IF
IF YOU
IF YOU ASK HOW MUCH IS THIS BOOK, I ALWAYS MENTION THAT I
WOULD BE LIKE THAT.
CALL AROUND IN THERE AND YOU
WOULD FIND STUFF THEY DIDN'T
KNOW THEY HAD.
IF YOU COULD GET HIS ATTENTION
HE WOULD MAKE UP THE PRICE BUT
IT WOULD BE LIKE $.40.
I LIKE TO 4@THAT.
>> THIS AUTHOR ON HER
EXPERIENCE SPENDING TIMES IN
BOOKSTORES IN NEW 4@YORK CITY.
SHE IS IN THIS DOCUMENTARY, THE
BOOKSTORES IN NEW 4@YORK CITY. SHE IS IN THIS DOCUMENTARY, THE@
BOOKSELLERS, WHICH TAKES YOU
INSIDE THE SOMEWHAT ECCENTRIC,
FASCINATING WORLD OF 4@THOSE WH
SELL AND COLLECT RARE BOOKS.
DW YOUNG IS THE 4@DIRECTOR AND4
THE FILM WILL BE SCREENED LATER
THIS AFTERNOON.
THIS AFTERNOON. IN THE FILM SOMEONE SAYS AT ONE
POINT THERE IS AN AREA KNOWN AS
BOOK ROW IN NEW YORK CITY AND 4@
THEY USED TO HAVE MORE THAN 30
BOOKSTORES AND TODAY THERE IS 4@
ONLY ONE.
ONLY ONE.
ONLY ONE. >> YES, OF THE ORIGINALS.
THERE IS ANOTHER 4@ONE,
ALABASTER, BUT IS NOT ONE OF
THE ORIGINALS.
THE ORIGINALS. >> 4@WHAT MADE YOU WANT TO DO4@
FILM ABOUT RARE 4@BOOKS?
>> THE PROJECT ORIGINATED WITH
ONE OF 4@OUR PRODUCERS WHO WAS
ALSO A RARE BOOK DEALER. 4@
HE FELT THIS WAS 4@A GREAT TOPI
FOR A DOCUMENTARY THAT HAD
NEVER BEEN DONE.
HE BROUGHT THIS UP WITH US AND
WE TOOK TO THIS IDEA.
WE AGREED WITH HIM.
THAT IS WHERE IT ALL STARTED.
>> IF ANYONE IS 4@A LOVER OF
BOOKS THEY WILL LOVE 4@THIS FIL
IT IS SUCH AN 4@INTERESTING
WORLD.
WORLD.
WORLD. MANY PEOPLE YOU INTERVIEWED
SAID, YOU THINK OF 4@WHERE BOOK
COLLECTORS AS MEN IN 4@4@TWEED
SUITS.
SUITS.
SUITS. I
SUITS. I LOVE HOW YOU TOOK US TO THE 4@
HISTORY AND THERE WAS A MAN
THAT DOMINATED THIS BUT THERE
WERE ALSO TWO WOMEN WHO FOR ANY
DECADES DOMINATED THIS RARE
BOOK WORLD AND NOW IT IS
DIFFERENT AND DIVERSE. 4@
>> YES.
>> YES.
>> YES. I
>> YES. I DON'T KNOW 4@THAT YOU 4@COULD
THE TRADE IS AS DIVERSE AS4@ WE
WOULD LIKE BUT THE NEW
GENERATION IS OPENING UP TO A
LOT OF DIFFERENT AREAS 4@OF
INTEREST.
INTEREST.
INTEREST. THERE IS AN INTEREST IN GETTING
MORE PEOPLE INVOLVED.
IT IS OPENING 4@UP.
>> PETER, YOU ARE THE DIRECTOR
OF PHOTOGRAPHY.
OF PHOTOGRAPHY. WELCOME BACK TO ST. LOUIS.
>> THANK YOU
>> HOW LONG HAVE YOU KNOWN EACH
OTHER AND HOW DID YOU GET
INVOLVED IN THIS?
>> 4@WE MET 4@THROUGH ANOTHER F
WHICH PREMIERED AT THE TORONTO
INTERNATIONAL FILM FESTIVAL.
WE 4@MET 4@VICARIOUSLY THROUGH
ANOTHER PERSON AT ANOTHER FILM
FESTIVAL AND HE CAME TO
INTERVIEW FOR A POSITION ON THE
FILM.
FILM.
FILM. WE
FILM. WE PUT THESE PIECES TOGETHER
AND THAT WAS 4@IN 2010-ISH.
THEN WE HAVE COLLABORATED
SENSE. 4@
SENSE. 4@
SENSE. 4@ >> DO YOU HAVE ANY 4@UPCOMING
PROJECTS THAT YOU WILL WORK
TOGETHER 4@ON?
TOGETHER 4@ON? >> HE HAS THINGS IN TH4@E WORKS
AND I DO AS WELL.
>> YOU COULD LIVE ANYWHERE
THESE DAYS.
THESE DAYS. ST. LOUIS IS4@ KNOWN FOR MAKING
THESE DAYS. ST. LOUIS IS4@ KNOWN FOR MAKING@
RATE FILMS
RATE FILMS >> AND THE FOOD IS AMAZING. 4@
>> YES.
>> YES.
>> YES. TAKING TO THE GREAT PLACES. 4@
>> YES, WE ARE HAVING BARBECUE
FOR LUNCH.
FOR LUNCH. 4@ >> ABSOLUTELY.
>> ABSOLUTELY. WHAT WOULD YOU LIKE FOR PEOPLE
TO GET FROM THIS?
FOR ME, PART OF IT IS
HEARTBREAKING BECA4@USE OF
TECHNOLOGY.
TECHNOLOGY. IT HAS REALLY KILLED 4@THE 4@
INDUSTRY.
INDUSTRY.
INDUSTRY. >> ONE THING WE WOULD LIKE TO 4@
IMPART IS WHY PHYSICAL BOOKS
HAVE VALUE AND ARE WORTH
KEEPING AROUND IN WAYS THAT
PEOPLE MAY NOT APPRECIATE.
IN THE RARE BOOK SENSE, IT'S 4@
TOO CONVEY WHY THIS WORK IS
IMPORTANT.
IMPORTANT. THEY ARE UNRECOGNIZED OUTSIDE
THEIR SPECIALIZATION.
THEIR SPECIALIZATION. >> YOU CAN SEE THE BOOKSELLERS @
THIS AFTERNOON AT 4@2:30 AND ME
THE TWO OF YOU?
>> YES. 4@
I HAVE A SHORT FILM PLAYING
TUESDAY EVENING AT THE STAGE.
THE 4@K DH X STAGE AT 7:30.
>> 4@THANK YOU.
I LOVE