[ Silence ]
[ Applause and Cheers ]
>> Let's talk.
Let's talk.
[ Shouts from Audience ]
I love you too.
[ Laughter ]
Thank you.
>> Thank you, Jackie.
>> Thank you.
>> Just seeing the audience full of people in the theatre,
obviously, this kind of adoration and respect is all
around the world for you, but I think Australia will have
to say we've got a lead on the rest of the world,
because they claim you as their own.
So welcome back to Australia.
>> Thank you.
[ Applause and Cheers ]
And I don't know, tonight, I don't know what kind
of language you wish to speak.
Cantonese or Mandarin or English.
I know there's --
half-half-half, so [foreign language spoken] everybody.
[foreign language spoken]
[ Applause ]
In Australia, are most Chinese, Cantonese, or Mandarin?
[ Audience Responds ]
See, Canton and Mandarin!
[inaudible] Mandrin, okay.
I speak -- yeah.
>> I think --
>> A mix.
>> I think for the benefit of people
who are actually speak only Chinese, let's start --
I'm sorry, only English.
>> English.
>> Let's start it with English.
>> Okay.
>> All right.
Now it's very impressive with your three dreams.
Obviously, it's very close to your heart, but we will leave
that a little bit later on.
I would like to start by saying that I have to admit,
I'm also a Jackie Chan fan.
[ Applause and Cheers ]
I'm a few years younger than you, but not that much younger.
So we probably went through the similar hard-training regime.
You went through picking opera kind of training, the drama,
and went through the martial arts trainings, and I,
on the other hand, did ballet,
but I have to admit Kung Fu was my secret dream.
As part of the seven-year training
at the Beijing Dance Academy from 11 to 18,
we didn't just train ballet,
but we also trained Chinese folk dance
but also martial arts for five years.
So I grew up, like all Chinese, is sort of dreamt
to become a kung fu master.
So that's my secret dream, but I did get that far.
The five years of training as a martial arts
at the Beijing Dance Academy as close as I actually got
to Kung Fu, and it was very funny.
It was, a few days ago, I was telling the 24-year-old son,
Tom, and because when he was younger, we'd been watching some
of your old films, and he loved you, as well, and I told him
that I was going to come here to interview you,
and he confessed for the first time.
He said, "Dad, I have confessed something to you."
And he said, "When I grew up,
and when show me the Jackie Chan films," he said,
"I had this secret feeling
that you may not be the famous ballet dancer,
but you could be Jackie Chan."
[ Laughter ]
So I think you are more popular in my household than myself,
but let's go to the business side of things.
You have been making films all around the world,
but also in Australia, and can you share
with us this time back, is it different
to your previous times?
I think you made films in Melbourne, Brisbane,
but you know, in Sydney, what you love most about coming back
to Australia, but what do you experience differently
to other times?
>> There's a big difference.
When I come to Australia when I was 17, that's, I think,
the whole country about 30 million people.
That's all.
I was in Canberra, and there is very few people.
You know? And the country is so big and it's
so [inaudible] away from Hong Kong.
You know, Hong Kong, it's just that tiny, small,
and there's 7 million people.
Wherever you go there are people, people, people.
In Canberra, 5 o'clock, I walk on the street.
Nobody. Really.
And I just remember a lot of memories, really,
that we don't have an opera house yet at that time,
and suppose I'm going back to Australia for Camberra
for visiting my parents and as a holiday,
somehow I cannot stay anymore, I tried the training,
but at that time, you know, 28, bell jeans, and tight,
tight shirt with then jogging on the street,
because I didn't bring any training suit.
So I was jogging, jogging, and then.
Then the car stopped.
"Are you okay?"
And at that time, my English was not that good.
I just, "Eh, eh."
They really very nice people.
You want a ride?
"Eh. Exercise."
"Oh, okay."
They go away, then a car.
They keep on stop.
They thought I'm missing the road, you know?
That somehow, that's how I feel in Canberra.
When I come to Sydney, it's not like today.
So many big buildings.
Then all those years, I just feel my parents get very --
could take care of it for the whole Australia.
So they emigrate here.
They buy a house here.
Now even they after they pass away, they buried in Canberra
after the two weeks later, I have to go back to [inaudible].
[ Inaudible Speech ]
Yeah, [inaudible].
So and that time, I feel like Australia is a part of my home.
So whenever I have a chance,
then the first movie I make is Mr. Nice Guy.
[ Cheers ]
It's Mr. Nice Guy.
Yeah, I think Mr. Nice Guy then we worked there
for like four months.
Then after I go back, I get a very good experience.
Then I just tell my whole crew, the next movie is first try,
then coming back again I cannot remember Brisbane and Melbourne.
I always mixed up.
Always, boom, boom, boom.
Brisbane, Melbourne, I mixed up.
Then, a big action sequence, and we do a lot
of big action snow mountain.
Where's the snow mountain Brisbane or Melbourne?
>> Melbourne.
>> Melbourne, yeah, there's snow mountain.
Yeah. And the snow mountain.
I'll tell you very good -- there was a very funny joke.
One of my friends, I had to go back to Canberra
to see my friend, and my friend said, "I want to come with you,
but I have to stop -- the snow mountain Brisbane."
or Melbourne.
>> Melbourne.
Crown Casino.
Where is the Crown Casino?
>> Melbourne.
>> Oh, Melbourne.
Oh, I was in Brisbane somehow.
Somehow, I was there.
I said, "I have to go back and see my parents.
You come with me?"
"Okay, I come with you before you have to stop and Melbourne."
I said, "Okay."
Then we go to Melbourne, then I call my friend.
I said I call my friend after dinner,
but as soon as I landing, I said,
"My friend take care of everything.
He has car, and everything."
I call my friend, "Hey, I'm in Melbourne.
You come over."
"Yeah, it takes me one half hour flight and where are you?"
"Brisbane."
[ Laughter ]
I said okay.
Then forget it.
The next day, I tell my friend, my friend said,
"Let's take a flight to Canberra."
I said, "No, easy drive three hours."
I said, "I always drive three hours."
"Are you sure?"
"Yeah, sure, sure, sure."
We get up.
I said, "No we're going to get in the car
and put all our luggage," and that I call my father, I said,
"12:30 in Canberra in some corner waiting for me."
Okay? Okay.
I have the phone.
I keep driving.
Then my friend got out of the car, put the eye mask,
then tried to sleep, and I'm driving,
and he was gambling the whole night.
[ Laughter ]
And we're driving, driving, driving.
