Woah!
Dude, that's sick man!
- Oh, Thanks. - Can you.. Can you play DespacIto?
Come on, come on.
Sick, Bro!
Yeah!
Ohhh!
Oh my god, the violin?
- Yeah. - Have you heard of Lindsey Stirling?
- Yeah, I have. - She's so cool.
She can like play violin and dance at the same time.
- Pretty incredible. - Can you do it?
Nah.
Woah. She's amazing, I love her.
Hey, I got two tickets to Andre Rieu.
Do you want to come?
I'm alright. Thanks, actually. It's alright.
Do you know Canon in D?
- Yeah. - Can you play that please?
Yeah...
- Wow, you play violin. - Yeah.
Can you play like the summer from the four seasons?
It's like the hardest piece ever.
Yeah, I can.
Well, you know, Barber's "Adagio for Strings" is...
Such a beautiful piece.
The way it builds up to the climax is so amazing.
Same with Beethoven five, like wow.
What a profound piece.
That guy's going deaf, like how do you even "Handel" it?
Dude, Stravinsky is sick!
I love Mahler.
Oh, my. Mahler.
I love Mahler.
Wo-wo-wo-woah.
Did you know that I love Mahler?
Wait, wait, wait, woah.
Have you seen Vengerov's masterclass on this piece?
- Yeah. - Dude, it's like boxing man. He talked about -
- Yeah, so sick! - Yeah.
- Yeah. Yeah. - Dude. Yeah.
Whoa. Whoa, whoa, whoa.
Have you heard of Kavakos's recording?
- No. - He played this concerto
and the second movement was just like wow -
The use of rubato was just enough.
The phrasing, the direction was so spot-on.
He can't fault it at all.
And the tone, the colors he makes was like...
Out of this world.
Woah, woah. Wait, wait wait.
You can't do vibrato on Bach.
It goes against the performance practice.
Okay? And you got to feel the pulse of 3/4 like
One, two, three, one, two, three.
Okay? And the phrase was too heavy for it.
Think of longer phrases, okay? Not every bar.
Okay.
Good.
Sorry.
What's your favorite piece of classical music?
I know this sounds a bit cliche,
but I really love Debussy's "Clair De Lune".
Clair De Lune?
That's so mainstream,
you might as well play Justin Bieber.
See, I prefer to play -
The AkademiefureliseLingLingFJNAEL:VG"OJN
Recording of...
Kachikawawa.
Just because the structure integrity of
the intonation process, the phrasing and the dynamics.
And the tonal structure, everything flows much better.
Even the use of dynamics at rest.
It seems like everything seems to flow like the -
Use of tempo markings
and phrasing everything's so smooth.
It's so extravagant that even the simpletons
mind can affect us. It's like crazy.
I don't know why, I sound like Ryan Higa.
I'm talking so fast.
You see, I prefer the -
Akadele -
*Laughs*