- HAS IT BEEN THAT LONG
THAT YOU FORGOT WHERE I AM WHEN YOU WALK OUT?
- NO, NO.
YOU KNOW, WHEN I CAME IN TODAY,
THEY ALREADY HAD THE WINE OUT.
- YEAH.
- AND I HAD A COUPLE DRINKS, JUST A FEW.
- BECAUSE I KNOW THAT YOU GET NERVOUS ON TALK SHOWS.
- I AM NERVOUS, OH, MY GOD.
- ALL RIGHT, LET'S BRING SOME MORE OUT FOR HER.
- WHAT? NO, NOT MORE.
REALLY? - YEAH.
[cheers and applause]
- NO!
WELL, YOU'RE ATTRACTIVE.
- THAT'S ANDY. - ANDY.
- ALL RIGHT. - OKAY, WHAT?
- BECAUSE IT'S-- YOU KIND OF STARTED SOMETHING.
YOU DRINK RED WINE ON ICE.
- I DO.
- AND YOU STARTED SOMETHING,
AND BARTENDERS ARE CALLING IT THE KEATON.
- NO WAY. ARE YOU SERIOUS?
- WELL, YEAH, 'CAUSE THERE'S LIKE--
AN ARNER--ALNER-- ARNOLD PALMER.
I HAVEN'T EVEN BEEN DRINKING.
BUT YOU HAVE THE KEATON,
AND SO WE THOUGHT WE SHOULD HAVE YOUR OWN GLASSES.
- OH, MY GOD.
- AND SO WE HAVE GLASSES MADE FOR YOU CALLED--
AND WITH "THE KEATON" ON IT.
AND LET'S-- LET'S MAKE SURE--
- OH, ELLEN.
[cheers and applause]
OH, LOOK AT--
HERE'S WHAT-- HERE'S HOW YOU DO IT, BABE.
- HOW DO YOU--
- YOU JUST GRAB THAT ICE IN YOUR HAND,
AND YOU JUST THROW IT IN THERE.
AND THE MORE, THE BETTER.
- RIGHT, THAT'S WHAT I THOUGHT.
- AND HERE'S THE DEAL.
YOU POUR IT IN THERE, RIGHT?
THAT--YOU DID A GOOD JOB.
NO MORE, BECAUSE WE DON'T WANT DIANE TO BE WEIRD.
- WELL, YOU'VE ALREADY--
YOU'VE ALREADY CALLED YOURSELF DIANE,
SO NOW IT'S-- IT'S ALREADY WEIRD.
WE DON'T WANT DIANE TO BE WEIRD.
- WE JUST DON'T.
BUT CAN I HAVE ONE RIGHT NOW.
- YOU CAN HAVE--
DOWN IT.
- OKAY, I'M GONNA GO-- DOWN IT?
- YEAH. - OOH.
- CHUG IT.
[cheers and applause]
- I FEEL BETTER.
- YEAH, DO YOU FEEL RELAXED? - I FEEL GOOD.
AND, YOU KNOW, ELLEN, I WANT TO SAY SOMETHING TO YOU.
- PLEASE DO.
- I THINK YOU'RE BEAUTIFUL.
- OH, WELL.
[laughs]
- I DO.
I DO.
I MENTIONED YOU IN MY BOOK, YOU KNOW.
- I KNOW. I SAW THAT.
- "LET'S JUST SAY IT WASN'T PRETTY."
BUT YOU KNOW WHAT?
YOU ARE BEAUTIFUL. - THANK YOU.
- AND I LOVE THE WAY DRESS, BECAUSE, FOR EXAMPLE,
LOOK WHAT YOU HAVE ON.
YOU SEE, THAT'S WHAT I WANT TO WEAR, BUT--
- YOU'RE KIND OF WEARING IT.
- OH, THAT'S TRUE, TOO, YOU KNOW?
BUT I OVERLOOKED THAT, AND IT'S NOT A PROBLEM.
- "I OVERLOOKED THAT."
NO, I LOVE THE WAY--
YOU PROBABLY HAVE INFLUENCED ME GREATLY.
I THINK YOU HAVE SUCH GREAT STYLE.
AND--AND I LOVE IN YOUR BOOK,
YOU TALK ABOUT PEOPLE THAT AREN'T CONFORMING
AND PEOPLE THAT DRESS IN THEIR OWN STYLE
AND HOW IMPORTANT THAT IS.
- YEAH.
- YOU'VE ALWAYS DONE THAT.
- YES, THAT'S TRUE.