Three hours passed.
I still cannot find the way.
My friend, all the sudden get up.
"I'm hungry."
I said, "No-no-no, not there yet."
Then I keep driving.
Suddenly, I see the sign.
Another 900 miles.
[ Laughter ]
Then I call my father, "Father, go.
I see you tonight."
[ Laughter ]
Well, I keep driving until 3 o'clock.
My friend got up.
I said, "No-no, sleep, sleep."
[ Laughter ]
"No, I cannot sleep anymore.
Oh, my God, where are you going?"
I said, "I don't know."
Still driving.
[ Laughter ]
That's how I always mixed up,
and I got three stops by the police.
That's how I remember, but these days I'm coming back.
No matter I have a chance, I just Canberra, Canberra,
Australia, Australia, because we know the crew here.
We know a lot of crew members here.
We have a lot of good friends here.
It's very easy to make a film here, and also,
especially this time, you know, when I'm [inaudible] the harbour
and whatever, the things around here.
This easy.
I just called the commission.
I want to film here.
Okay, whatever you want, except you not blow up the harbour.
I said okay.
You know, last -- two months ago I was blow up the London Bridge.
The big news, boom.
I said [inaudible].
>> Six months he applied for.
>> Applied.
Then the government, everything's okay,
then of course, they will make somebody do it, and that day,
boom, and everybody thought it was a terrorist attack,
and the news, everybody, they blame me.
"Jackie, how can you do that?
You should tell us!"
How can I tell everybody.
I already tell -- we already tell 100,000 people surround ,
the letter, I said, "We going to blow up the [inaudible], okay?"
[ Laughter ]
But how can I tell the tourists?
>> Jackie, I hope you will leave our bridge alone.
Well, Australia is just a little bit bigger
than Hong Kong, I think.
>> No, much bigger.
>> Well, when I grew up, and I look at your Chinese name
or when I thought I knew your Chinese name is Chan Long.
Now I always thought Chan
as your last name, Long as dragon, yeah?
So then when I was doing a bit of research before I came
to do the interview, I actually discovered it's not Chan Long,
it's Chun Long, is become the dragon.
Can you explain to us where does that name from?
>> That's interesting.
And also, my Jackie, my Jackie, Jackie, Jackie Chan,
Jackie's name is from Canberra.
At that time, I was in Canberra.
I didn't have nothing to do, and really, because I was going
to Canberra to visit my parents.
So every day, just follow my father, go to this restaurant
and go to that restaurant, go to that restaurant,
just sit there like this.
I don't have a driver's licence and nowhere to go.
I just follow my father,
and a lot of people ask me what's my name, you know,
everybody know my name in my house.
They call [foreign language spoken] is a little cannon.
My father was [foreign language spoken].
My nicknames was [foreign language spoken],
but because I was born
like 12-1/2 months, I was 12-1/2 pounds.
So everybody called me a cannon.
So my Mandarin is [foreign language spoken] is a cannon
[foreign language spoken].
In American Embassy, and really call me Paul.
Everybody thought my name was Paul.
So I said, "No."
[inaudible].
I finally, I said, I have to learn English,
because every day, my father was in Canberra, American Embassy,
and everywhere we go you have to be very quiet,
and I had nothing to do.
Just sit there, I cannot train or do anything.
My father took me to shopping mall.
You know, drive the car, use stay here.
Okay, that's the money, you've go to buy food.
I pick you up later.
Then just by myself in the shopping mall just --
and see people very little Chinese at that time.
Not like today.
Then I was hungry.
I just go.
I see the glasses inside.
I just go in, wait in the line.
[ Laughter ]
And the guy, "What?"
"Eh."
[ Laughter ]
Whenever people say, "What?"
I just say, "Eh."
See that I just sit there waiting, my father.
I was so hungry.
I said, "No, I got to speak English."
So I tell my father, I said, I go,
"I have to go to learn English."
Then it, okay, we go to a government school for free.
Then I sit there.
I was very shaking.
I was by myself.
Then I see a lot of old people, young people,
all from different countries.
Oh, they had -- nobody's fingers.
And they -- only me, only me Chinese.
Then they said, "Okay, the new student, what your name?"
Then at that time, "My name is Chan Kong-Sang."
The teacher said what?
I said, "Eh, eh-eh."
[ Laughter ]
"Okay, your name's Steven."
I said, "Okay."
[ Laughter ]
So then in the American Embassy, American Embassy,
all the armies [inaudible].
And I Steven, "Oh, hi, hello."
Then I realised the whole morning, nothing to do.
Every day, my father does put me in the shopping mall.
I said, "No, I want to do something."
"Okay, my friends have a construction company.
You have to learn some construction."
I said, "Oh, okay, okay."
Then I go, the guy was from Taiwan Embassy.
He was a driver, big, fat guy.
He take me to the construction site
to see, you need assistance?
That's the assistant."
I just sit there.
Okay, what's his name?
The big, fat guy, called Jack, he said, "Call him Jack."
I said, "Okay."
You start right away.
Then, the big, fat ol' things they use [inaudible].
>> Yeah, elastic.
>> Elastic, then I put those things.
Then I start right away.
So then first English I learnt is a barrel, a shovel, cement.
This is called cement.
Okay. This is called shovel.
This is called barrel.
This is called water.
Trench, sand.
Okay, then every day, just do this kind of thing.
So my name is Jack, Steve, Paul.
Then somehow, I go back to Hong Kong.
You know, when they're fighting, I like rhythm.
Like Jack Chan, Jack Chan is no good.
Then slowly, I know little bit of English.
Then okay, I put a Y. Then Jackey Chan.
Then later on, because Jackie Chan not famous at that time.
So when I signed the contract with Golden Harbours,
the Golden Harbours and Raymond Chow, "Y no good.
Change it I-E."
I spelled the Chinese [inaudible].
You know Feng Shui, the name, you have the -- Chinese name.
What is your Chinese name?
I said, "My Chinese name Chan Kong-Sang,
but my [inaudible] name [inaudible]."
Chan -- no-no circle, dragon.
Then they find an old lady who's a little bit Feng Shiu.
Then you sit in the office.
You read so many names so many -- all dragon.
Like Cloud Dragon, Small Dragon, Big Dragon.
[foreign language spoken], all kinds, then,
"Sit down; Jackie, pick one."
Then I said, "[foreign language spoken], Bruce Lee."
"No-no-no, Bruce Lee already died."
Then I said, well, I don't have the guts
to pick [foreign language spoken].
