The Concept of the 5th Dimension - Celestial Music,
the Music of the Spheres, Schumann Resonance and the Polyphon
Introduction
There is a type of music that is ‘heard’ by people [in their heads],
but not by anyone else near them.
Sometimes it is clearly terrestrial in origin as it may even be a pop tune.
If they have heard the particular band and pop tune before
we may simply be retrieving a past perception.
If they have never heard the music before but it still sounds very ‘earthy’,
then they might be receiving the music via telepathy ...
Hearing the music someone else is enjoying [or not]
with whom close ties have been made
- the invisible but strong links made between people
mentioned in our video on quantum entanglement and destiny.
But there is a type of unearthly beautiful music
that people sometimes hear and only they hear
that is so glorious they can spend their whole lives
trying to reproduce it and it is called Celestial Music.
Celestial Music is described as “truly ‘unearthly’, sweet , gentle,
lucid and harmonic, calming, bringing joy and happiness, even ecstasy”
and it is unlike anything we might have heard before.
What else? Well one key thing, is that it does not use our current pitch,
musical scales or harmonies, even though it is ‘harmonic’ sounding.
Some people who have ‘heard’ this music
Sir Edwin Arnold (10 June 1832 - 24 March 1904)
was an English poet and journalist,
who is most known for his work The Light of Asia. And he heard it once.
That rich celestial music thrilled the air from hosts on hosts
- shining ones, who thronged Eastward and westward, making bright the night.
The Shakers, the Quakers, the Sufis, the Kabbalistic Jews
- all ‘heard’ celestial music.
The Shakers, for example, had a tradition of 'receiving' songs via trance,
which were then recorded using their own musical notation system
which we have now, sadly, lost.
Rumi - Jalāl ad-Dīn Mohammad Rūmī was a 13th-century Persian poet,
and Sufi mystic and he said
Bring the sky beneath your feet and listen to celestial music everywhere
Native Australian aborigines,
whose Songlines are an attempt to remember this music.
And last but not least Pete Townshend of the pop group The Who
Daily Express Thursday May 2nd 2013 by Mike Ridley
FOR MOST of his life rock legend Pete Townshend
has been haunted by the music of an angelic orchestra and choir.
The Who's lead guitarist has tried without success
to recreate the heavenly sounds he first heard in his head
as an 11-year-old on a River Thames boat ride.
Townshend tells of hearing the music while on a boat with his Sea Scout troop.
“I heard violins, cellos, horns, harps and voices, which increased in number
until I could hear the threads of an angelic choir.
It was a sublime experience.
I have never heard such music since
and my personal music ambition has always been
to rediscover that sound and relive its effect on me.”
Types of musical instruments heard
Clearly any sound heard cannot be heard by anyone else,
- just like Pete Townshend
- have tried to describe it by using the sounds musical instruments make.
Indeed there is some evidence that early musical instruments
were made in an attempt to reproduce celestial sounds.
Examples include:
Reed instruments - Flutes, pipes - particularly bagpipes or pan pipes
String instruments especially lutes, harps [including aeolian harps]
cellos, and violins or “fiddles”.
Bells - Another ‘instrument’ which is also frequently heard is bells,
which is probably why Morris men wear bells when they are dancing
- lest we forget.
Trumpets, bugles, horns and other brass instruments.
Voices - usually descant voices ...
No words, just melody where the voice is being used like an instrument.
And maybe why the Christian church has choir boys to sing its hymns.
So where does this music come from?
Ride a cock horse to Banbury cross
To see an old lady upon a white horse
Rings on her fingers and bells on her toes
She shall have music wherever she goes
The Music of the Spheres
Using an earth centric model to demonstrate.
The Earth resonates with a natural frequency pulsation of 7.83 hertz on average.
And there are those who can ‘hear this’ and they call it ‘the Hum’
Wikipedia
The Hum is a name often given to widespread reports
of a persistent and invasive low-frequency humming,
rumbling, or droning noise not audible to all people
In essence, Earth resonates and to some this is heard as a ‘sound’.
