will do a couple of these...
“Lah.
Hah-ah-ah.
Take your breath.
Hah-ah-ah.
Take your breath again Hah-ah-ah-ah-ah-ah-ah.
Hah-ah-ah, Hah-ah-ah…
Did you hear that? Let's do the next one...
(Repeats, a step higher)
Is your mouth wide open?
Not to where the jaw gets tension in the jaw, but enough to where the doctor can see the
tonsils in the back of your throat, is your tongue dropped to the base of the jaw?
Let’s do another one…
“Lah- ah-ah-ah, ah-ah-ah, ah-ah-ah-ah-ah-ah-ah….”
Now, I’m going to do one more, and I’m going to put those of you who want to expand
this, this scale is actually pretty long.
It goes like this: “Lah, ah-ah-ah, ah-ah-ah, ah-ah-ah-ah-ah-ah…”
And you can feel that yawning Lah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ah-ahhhh!
Each time you go up to get to a note, that yawning sensation that will lift that soft
palate, and lift the uvula in the back of your throat to create the maximum amount of
space in the back of the throat.
Now, remember: “PING IS KING!”
So make sure you have that nice, bright “AHH!”
And you’re not going uhhh, uhhh…
That’s one more thing I’d like to add about, I just saw, again, this video where
their mouth was going “oh, oh-oh-oh, oh-oh-oh….”
We don’t want to train closed vowels.
It’s called a covered sound, and it’s very hard to get pitch, and it’s very hard
to get good range out of covering a sound.
So what I like to do, I like to train things I know that I’m going to put in the game.
In the game of singing, okay?
I don’t want to train things that I know that I’m going to have to redo or rework later.
I want to use techniques and things that are going to really benefit me in my singing.
So, if you guys enjoyed that, please like and subscribe to my channel, that would be awesome!
And I’ve got more coming your way, and until next time: Peace... Out!