>> Oh, Big Dragon.
He's too scared to choose the Big Dragon.
>> Either, [foreign language spoken], okay.
I can't pick Bruce Lee.
Then they say, "Okay, [foreign language spoken]."
You always see the Chinese picture
with all the clouds, the dragon.
It looks nice.
They said, "This is no good for you."
I said, "Why?"
"You're never a success."
Because the dragon always in the clouds.
Sometimes you see the hand.
Sometimes you see the tail.
So you never see the whole body.
That means you -- I said, "Okay, okay, okay."
then, "Why don't you pick this [foreign language spoken]?"
"No-no-no, too big.
It's just too big.
[foreign language spoken].
If you're Chinese, you know
that [foreign language spoken] is wow, just big.
Then I said, "No-no-no."
Then I said, "No, it's just [foreign language spoken].
Then the boss say, "Okay, [inaudible],"
and at that time, the movie come out.
There's some success.
When I go to the make up [inaudible].
>> Yeah.
>> When there's a door, there's a corridor
of people, all of the trappings.
Not like today where the sounds together.
We make the film first, then we dub later.
Sometimes at night, I just walk in,
slowly walk to the small window [inaudible].
How do they learn -- I want to learn dubbing, again, and again.
Sometimes they just like, the conversation,
they're just standing there like --
they just said, "How can the company spend this time on him?
Let this guy who's making movies, small eyes, big nose.
[ Laughter ]
Don't know how to act."
You know, I'm just standing there.
"It's not Chan-Long; it's Chan-Song."
He was never becoming a dragon.
You are only becoming a worm.
>> A worm.
>> I tell you what, just standing here.
My tears, just.
[ Laughter ]
Even I look at myself really happily.
I don't know to acting at that time.
[ Laughter ]
Wrong script.
Wrong script, wrong character.
Really, at that time, I just follow what the director wanted.
You know, I was very young, and in the movie,
every girl fall in love with me.
Then I refuse them.
[ Laughter ]
I want that, but I just -- it's not me.
So I go away just crying by myself.
A few years later, I go to dubbing, you know, repeat again.
They said, "Wow, look at this guy.
Even the toes know to act.
So good." No, between you're famous, you're not famous.
That's how becoming a Chan-Long and Jackie Chan.
[ Applause ]
>> Whatever that person
who chose the name obviously done you good,
and you have become the dragon, and you know,
I counted about seven or eight films you have done.
I think I Googled.
It says you've been involved or made over 150 films.
>> But I've been making a film 56 years.
>> Wow.
[ Applause ]
Including child actor, low-class stunt man, high-class stunt man,
stunt coordinator, producer.
Over 250 movies.
>> Yeah, so it fascinates me with quite a few of the seven
or eight films all themed dragon.
So you obviously have an incredible foundation of dragon.
[inaudible] is The Drunken Fist fighting style.
>> Yes.
>> Can you elaborate a little bit on how you developed
and how did you refine doing it, which is very unique?
>> It's a -- [inaudible] tradition
of Chinese martial art, somehow younger being [inaudible] to one
of my bigger brother, and one of the producer.
They think about this idea.
Then we make the film, and of course,
and it would create a lot of movement.
Of course, Drunken Master 1, very successful.
At that time, I just ask myself after Africa,
I jog in the morning, and I see
so many young children just do these kind of things,
and I said, "Wow, I really -- the movie, what I made,
I really influenced a lot of children."
So this is why, for the future, when I'm making a movie,
I'm very careful the way I talk.
The way I'm doing something, [inaudible],
anything that makes the audience laughing, I just do it.
[ Laughter ]
Then after, when I travel around the world,
I see so many children learn from me.
Then I said, "Ah, as the producer or director or actor,
we have the responsibility for the society of the children."
So I look back on Drunken Master 1.
Why I'm telling the people thinking and fighting is wrong.
So this why I immediately make the Drunken Master 2
to correct myself.
Don't drink.
Don't fight.
I don't know ordinarily you know a lot.
Do you know?
If you don't know, you look in the movie.
Ah, good, this is a good movie, but I make myself comfortable.
I correct myself.
Anything I do something wrong, I correct myself.
So this why you drink too much, so in the movie there's
so many -- how much you drink?
Of course, when you drink, you fall down and doesn't know,
but you drink too much, you gonna faint.
So in the movie because I'm drinking.
Then I get naked, [inaudible] here
and after the father said say something to show their friends,
the boat -- the water can carry the boat, and also,
the water can flip the boat.
Yeah, that's some Kung Fu insight, so yeah.
I had to correct myself all those years.
Even like, there's so many -- so later on, after Drunken Master,
so many movies, you can see there's so many messages inside.
If you don't know, you don't know.
If you know, I'm happy.
If you really don't know, I makes myself happy.
Like there's small things like Dragon Blade.
Did you see Dragon Blade?
Yeah, it's about peace, because a few years ago,
why does so many wars in The Middle East?
I have to make a movie called Peace.
So I make Dragon Blade, because there's
so many treasures stole away from China.
Do you understand?
I have to make 12 zodiac, and even the movies,
there's some small things
like I cannot suddenly, I cannot remember.
First Strike.
When I was wanted in the newspaper,
and when the lady walk around see the paper, scared,
turn around, then I look -- suppose I just walk away,
but in the movie, I see the lady walk away.
Then I see the newspaper.
I pick up the newspaper.
I put it in the rubbish can.
I walked away.
The same thing.
Same thing.
You can, from a movie, I hope, from these small things,
in Australia, in the world, everybody walk
around see the rubbish just pick up,
then the whole world would be very clean.
That's my little insight.
I want to show something.
[ Applause ]
And also, there's like the all day, why you have
to just -- there's so many.
There's some money.
I cannot remember suddenly, there's so many movies.
I cannot remember.
I tried to pick up some movies, yes.
>> I can say, while we were in the dressing room,
and one of the person dropped some crumbs on the floor,
and Jackie was picking up crumbs and putting them in the trash.
>> I was OCD.
>> I was very impressed.
>> I'm an OCD [inaudible].
ADD. I cannot sit still.
I've got to move.
>> Jackie, I want to --
there are a lot of young people in the audience.
>> Yes.
>> I'd like to ask you to share some insight for us all.
We all know success does not come by accident.
We know the success you have achieved globally is
through incredible dedication and hard work, and sometimes,
particularly your early days, must be very hard
to be a stuntman and doing things over and over.
It's not what your dream would be.