And so, it appears, do the planets and their moons, for example:
Venus - Theoretical calculations were made
by Nickolaenko and Rabinowicz in 1982, and Pechony and Price in 2004.
Both studies yielded very close results.
And resonance of Venus was detected by the Venera 11 and 12 landers,
but has not yet been measured.
Mars - Martian global resonances were modeled by Sukhorukov in 1991,
Pechony and Price in 2004, and Molina-Cuberos et al. in 2006.
Again resonance has been detected, but not yet measured.
“The rhythms of Jupiter's major moons are heard as a drum beat. ...
Callisto and Ganymede are nearly in a 12:5 resonance”.
Titan - Since the landing of the Huygens probe on Titan's surface in January
2005, there have been reports of its resonance.
And it seems that every Planet and object in space
has a natural ‘frequency’ from Planets to Stars,
Meteorites to Dwarf Planets, Asteroids to Black holes.
And since big objects have a natural resonant frequency
then hypothetically small objects have a frequency
and indeed there is a concept called the “Natural frequency” or “eigenfrequency”
defined as “the frequency at which a system tends to oscillate
in the absence of any driving or damping force”.
In other words, every Aggregate has a Natural resonant frequency.
[see our videos on aggregates]
And it is why monks Hum and Chant ‘ohm’ - to find their natural frequency.
And why our ancestors built henges of stones
with certain natural frequencies, they were ‘tuning in’ to the universe.
In essence, the 5th Dimension is created by the resonant frequencies of aggregates,
which can be heard by some people as celestial music - sound.
And thus we have the explanation for the expression Music of the Spheres
and an ever changing sky will produce a vast number of ‘songs’.
And it is why there are 7 notes in the musical Major scale,
[for the 7 then known planets]
which once matched in pitch the actual ‘heard sound’ mystics could detect.
As above, so below.
Schumann resonance
There is a separate phenomenon that can be measured called “Schumann resonance”,
named after physicist Dr. Winfried Otto Schumann,
who predicted it mathematically in 1952.
There is the continuing belief that it is related to lightning strikes,
but it varies depending on whether it is night or day,
rather indicating that the night sky might be a better place to look as one source of influence.
‘Schumann resonance’ was found on Titan, however, after several tens of fly-bys by Cassini,
neither lightning nor thunderstorms were detected, in Titan's atmosphere.
But there is far more evidence that Schumann resonance is caused by the ever changing night sky.
If every object in the universe has resonance,
we are being bombarded by the resonant ‘sounds’ coming from everything in the sky.
And the type of Energy being received may not be electromagnetic at all
but at the quantum level, the level of quantum entanglement
[see the Destiny, and quantum entanglement video]
which means distance no longer matters,
all these objects in the sky will appear to be near us.
As long as we view them and thus become entangled, they will influence us.
And as one small body stands on one spot on earth looking up at the night sky,
the heavens turning above him,
every single object he sees will be influencing him - every single one.
And at the very moment they align with his Higher spirit, his own celestial pole,
he will ‘hear’ them resonating and it will be heard as Celestial music.
An example experience
Bayard Taylor (January 11, 1825 - December 19, 1878)
was an American poet, literary critic, translator, travel author, and diplomat.
One night, at about one o'clock in the morning, in the mountainous region of Nevada,
I was still contemplating the eternal beauty of the night,
when I suddenly became aware of a distinctive sound,
which seemed that of the wind in the forest.
I looked at the trees, they were still.
However this sound increased rapidly,
to such an extent that the air in this solitary valley seemed to vibrate powerfully.
A strange feeling of waiting, almost fearful, had invaded me.
Not a leaf was shaking in the wood,
when suddenly this formidable whispering turned into a choral song,
a grand hymn sung by thousands of voices,
which spread very quickly from one hill to another,
getting lost in the distance in the plain, like the echo of thunder.