YOU KNOW, I-- AS EARLY AS, LIKE, AGE 15,
I ALREADY KNEW THAT I WAS LIVING IN BLACK AND WHITE.
I LOVE BLACK AND WHITE,
AND I WAS IN LOVE WITH CARY GRANT.
AND, IN FACT, I NAMED MY DAUGHTER C.K. DEXTER HAVEN
AFTER CARY GRANT IN "THE PHILADELPHIA STORY."
AND I JUST LOVE "THE PHILADELPHIA STORY."
HE WAS--I DON'T KNOW IF YOU GUYS
ARE AT ALL FAMILIAR WITH CARY GRANT.
BUT HE WAS GORGEOUS.
AND HE HAD THOSE HORNED-RIMMED GLASSES,
AND HE WAS JUST THE EPITOME OF STYLE,
AND HE SAYS--
HE WAS THE ONE WHO SAID "CLOTHES MAKE THE MAN."
HE WAS THE FIRST ONE. - OH, REALLY?
- YEAH, AND HE ALSO SAID THAT HE ALWAYS--
HE PRETENDED THAT HE WAS SOMEBODY THAT HE WANTED TO BE,
AN FINALLY HE BECAME THAT PERSON,
WHICH I JUST LOVE THE CONCEPT OF THAT,
BECAUSE IT MEANS WE'RE THE OWNER OF OUR LIVES,
THAT WE CAN DO ANYTHING WE WANT
IF WE REALLY PUT IT TO OURSELVES.
DON'T YOU THINK?
- OH, FOR SURE.
- WE CAN DREAM, AT LEAST.
I LIKE THAT IDEA.
YOU HAVE A BEAUTIFUL AUDIENCE TODAY, TOO.
[cheers and applause]
[laughs]
- NO, THEY ARE BEAUTIFUL.
- THEY ARE.
DO YOU MIND IF I HAVE ANOTHER?
- PLEASE DO. PLEASE.
- I'M GETTING USED TO THIS NOW.
- NOW, WILL YOU BE DOING THIS?
I'M SO EXCITED.
YOU KNOW, WE'RE FINALLY-- AFTER TEN YEARS,
THEY'RE MAKING A SEQUEL TO "FINDING NEMO,"
AND IT'S "FINDING DORY," WHICH IS MY FISH.
[cheers and applause]
SO EXCITED.
AND DIANE IS PLAYING MY MOTHER IN THE FILM.
- I AM.
THAT'S RIGHT.
YEAH.
AND THE THING IS,
WE BOTH HAVE THE SAME PROBLEM.
WE CAN'T REMEMBER. - THAT'S RIGHT.
- YEAH.
- AND I REALLY DO--YES.
IN THE FILM, FOR-- IN THE FILM.
BUT I ALSO-- IN REAL LIFE I HAVE THAT.
DO YOU HAVE THAT?
- THE PROBLEM OF THE MEMORY?
- THAT'S WHAT I JUST ASKED YOU.
DO YOU--
DO YOU REMEMBER ME ASKING YOU THAT?
I JUST SAID IT A SECOND AGO.
- YOU SAID THE THING OF WHAT?
[laughter]
PROBLEM, YEAH?
- YEAH, OF REMEMBERING.
- OF THE MEMORY.
WELL, YEAH, THAT'S JUST IT.
AND THEN WHAT DID YOU SAY?
[laughs]
- THERE WAS NOTHING.
- THERE WAS NOTHING?
IT WAS WAITING FOR AN ANSWER?
- IT WAS JUST THAT QUESTION. - NO, YEAH, THAT'S THE QUESTION.
- [laughs]
- YEAH.
- HAVE YOU STARTED WORKING YET?
- WORKING AT WHAT?
WHAT'S THAT?
- ON THE FILM.
- YEAH, I DID. - YEAH?
- AND THAT WAS REALLY SO AMAZING,
BECAUSE IT'S SO LOOSE,
AND YOU JUST KIND OF DISCOVER THE PROCESS IN THE PROCESS.
- YES.
- AND THEN I SAID-- I ASKED THEM,
WAS THERE A CHANCE THAT I'D BE WORKING WITH YOU.
WILL WE BE WORKING TOGETHER
AS THE PEOPLE WHO DON'T HAVE THE MEMORY?
- YES, I HOPE SO.
'CAUSE WE'RE--
- YOU'RE A FISH, THOUGH, RIGHT?
- YES, AND YOU'RE A FISH. THE WHOLE--
- I PLAY THE FISH TOO.
- HAVE YOU SEEN THE FIRST ONE?
- WHAT'S IT CALLED? - YEAH.