Can you share with us about the importance
of the work ethic and all of that.
>> Wow. That's a long, long story.
Go to buy my biography.
[ Laughter ]
I was -- I think everybody knows,
I was born in a very poor family, and my father was
in the French Embassy when I was young, and after, when I was 7,
my father moved to Australia.
American Embassy, I was
in the martial arts groups training, training.
One day, becoming a child actor.
Then 10 years in the partial arts school, then come out,
and my father took me to Hong Kong.
Spent 10 years' salary to buy a small house for me,
and at that time, I was pretty angry at my father.
Why I had to go away just by myself,
stay in the Hong Kong martial arts school,
and after I realised father worked 10 years in Australia
to come back just to buy a tiny house,
and that time was 30 -- 45,000 in Hong Kong.
And that time, it was still called pound,
5000 pounds around.
Then I realised my father worked so hard,
and then I becoming a stuntman, low-class stuntman.
I tried very hard to becoming a super --
also, you know, in the movie industry,
there's so many politics.
You are good, people, you know, [inaudible].
They won't let you go.
I remember one day I was to follow stunting.
I always behind.
I'm always behind.
You, you, you, go up and you fall down?
Wow, good, you got extra pay, but how you go out?
You don't have a chance.
Every day, you just you stay here
for the protect with the matches.
Then one day, I sat, and he had the stunt coordinator,
and he want people fall down up there.
As soon as he's finished, I standing up, run,
run up, just standing there.
I just -- just "Why the X you standing there?
Come down!"
Then all the stunt guys watch me.
I just come down.
[inaudible] you go up.
You just don't have a chance to go up to show how good I am.
I know I'm good but nobody give you a chance.
You just gone.
You're just gone, and we take --
and at that time, I only earned five --
>> Right now it's probably less than one dollar.
>> Yeah, less than one dollar a day.
That's my salary.
Five dollar Hong Kong.
That's my salary, and you just very --
every day, you're just very disappointed.
You want to do something.
Nothing you do.
You see the people do something,
you think you're better than him.
Nothing. I want to earn more money.
I don't want to always call my father,
give me -- send me a pound.
And every 6 o'clock in the morning you see everybody
and their yum cha, their Chinese yum cha.
You go in.
you sit down, and you have to pay.
Then I'm just standing here.
No-no-no. I'm ready.
I'm just standing here.
I just pretend that I'm eating.
Then I just -- come on, hurry up.
It's 6 o'clock.
Before they cash, then they sit down.
Come on. Let's go.
Then, after they pay, go.
Eh, let's go.
Wow. Nobody eat?
[ Laughter ]
That's how I survival in the morning.
Yeah, then go to the filming.
Good. Then I have a lunch box.
I only earned five dollars, and also the bad things,
at that time, nobody have education, and all the sudden,
mostly times, not filming behind Fuji.
>> Scenery.
>> Yeah, behind the scenery just gambling.
You earn five dollars so difficult.
You pay 10 dollars.
You lose so easy.
Never gambling.
Don't -- never, never gambling.
[ Applause ]
I lost five dollar, but, you know,
everybody [inaudible] by yourself.
You come -- you [inaudible].
Come, come, come on.
Okay, one dollar, lose two dollar,
lose five dollar, okay 10.
Sometimes you just write a paper, 10 dollars, boom lose.
Oh, you win sometimes 20.
You lose, wow 20.
Four days' work.
Then it's just every day you do something, five dollar.
You give somebody.
That's how difficult I am.
Then I try very hard.
Then I ask myself, I cannot do this anymore.
What's my dream?
My dream is becoming a stone coordinator.
How I can become a stunt coordinator?
Then I'm not gambling anymore.
I just stay on the side to watch the people on the set,
how they put the camera out.
How they work, and I realised on the set, first you learn,
you know, where are you staying?
Sometimes, "What the hell?
You're standing here.
Go! The light and the camera here!"
Oh, okay. Whenever you know where to go, and I do one day,
wherever I stay the camera cannot see me.
Again, I realised, I learnt the camera angle now.
Then I said how can I be coming a good stunt coordinator?
What's the lens, not like today.
Everybody carry a camera.
In the old days, nobody -- very few people have a camera.
Then I went to look at the lens.
Then I want to be a camera man.
Okay, first I becoming a camera assistant.
Then I just -- "Oh, can I be a camera assistant?"
Very low money.
Okay. Then I just -- I thought I can watch the camera.
First time I watch the camera.
Pow, ouch.
Cannot see the camera.
I just sit far away with the camera box like this.
"Jackie, 50."
"Yes." Two hands.
Then I carried -- then I already take the 70, 80.
Not like today.
You know, today you put a camera here, you even the [inaudible].
Okay, no, clean.
Everybody can watching the camera.
Then I start learning how I see the camera.
How the lens and becoming a dolly man, and slowly, slowly,
when the chane is coming, I just, boom.
Just becoming a stunt coordinator.
The first coordinator is what with John Wu.
You know John Wu?
Yeah, John Wu, and he's a new, and yeah.
A lot of fun.
The story too long, and I remember John Wu was just --
just, "Jackie, how you create it?"
You know, we learn a lot of -- why, why [inaudible]?
>> Bad things.
Bad habits.
>> Bad habits learnt from the old stunt coordinator,
and how to cheat the director, and [foreign language spoken].
>> Doesn't have the ability --
>> We don't have ability, be we are becoming stunt coordinator.
Then you're shaking on the set when I have
to the camera 50 here.
"Put a 50 what?
Huh?" Like English I want this what?
Nah, nothing.
As a stunt coordinator, you have a lot of power,
but when I say put a 50, the cameraman, "What, 50?
You sure?"
Huh? No, wh- what?
Every day I have to buy a pack of cigarettes and beer.
Hi, good morning.
Stunt coordinator, big power like this.
Why? Because you don't have the ability.
Then you have to learn how you control the set,
when John Wu asked me, "Jackie, how your fighting scenes?"
First you learn how to -- who's the bad guy?
Who's the good guy?
This good guy.
Good to go.
Who start fighting?
Who's dying?
Oh, he start fighting.
Okay, okay, stop fighting.
You know, you stop fighting [imitating fighting sounds].
John Wu, John Wu.
[ Laughter ]
Okay, then I just [imitating fighting sounds].
Okay, you start the dialogue first, right?
Yeah, you're going to start the dialogue first.
Then we go back to stage [imitating fighting sounds].
Yeah, that's why becoming it today.
It's a long story.
56 years. Not easy.
