>> Barney: Now different people are going to have different techniques. We're going
to start with lines. We're going to start with highlights. I'm doing sort of shadows.
I'm probably going to bounce around a little bit back and forth. I'm going to start with
a little bit of Skin Illustrator and I want to fill in, find some of the microscopic little
lines that Jim might one day have on his face.
I'm not going to... I'm not going to... If I find a line I'm not going to do the
whole line. I just try to enhance the depth here and there.
A solid line will look like a solid line. It will look like something drawn on their face.
Now, if you can hold up his other eyebrow like I'm doing, this way we can both of them at the same time.
I'm going to go all the way in, just shy of the lash line and just shy of the eyebrow hair.
The way you stretch a face is really important.
It's going to dictate where the wrinkles are created and which direction they go in.
Okay. We cut a bit of an angle here with the hair and cut it very blunt. It's a fresh cut.
It's going to help the ends all line up fairly well. I cut the bevel so that it
lines up with the flow of his hairline. It's good to actually have all this prepped
beforehand if you're planning on doing it. What did we do here? For stage one we prepped
his skin, got his hair back and just did basically a highlight and shadow really exploring his
face and finding what his anatomy wants to be basically. Step two we added some latex
stipple on top of that, stretching the skin so that when it comes back it will hold the
wrinkles then did just a minor amount of basically staining more than color on top of that.
We added a little bit hair on the sides, a little more gray hair to get a little more authentically
gray than just color would allow. I think this is regular gray crepe hair but it can be useful
in the right circumstance. How do you feel?
>> Jim: Old. >> Barney: There you go.