hey guys welcome back to another episode of kick boxing the only show on YouTube
without kick boxing actually today we'll be fixing up my subscribers beats fight
tie you guys so when I fixed up your guys songs I'll fix up everything about
it including the mix I'll be putting it out of the video and I'll send it back
to you guys if I get sent a lot of beats this might take a while so on
just take anywhere from one minute 5,000 hours these attract like our old name
Punk sure that's gonna be the final title this tutorial probably just be me
mixing this song because it sounds like it's pretty much done other than that
maybe I might add a pitch drop or two that multiband compression is almost
always a no for me well it's just gear to that his panty tricks kind of fucked
me see how it sounds Amano that's interesting trick so he has this the
lace setup where the left here goes xx North think it's delay the right here
gets 10 milliseconds delay it's an interesting way to create a stereo
effect it seems like it seems like it's model compatible too so I'm gonna leave
it like this alright little tip here you're compressing to your psyche and
compression she's a look ahead that way it doesn't with the beat and not a
header late I'm gonna fix the timing of this sidechain compression right here
now that we got the drums in the sample kind of stuff
I must see what's up with the bass I'm gonna check the tuning of the bass I'm
gonna pitch it up an octave and maybe a few octaves and then I'm gonna see there
are any notes that are a little bit off
I'm just gonna take the sample export it and then run it through melody and see
if there's any tuning issues see in a way it might be at attune I know that
explains a lot about this so this 808 it was a little bit flat I
believe so yeah it's about 20 sharp so I'm gonna flatten it a bit yeah it was
all fucked up cuz they away with a little bit of tuna we should be in this
key here c-sharp minor
so now I'm a tea not holding down to office
which I forgot the route no I'm pretty sure it's either it's gonna be the C
sharp or D sharp so let's go check real quick yeah it's definitely C sharp so
I'm going here and tune all the EQ is to C sharp some of you may not know what I
mean this because you know I'm my patreon join today to find out all kinds
of exclusive information about mixing and mastering and producing I seriously
not join so I had this little technique I taught people my patreon the get to
clean I see queuing possible you you want to tunity huge to the key of the
song so for us I'd be C sharp so everything's gonna go to C sharp so 141
there should be one thirty eight one five nine pretty close
yes I noticed it definitely needs more highest compliment the custom goes out
of the hi-hat alright now I'm going to show you guys a little trick I do a cut
out room for the drums on the sample I'm also just need to cut a little bit for
the hi-hat and snare I'd say okay now I'm gonna tune it to my eq's which is
the C sharp maybe cut a little bit for the kick - I like having those little
skinny dips cuz I kind of feel like a mix room for the the attack to really
hit it's around 26 BPM on this one so I run 146 Hertz on this one I'm gonna see
if I got some distortion in the space - happens if it sounds bad then just not
gonna do it
all right so that's about it for the instrumental I'm gonna group all these
together and name it instrumental okay so as you can tell these vocals are each
box might be able to clean up the sound a bit better you might turn off all the
effects on this case I'm gonna export it just you name it Siemens so I'm opening
without iZotope rx-7 okay I got my acapella file brought it in the rx-7
then I'm gonna use the music rebalance feature but I'm gonna try to isolate the
vocals here my settings here I have it set to get rid of everything except for
the voice weight gainers let me copy the range middle track then I'm gonna use
isotope nectar 3 to help clean it up a little more good probably cut some
loaves out of it too they cut the base out somehow without really doing that I
don't know how they do that apparently it's magic I'm gonna throw a
relay on an instrumental grouping here that's why I did that earlier so I
usually for me to just throw the relay on it and then I could send the
information to nectar 3 from the instrumental and it'll know we're gonna
do the unmasking features so I'm gonna click vocal assistant name a quick
assist then we'll click on mask I'm gonna loop the section right here it'll
click next then I'm gonna select the source for the unmasked it's gonna be
relay and I'm just going to go with everything medium
I have to check out what it did for us and see if we like the changes so I
didn't do anything with the gate or the pitch correction so we just turned that
off then the EQ here it looks like I cut some room for the drums in the DSR here
it looks like it so that's some di seems
pretty slow on the EQ - looks like it a little bit of boosting this expression
give it some freshmen which is very good for vocals something we definitely
wanted then a little bit of reverb I'm gonna fine-tune these settings a little
bit that actually sounds a little bit too loud now somewhat turn down a little
bit harsh - so let me clean up this connector settings for you since your
before and after with neck there so before
yeah I think I just got a dial back from the Hat every qubit coming back these
subtractive settings a little bit I'm some math here think it needs one here
though for the snare to which changes yes in frequency to match the our tuning
dial back the mix percentage of the additive easiness I'm gonna dial back
the percentage of the compressor I'm gonna do then what you keep cutting on
the vocals I'm pretty much wrapped up here there's some cutting more
high-frequency content from these vocals because I think there's a hi-hat in it
yeah that's quite a bit of damage there getting it out those two scoops those
should be in two as well a little bit panicked
as Shelby guys got turn it all down some more spice not crazy I think the snare
could be a tiny bit louder alright then we got a layer those extra kicks where
the extra 808 sorry I'm just gonna move it out of the group real quick there we
go always want to layer give your weight
some kicks so I don't sound soft and you are the soft right
pussies alright there we go no it makes you be pretty good I just think we need
a few pitch drops now it should be perfect it's max for live plugin
you can get it online I only get in the description I forget please remind me
okay that's it for this episode of fixing up your guys beats hope you guys
enjoyed it I really like this beat that I fixed so we're all good song
the only feedback is uh vocals are a little bit overused but everything else
about it's amazing hopefully he likes the changes I made to it
if you guys want to send in your project for me to work on you can send it here
to this email address I'm gonna leave it on screen for a little bit I'll
essentially fix your track if I can't think of anything that I'll just I'll
just do something stupid with it so either way it's a win-win because if you
don't get your track back fixed up and you get two laughs so it's like you
laugh or you win if you guys need your songs mixed and mastered I also have a
mixing and mastering service called bloom audio bloom - audio com most
affordable mixing and mastering on the Internet and also some of the best work
you can get on then check it out today you can get your music mix just like
this maybe even better for as low as $45 tune in next time when I become a
surgeon I accidentally kill someone