[ Applause ]
>> Well, Jackie, obviously we can't be here all night long
for you to share your wonderful stories.
I mean, obviously, the passion, the dedication, the hard work
and the courage, and you know, never give up have resulted
in your incredible success in those Hong Kong early days,
made you famous in the film industry in Hong Kong.
That I think your ambition took you
to that global Hollywood fame.
Rumble in The Bronx.
You broke your arm --
>> Ankle, in the morning.
>> Ankle. Could you please share with us and what scene?
>> After I jumped from the hovercraft,
you can see my leg -- even the hovercraft,
it sounds so big, so loud.
I could hear the bone from here.
Then I look at -- we are to cut, right?
But you see the outtake.
I grab my leg, and the cameraman, "Jackie, you okay?"
Then I turn around, and I got a shock.
I got a shock.
I said, "Okay, the leg is broke."
[ Laughter ]
And I see my leg, it was upside down.
Then I put it back.
They sent me to the hospital, cast in the morning,
then in the afternoon, I go back.
Then I go back.
Then I see the union in Canada.
It's a uh-oh, well, what can we do?
I said, "No, keep filming."
"Oh, how can you do that.
You have a cast on."
I said, "No, no don't worry.
I can, sure."
"You don't have union in Hong Kong?"
I said, "No."
"We have union.
I'm the chairman of the union."
[ Laughter ]
So this is why I think about the Lamborghini,
because we can't finish the whole movie,
and even the one climb up to the boat,
that's the director double me,
because I already broke my ankle.
Luckily, we finish the waterski scene, the backward ski.
Wow, that was tough.
Then we used the wheelchair ladies
with my arm just like this.
Somebody push the wheelchair.
Here.
[ Laughter ]
That's how I finish the whole movie.
[ Applause ]
I used the socks, of the plane tennis shoes.
I still can do the tumbling things
and the small actions, okay?
And the most tough is the backward ski.
The backward ski, it's just like this.
No ski. Nothing, just 75 miles per hour.
When you hit the water,
it's just like hitting the ground, and some stunt guy.
They tried.
Teeth is gone and it's very difficult.
You have to lay down and the water like this
when the pooled water all go into your mouth.
You know, turn around like this.
Then you have to turn around and then get up.
Get up just like this, and at that time, I just a clever.
You know, one day -- yeah.
One day I learnt everything, and after that I just,
when I see something, I already know,
and easy to make Rumble in The Bronx.
Difficult to make Rush Hour.
First, for me, it's not action.
Rush-hour, for me, the English was so difficult.
Still now, sometimes, now I can speak with male nasal when,
came, she, he, I don't care.
I just -- what a world.
It's okay.
But in the movie, you have to be perfect.
That makes me difficult, yeah, and also working
in the US is not -- you can tell Rush Hour, all these kind
of movies, movement, action.
It's not as good Asian film.
Why? Because there were some roles.
One day, you had to finish dialogue scene, two days,
action scene, one day.
Yeah, it's just -- I cannot touch the camera.
I cannot touch the table.
So many rules.
In Hong Kong, I'm the cameraman.
I'm the lighting man.
If we cannot finish today, we'll do it tomorrow.
Cannot do it tomorrow we do another day.
Just like Drunken Master 3, ah 2; I haven't made 3 yet.
Drunken Master 2, three months for one action sequence.
No way you can do it in the US.
So that's why I still like to make my own films my own style,
because it takes be more happy.
Even in, even in Australia, gives a lot of pressure.
You know, one time when I was --
[ Laughter ]
One hour. Because around the world everybody go one hour.
You know, that's a human right, but not --
but man, no, my Jackie Chan film,
when I'm making my own film, sometimes I give two hour.
I'm still thinking, but when I just beginning working nonstop.
Nonstop. Just keep filming.
You know, that sometimes wrong.
Sometimes, yeah, sometimes bad, but here you 5 o'clock,
they just go [imitating fighting sounds].
Like today afternoon [imitating fighting sounds].
Five more minutes.
Huh? [imitating fighting sounds] One moment left.
Okay, run, go home.
And then having nothing to do, sit there for two hours.
I said, "Let's do it right away."
No, the audience hasn't come here yet.
"Oh, okay."
[ Laughter ]
He's got nothing to do.
Well, can you share with us what it's like working with people
like Chris Tucker and Owen Wilson in this -- your films.
Just for me.
[ Laughter ]
>> Be truthful.
> This -- this -- this, either we were going to the Internet.
[ Laughter ]
For me, the beginning.
As I really, really with filmmaker all those years,
I know how to go on the set.
How I respect on the set.
Chris Tucker, to me, no discipline.
[ Laughter ]
But new movie.
One day he come chatty.
"Why you have to 6 o'clock come to the set."
You make me bad.
I said, "No, when I'm not -- I'm not the director.
I'm the actor.
I have to respect set.
I'll make up, finished, I sit on the set waiting."
No, he's not arrival yet.
But slowly, Rush Hour, Rush Hour 2,
now he becoming a really disciplined.
You know, come to the set, you know, rehearsal, everything.
You know, in the beginning, in the movie, he just "Wow."
You know, just, "Hey, Jackie."
Yeah.
[ Applause ]
The first movie I was afraid to talk to him.
Most of the time when he talked to me, I don't understand.
"Hi, Jackie!"
It's only Jackie.
Then, "Blah-blah-blah, good morning."
"Good morning."
Then I just, I hiding.
I don't want to face him, because he like to talk and talk
so quick, and none of the word I understand.
Eh, eh, eh, eh.
After I talked back, he don't understand.
[ Laughter ]
[ Applause ]
And after six months, after six months, we slowly,
slowly, he know my rule.
He know how I work on the set.
Then he became my good friend.
Now becoming a buddy.
Now we planning to do Rush Hour 4.
>> Oh, well done.
[ Applause ]
I'm sure your discipline has rubbed off on him.
What about Owen Wilson?
>> Owen's good.
Owen's good.
[ Laughter ]
Yeah, Owen's very quiet.
Yeah, mostly, he want to make fun of me.
I don't understand.
[ Laughter ]
Yeah, he just -- on the set, "Jackie."
He's not like I Chris Tucker.
He speak I mostly understand, then I understand,
I don't know the meaning.
"Jackie, you know, the morning..."
Yeah, mostly people, "Ha-ha-ha-ha."
They sent me.
[ Laughter ]
>> Then I turn around and asked my [inaudible].
"What's that meaning?"
