- The secret's out.
T-minus 2 days until Studio 19 takes on ALDC in Lancaster.
This has been our best season yet.
So yes, Abby, the best is yet to come.
Abby probably needs to know that we were tagged in this.
Be careful, because Abby flees when the situation
gets stressful like this.
Tuck and roll.
--Studio 19 is calling you out on social media.
OK, I'm done.
Thank you.
Please--
I'm sorry.
I don't think Sarah is going to be able to be in the routines.
I have laid down my rules.
I laid down the law with Michelle.
And I warned her.
If the name of any other studio is mentioned,
this will be the end.
Abby, don't take it out on the child.
She had nothing to do with it.
That's the only way parents learn.
You're finished.
We'll re-block the number.
I don't care.
[somber music]
SARAH GEORGIANA: I'm nervous because I feel like if we don't
do anything, then I'm never going to end
up dancing with the team again.
But if we do something, then I'm not ever going to end
up dancing with the team again.
I'd rather try and fail than not try at all,
and not get anywhere.
Take your phone.
If you need me, call me.
[somber music]
Come on. Gianna.
Let's go, let's go, let's go.
You're as bad as these mothers.
Come on.
Right.
- Hey, Sarah. - Hey, Sarah.
Hey, Sarah.
Are you all right?
Oh, she's here.
Well, she's here.
That's a good sign.
Good morning.
Honey, you can't be here today.
OK?
[somber music]
Oh, god.
Uh-oh.
Oh, god.
Sarah?
- Sarah, what's happening? - Sarah, what's wrong?
SARAH GEORGIANA: (SOBBING) She told me I couldn't-- she
told me I have to leave.
Oh, my gosh.
Wait, we've got to--
MICHELLE GEORGIANA: What happened?
She told her she had to leave.
(SOBBING) She told me I couldn't be there anymore.
Oh, my god.
I really don't know what to do.
[slow music]
Michelle just texted us.
What's it say?
It says, hi, guys.
This is a bad situation, but we want to support the team.
We are coming to competition.
Sarah really wants to dance, and we hope you
can help us change Abby's mind.
She's trying to make the best decision,
but it's going to be a really, really bad scene.
I've seen it before.
[suspenseful music]
Sarah wants to dance.
You should be able to go in.
I agree.
Hi.
MICHELLE GEORGIANA: Abby, can Sarah dance?
Can Sarah dance?
ABBY LEE MILLER: Hi, girls!
Once again, she just shows up and tries
to shove her kid into a situation
where she's not welcome.
MICHELLE GEORGIANA: I won't come in, but can Sarah come in.
ABBY LEE MILLER: No, absolutely not.
MICHELLE GEORGIANA: Abby, I won't come in.
Can Sarah come in?
Who in their right mind does that?
It doesn't make sense.
- All right, don't cry. - Don't cry.
Don't cry. Be strong.
Listen. Listen.
- Be strong. - Right now--
Can you take her--
- Wipe your tears. - Yes.
ASHLEY HOSBACH: OK? Come on.
Stand in-between us. - Be strong.
Stand here. You got it?
ASHLEY HOSBACH: Come on.
Let's go.
I feel bad for Michelle, and I feel awful for Sarah.
I don't think it's right that Abby
threw them out of the dance and out of the studio.
We want Sarah to dance.
[suspenseful music]
ABBY LEE MILLER: I want a team of winners.
And if we can't be that, we can kiss nationals goodbye.
That's what everybody should be focused on--
a win.
[suspenseful music]
Abby, I'm not here to cause you any problems.
Yeah, you cause trouble.
You bring it with you.
My daughter has always dreamed of dancing
for you and with you.
You have to leave.
Police? - Abby, please.
Abby.
That's not necessary.
Can't you just go sit and not say a word?
Yes, my name is Abby Lee Miller.
I'm calling from Lancaster Mennonite School,
and I'm in a dance competition.
And I have a psycho mother that is in our dressing room,
and she needs to go.
I've asked her to leave nicely 20 times, and she won't leave.
They're on their way.
So do we really want the police here?
Oh, I-- yes, I want to be protected.
Sir? Hi, how are you doing?
Oh, my god.
What is happening?
ABBY LEE MILLER: I made the phone call.
This woman, she needs to be out of this dressing room.
She's not doing anything.
I'm here to apologize.
I'm really calm.
ABBY LEE MILLER: Yeah, there's been chaos, screaming, yelling.
Everything. - Not with us, though.
No.
- Not with us. - With me.
Yes. And she needs to go.
ASHLEY HOSBACH: Abby's being super extreme.
And we're getting tired of the one-way street,
and it's Abby's way or the highway.
It's not-- it's not right.
The team has to be Abby and the moms and the kids.
So the police told me that I am not allowed to sit with--
like, in the audience-- like, I'm
not allowed to sit with Abby.
It's going to be OK.
We're getting there.
She actually told Sarah to go sit down with the girls
in the dressing room.
Like, Abby said that herself.
- Sarah's going to be with us. - Yes.
When we start getting ready for the group,
we'll get her ready.
I'm just hoping you can all be her mom.
- We are. - We are.
We are her mom.
Trust me, we are.
She's fine in there.
She's good.
I'm calling it the inch plan.
Let's see if we can inch a little
closer and closer to having Sarah dance with the team.
Michelle should probably, at least for now, stay away.