"Oh, the meaning, da-da-da-da."
Only a half hour meaning, I still don't understand.
>> Now, Jackie, can you share the secret with us
that with all your success,
you appear to be still so very humble.
[ Applause ]
Has your family or your Chinese heritage played a part
in you having your feet on the ground and staying humble?
>> I think because I'm not -- I see, especially right now,
I see some big stars from Hollywood, some big stars
from Hong Kong or from China,
they have a very good background.
Suddenly, one day, boom, becoming a big star,
and we sit down and talk with some director, even myself,
when I on the set, like project A, after I roll
over my finger, how about that?
Grab the back guy.
I see my finger upside down.
Then after a punch, I just pull it back, and they just give me,
and I say, "Camera here."
Yeah, for the next shot.
I can't even remember.
[ Foreign Language Spoken ]
First try, boom.
My lips open, and I see my tooth.
I just put here on the set.
Continue filming.
To this day, I film with some people, "Oh, [whining]."
A young guy.
Young. I just, oh, 20 people, "Oh, what's that?
Medic! Medic!"
I just sit there like this.
[ Laughter and Applause ]
I think because when we was young in the school, you know,
no reason, the teacher would just hit you.
Sometimes you walk away, you walk past, you get thwap.
Yeah, you just get ready to get hit every single time.
When we doing a action film in the old days.
This day, so lucky, even my JC team, even the stuntmen,
even whatever star's so lucky.
We have elbow pads, shoulder pads, knee pads
and fake ground and wire.
In the old days, we had nothing.
We were nothing.
We just went to boom.
We just like that, again and again.
You say, "Ah, I'm hurt."
Tomorrow out.
After you got hurt, your arm or your angle,
you just -- "You okay?"
"Yes." Yeah, you just go back.
You do something tomorrow.
You've got to work.
Not like today, you get hurt in this movie.
The company for the insurance will pay a few months
or a few weeks, then you can survive.
In the old days, no.
So this is what I've been trained
for these things, and also, I've been
[ Foreign Language Spoken ]
.
>> He says endure the abuse from the big stars.
>> Yeah, big, director and actor and actress.
So this is why when I becoming a star, I don't how big I am,
but I take care of the mostly people, and also,
so many people give me a chance becoming today.
So why I always, my movie,
I always invite a lot of new talent.
New talent to help some of the people.
I hope to -- they have like one
of my Australia students who's been with the 20 years.
Now today, he's a [foreign language spoken].
King's men.
Now he's at Kingsman, second director.
Now he's filming in London, he called Brad Allen.
You know, I know he's good.
Just give him one hand.
Then he become a martial art director.
You know, a lot of people help me, and today,
whenever I have a chance, I help people.
I helping people.
Just like a lot of people ask me why you not filming
to do a charity?
Because when I was young, so many people were helping me,
and I see good things, bad things, so many.
So I get rid of all the bad things.
I was very bad when I was young.
So because the charity, because all the fans, because the movie,
because the movie credit people, the newspaper, the [inaudible],
the paparazzi, that makes me becoming a good guy.
Yeah, and actually, I really thank you,
the fans around the world,
because they sometimes tell me this movie good
but a little bit dirty.
This movie, a little bit violent.
No, I have to be very careful.
I've got to listen.
I have to listen because I like the whole world.
That's my dream.
I say, "I don't want one kind of people like me.
I want the whole world.
Everybody recognise me.
That's my dream."
[ Applause ]
>> Yeah, I should try this on my dancers
to get them a bit more disciplined.
>> These days, difficult to train.
>> No, I'll probably go to gaol.
>> Yes.
>> I'll probably go to gaol.
>> These days, you cannot hit.
I gonna sue you.
Oh, yeah, okay.
No, I really thank you, my teacher that torture me.
Really, like [inaudible] me.
We never dropped one rice on the table,
and we will put the shoes like this.
Whenever I go back my home, I see my son shoes.
One like this.
One socks, another socks.
No discipline.
Yeah, when first day, first day
that I see him in US, "Hi there."
Then I just -- standing up.
Because we learnt.
We learnt that early teaching, [foreign language spoken].
We learnt this kind of very traditional.
When we see old people, elderly like this.
>> With respect.
>> With helping people.
When he do this, yeah.
Don't move.
Talk to me.
You don't know how to talk.
Yeah.
[ Laughter and Applause ]
>> Jackie, I think we have a few minutes left.
Let's just quickly, obviously, we are --
I mean, it's very inspiring
to see your Three Dreams documentary.
You know, the beginning, can you quickly share with us
about the charities, the UNICEF, and your own charity.
The wonderful things you are doing in your charity.
>> I really thank you, and also, I thank you.
Probably some people here they already donated money for me,
and every day the fans around the world send me money.
When they send me one dollar I give two dollars.
We're building a school and helping children.
When I was young, I don't like --
I really think the charity is helping me become a good person.
I then, one day, I'm becoming a --
when I was 20, I was a millionaire.
Suddenly, five dollars one day, one night.
The second day, I Have over one million.
That I don't know how to put the money in the bank.
I don't know how to sign.
I always carry the cash walking around with my JC team.
You know, I always pay cash, and I buy, I already,
write in my biography already I buy seven diamond watch
in the same day.
Then the next day, every night, I buy dinner
with all the old stunt guys.
"Come on, eat."
Wow, you look?
Look. Tomorrow, again, change another watch.
Come on. I just want to show off and fighting in the night
because in the old days, I would dream this,
and my survival today, because we had to jump
like the second floor.
Nothing. We might die.
We see people die.
We see people paralysed, and my becoming today,
so we have money spend, spend, spend.
Not like today, I buy so many equipment, so many protections
to protect all my JC team, actor, and everybody.
We just spend a lot of money, and when you get famous,
people ask you to do a charity.
No. Daytime, we risk my life.
Nighttime we go to drink, you know, nightclub.
You don't have [inaudible] at that time.
Just nightclub and drinking with all the stunt team, and you --
the old days was so, so good.
We can, 6 o'clock, we drink 6 o'clock, 8 o'clock,
enough, two hours sleep.
Whoa. These days, you're drunk one night,
three days, you're like this.
Right? So I never drink now because just a headache.
And I just a wild boy, wild, wild.
No education.
Always, always, always, the people behind me,
always all are yes men.
Oh, good, yes.
Good? Yeah.
Good, very good.
You know, just wow.
And one day, they asked me to do a charity.
No, I don't have time.
I just pretend I'm tired.
They said, "No, please?
We already got the present, everything.
You just go there to say hello."
I said, "Okay, okay."
I remember, in Hong Kong [foreign language spoken].
I wear thick glasses, because I was drunk at night,
and I was asleep in the car.
I get up. I see all the children with some man going
like this, "Oh, Jackie, Jackie.
Oh, we love you."
I just standing there, I suddenly, wow,
I just I never see this kind of children.
I never visit this kind of hospital,
and they have a needle here.
They have all around.
All the metal like this.
"Jackie [inaudible]."
Like this.
I was just so embarrassed that somehow,
[foreign language spoken] present to you.
What kind of present?
I don't know.
I open and everybody thank you me, and that time,
I was so embarrassed because.
I didn't want to come.
They prepared everything, but now everything's Jackie.
The next day, the news people.
"Wow, Jackie's so good.
So busy. Even [inaudible]."
I just, okay, then the children are on to me.
"Will you come next Christmas?"
Then I look at, "Yes, I'm coming.
I'm coming next Christmas."
Then I go home the whole year I'm not happy.
I just because -- I think because my
under my heart is a good guy, because the environment,
the whole [foreign language spoken].
>> The echo.
It makes me bad.
So I followed.
The bad things go, but now the good things coming.
Then how can I face these children?
So in the whole year, whenever I get a present.
Okay, this for elderly.
Okay, [inaudible], okay for?
I just keep doing these kind of things.
I have a present all over the -- every day.
The centre present to me every single day.
I have so many presents.
Okay, [foreign language spoken].
Okay, yeah, for elderly people.
There's a door for -- because every day I keep doing these
kind of things.
Then becoming a charity, charity, charity, charity.
Then next year, I go back.
Then [foreign language spoken].
I see the children.
Now I know.
I go back to -- the children see me again, and they're "Ah,
you keep your promise."
I said, "Yes."
Will you come next year?
"Yes." Then, just like a snowball.
You know, you promise one hospital.
Then you promise the next hospital.
Then you promise -- then becoming a --
because I do so many good things in Hong Kong,
becoming like a 10 Outstanding People in the World.
Then I was under pressure.
Then UNICEF asked me.
They're going to go to Cambodia.
Then I see the landmines.
The children.
Why? They playing soccer just like this.
They cannot do soccer like this.
Why, because the soccer goes, nobody go to catch.
When you catch, the landmines explode and most
of the children is like eyes gone, their legs gone, arms,
because they put the landmine.
They tried to sell the landmine, and they open it.
Boom. Their hand -- slowly, so many of these kind of things.
Then I realised I wanted to use -- if I have a power,
I want to use my power to speak out from the movie,
from my person standing here.
Speak out my words.
Speak the things I see.
Speak the things of what I'm doing.
I hope the whole world united together.
Why, now? With each other, you have friends, I don't like you.
Okay, I don't like you.
We are neighbours.
The whole world is like a village.
We stay together.
It's not like it used to be.
You have a earthquake.
Your thing that not my business.
Now today whenever I see the big,
the whole world big disaster.
Like Turkey's big earthquake.
China's earthquake, and in Japan, big tsunami.
You see, the whole world goes in.
At that time, I said, "Wow,
if every day the world helping each other, how good it is."
Now know tsunami, nothing, nothing happened.
Now country against country.
They find a reason.
I don't like you.
This belong to me.
That belong to me.
No, it belong to us.
Not you. With the whole world.
[ Applause ]
Right? We should -- I -- I'm from Hong Kong.
When I come to Australia, I wouldn't never to --
that's not go to Hong Kong.
No, they shouldn't all belong to me, too.
The whole world belongs to humans.
Not belongs to single one.
That what I'm doing.
So in my movie, in my song, in my --
actually, I'm a good singer.
[ Laughter ]
And promote peace.
Promote united.
Promote love each other.
So that's why you see when I make the uniform, the love,
I see so many flags, and even my dragon, so many flags,
and that's how I promote.
I hope everybody get the message.
Spit out the message.
I hope the world -- no more war.
[ Applause and Cheers ]
>> The influential Forbes Magazine quoted Jackie
as the Philanthropists Hardest Working Man.
[ Applause ]
Now, there are a lot of questions has been gathered
from the audience, from Internet and all of that.
I, obviously, don't have time to ask you all the questions,
but just very briefly, I'd like to read one from Annie Sum,
it says, "Which film that you have starred was the
most memorable?"
>> Another story.
>> Yeah, I know there's too many, but choose one.
>> Police Story 1.
Police Story, because wanted
to prove that's a director to make Protector.
Did you see the movie Protector?
And at that time, how can it be coming a New York cop.
I speak very poor English,
and a Mandarin-born Chinese, New York cop.
Then that comes into my acting.
That come into my English, and even we stay, we speaking.
I don't know people, what they speak?
When is my turn?
So the dialogue coach have to lay down under
like this, touch my leg.
First touch is smiling.
No, welcome to New York.
Cut! Welcome to New York.
Welcome to New York.
"Very good, Jackie.
You speak very good English."
[ Laughter ]
When I do the action [imitating fighting sounds], okay, okay.
No. For me, I'm concentrating on the action.
I'm not concentrating on English.
So I said -- so this is why I just, ah, I give up.
Then before I left, I tell the director,
"I show you what I can do.
How can I becoming a policeman.
Not New York policeman."
So I go back to Hong Kong.
I make Police Story.
I want to show the director.
I said, "That's what I'm doing."
[ Applause ]
>> Jackie, the second one's from Bobby Lee.
"What was it like meeting and working with Bruce Lee?"
>> He, at that time, he was a really, huge star.
I only young stunt guy.
I'm young stunt guy, always the people just like today.
The one always walk with me in front.
Some young guy behind.
I'm the young guy always behind.
Not even my turn.
Suddenly, somehow I get the chance on the stage with him.
I was under -- because just so many people surrounded him.
There is so many everywhere we go.
We just, wow.
I just under, I always look, just like --
I think mostly people, I believe he understand you.
So many people.
Yes, yes, like -- yes, yes-yes, yes-yes,
and somehow I got the chance to work with him.
He's so quick and very good for the stunt guy.
Yeah, he always make fun of stunt guy and talk to stunt guy.
Never talk to me because I'm too young.
And I remember that's a shock, bang-bang-bang-bang.
You said -- what's that called?
You know, two-stick fight.
First I work with him.
It [foreign name spoken], golden [foreign name spoken].
He kicked the Japanese guy out.
What that movie?
Huh?
>> Fists of Fury.
>> Yeah, Fists of Fury.
Ah, whatever.
[ Laughter ]
I somehow, I could choose to put stunt -- the Japanese.
The Japanese opponent.
Then I just -- they said, "Jackie,
can you do it yourself?"
I said, "Yes."
Then I put the rain.
I had to run, run, I go back.
I fall down, cut.
Good shot.
Next shot I was hanging about like --
because the Japanese architect.
So have about that high with all the wood.
Then another window.
Up to the window about Jackie, about that high.
I swing. I swing, drop, and his kick powerful.
Swing, bam, drop.
At first the wire, boom, when it let go,
becoming -- said, "No-no-no.
Too slow. You talk to slow."
And you know what they do?
Zoom, let go.
Sha-bang. Six Bruce Lee on each side.
Oh, oh, every -- boom, okay.
Okay, now we're, one more time.
Okay, one more time.
Then I go.
Then it come, I remember, Bruce Lee picked me up,
grabbed me, "You okay?"
I said, "Yeah, okay."
Then I look at, "Wow, he touching me."
[ Laughter and Applause ]
Then, wow, I just -- that's the first time.
The second time is [foreign language spoken], the two stick.
What movie?
>> Enter the Dragon.
>> Enter the Dragon, yeah.
I'm the last one.
I've been waiting, waiting, [imitating fighting sounds].
I'm the last one to go up.
Boom. He just give me like one stick.
Pow, one stick, boom, okay, hit.
Okay, rehearsal.
Pow then boom.
Fall down.
Okay, do it.
I said watch, big, one shot, [imitating fighting sounds].
Then I come up, bam.
I just a few, pow.
My [inaudible] stop because of one stick here.
Pow, boom, I fall down.
I fall down, then I pick
and because the camera behind me, I just like this.
I see a portion.
Because when he fight, I always wanted see how he moved.
You know, the way he moved pow, back, back, back,
turn around, ran, ran, ran, cut!
After cut then he-- shit!
He throw the stick, run to me, run to me.
Actually, I got hit every day.
You know?
[ Laughter ]
As the stunt guy.
You know, I get punched, I get kicked,
I said okay, but I get up.
I see him run to me.
Then I said, "Ah."
[ Laughter and Applause ]
I just pretend.
Ah, "You okay?"
"I'm okay."
Okay, are you sure?
The whole night, the whole night I was just like this,
and he we left the hope --
because I always on the set, every day, na-na-na.
[ Laughter ]
The whole day he just --
[ Laughter ]
Then somehow, I know we over day, over time, we have to --
he have to pick up few like [foreign language spoken].
>> Two groups.
>> Daytime finish, we need nighttime,
so we need some stunt guy,
follow 24-hour so we get double pay.
She he said, "Oh."
He says, "Oh, tell this guy."
Than me? Oh, okay.
Wow, I know he is special give me earn some more money.
That I get double pay, and then when the stunt guy goes
in water, another double pay.
Then I said, "Okay, I will."
Tell this guy to come.
Then me again.
Then on the bridge, on the bridge, and also,
I think he like my reactions
when he grabbed my hair everything, I just [grunting].
And the show's real.
You know, even -- I just that good.
[ Laughter and Applause ]
And then becoming, they asked me what's my name.
He give me a double stitch.
Boom. Then I go in the water for one shot.
They were, "Oh, it was so good."
Then I get another double pay.
Then when I get dry, they asked me, what's my name,
my objective, where you learnt.
I learnt this at da-da-dat.
I learnt a lot of things.
Then a few months later, I was paying bowling.
I was very good.
I was a bowling --
I'm a champion, believe it or not, and I walk.
I supposed to go from Peninsula Hotel,
walk to the bus station to take a bus.
I walk, walk, walk, in front of me, then I see Bruce Lee
by himself walking, and at that time, you know, wide, high shoes
and high collars, and they were, "Hi, Jackie."
I was just, "Hi, where are you going?"
I said, "I'm going to play bowling."
"You guys play bowling?
I go with you."
[ Laughter ]
Oh, okay, taxi!
[ Laughter ]
I only that much money.
Then I got a taxi.
Then I go to the bowling alley [foreign language spoken]
4C something.
When I get there, wow, I'm so -- everybody, "Bruce Lee."
And yeah.
[ Laughing ]
Then I said, "Sit down.
Don't come here.
Nobody come here."
[ Laughter ]
No. Sorry.
No, sorry, no sorry.
[ Laughter ]
What do you want?
Then I pay about 1-1/2 yen.
Then he just sit here like this.
The people surround.
[ Laughter ]
And I said, "What you want?"
Talk to him.
Looks like a very good friend.
Then he said, "Jackie, I've got to go.
I say, "Okay."
Then I send him -- the last place I see him just we called
the techs, turn around, then he get up.
Then I just standing there.
[ Laughter ]
Nothing. He just go and walk away.
Then I go up and paid, and "Oh, you know Bruce Lee?"
"Yeah, my buddy."
[ Laughing ]
Then about months later, then he's gone.
Yeah. Yeah, that's how I met Bruce Lee.
[ Applause ]
>> Jackie, you've been fantastic,
and you have been fantastic, so it's been a great evening.
Could you possibly -- now this is not on the script.
>> Yes?
>> Could you possibly grant me and half
of the audience the last wish,
and could you sing a few tunes for us.
[ Applause and Cheers ]
>> Huh?
[ Cheering ]
Okay, of course I know, I have so many songs.
I have, but lately, I have like a [foreign language spoken].
I also [foreign language spoken].
And also, but what I really like is two years ago, I sing a song.
I's called Country.
It's called Everybody.
Everybody, you got to love your own country.
That's the song I really like to sing, and after I sing
that song, I believe I know 600 million people I know
down in China.
Only half of them.
[ Laughter ]
Okay, that's our country.
That's our core country.
That is our home.
I cannot sing English.
I sing Mandarin, okay?
[ Applause and Cheers ]
[ Singing in Mandarin ]
Country is my country.
I love my country.
I love my home.
[ Singing in Mandarin ]
Home. It's my home.
[singing] I live my country.
I love my home.
[ Applause and Cheers ]
Thank you.
Ladies and gentlemen.
[ Applause and Cheers ]
Thank you.
Thank you, for all of your support.
Thank you.
>> Thank you.
Thank you.
[ Applause and Cheering ]
[ Foreign Language Spoken ]
Thank you Australia!
Thank you!
[ Applause and Cheers ]