don't believe or disbelieve anything we discuss in spirit signs simply have your
own experience in lesson six I showed you an intro to sacred geometry the
Flower of Life we looked at the Genesis pattern and how it forms the fruit of
life the pattern that all physical matter in existence comes out of we
jumped out of the sacred geometric pool for a few lessons and today we're gonna
dive right back in I've mentioned quite a few times that within the Flower of
Life are found the music and harmonics of everything in existence let's find
out how that works shall we
first I want to show you Phi and Fibonacci it's important to understand
for what we're going to talk about I'll show you what you need to know to
continue and if you want to learn more in depth about these sequences I will
provide sources in the comments Phi also known as the golden ratio or golden mean
is a very simple relationship if you had a rod and we're going to put a mark on
it only two places would mark the Phi ratio which is here or here the length
of a plus B is equal to the length of C this ratio is one point six one eight
zero three three nine and continues on forever if you multiply the length of C
with Phi it will create the exact same image only bigger C and D is equal to e
this ratio could then span on forever going smaller and smaller or bigger and
bigger forever this ratio is infinite it has no beginning and no end it is also
believed that Phi is the mathematical root of all other sequences see every
mathematical sequence in existence needs a minimum of three numbers to figure out
the sequence by only needs two it is the only one similar to how the circle and
square are the source of all shape but we'll get to that later on the next
thing that you need to know is that this ratio is found in all life everywhere
sort of by sort of I mean it's really Fibonacci but we'll look at that in a
moment look at your hand not only does each
finger have its own ratio moving up each finger which is five to the next bone
but it oscillate back and forth from the tallest finger to the thumb you wonder
why the human hand is like that it's based on Phi this relationship is found
throughout the body in various ways moving up the arms and legs in your face
throughout the entire body this is a Greek statue that accurately represents
this the Greeks were very precise when they made their art because they
understood five Fibonacci and the importance of these sequences when the
Romans took over Greece you could see the perfection and statues just
completely disappear I'm not saying the Romans were bad artists they just didn't
measure everything to the same caliber that the Greeks did here is the Phi
ratio in butterflies you can see this ratio everywhere from the wing size to
the body to the antennas they're all thigh ratios here's dragonflies it's the
same story five runs along the entire body and the relation to the body in the
wings here it is in frogs Phi is found throughout the body in relation to the
head to the arms to the fingers and so on well what about fish you'd think it
wouldn't be found well here's three kinds of fish once
again the ratios are consistent it doesn't just apply to these creatures
though regardless of what mammal insect avian plant or living creature of any
kind you will find this ratio one way or another there's a reason for this but
we'll get to that in a moment let me show you the importance we used
to place on this golden ratio in ancient times we built many structures based on
five because we understood divine proportion this is the pagoda of
yakushiji temple in Japan it's built with these same mathematics from the
doorway to the ball on top of the temple it is a structural embodiment of the
proportions that all life holds the Parthenon in Greece also has the exact
same mathematical structure but even more I recommend watching Nova's secrets
of the Parthenon if you wish to learn more about this because the stuff that
they find is really cool the Great Pyramid of Giza also has these
proportions they're incredibly precise perfect in every way you'd think that by
building these structures using the logical and mathematical proportions so
carefully they would hinder the creativity behind these buildings but
they really don't in fact the left brain understanding all of this can even
enhance creativity if used correctly it makes me wonder about all of the world
famous buildings of the modern world could Phi B a large factor in what makes
them stand out let's move on to our next sequence which is called Fibonacci now
the Fibonacci sequence is life's way of creating the golden meat allow me to
explain this sequence is continually made from adding the previous number to
the current one in one is two two and one is three three and two is five five
and three is eight you can see how it continues now what most people don't
know about Fibonacci is that it actually continually strives closer and closer to
the fire a she oh by dividing the current number into the last you can see
this happening 1 into 1 is 1 well that's not close at all 2 into 1 is 2 this time
it's over 5 but closer 3 into 2 is 1.5 which is under but closer still 5 into 3
is 1 point 6 6 6 this time it's over but even closer continuing with that
it's 1 point 6 and then 1 point six two five one point six one five three eight
four one point six one nine zero four eight and so on it continually
oscillates over and under the Phi ratio never quite making it there but
continuing on closer and closer every time until eventually you can't even
tell the difference because Phi is an infinite number this sequence will go on
forever let's look at some spirals in nature
another way that Phi and Fibonacci can Manifest this is a nautilus shell many
people will say it's five but it's really Fibonacci see how when it's in
its earliest form it's crude not smooth or anything one look and you can tell
that's not Phi but as it goes up farther and farther it gets closer and closer to
five it becomes a nearly perfect five spiral by the time it's all the way out
here this also happens with sunflowers pine cones and many plants in nature in
many cases such as the pine cones and sunflowers it flows in a double spiral
or more much like the spiraling arms of a galaxy from the microcosm to the
macrocosm spirals are always present so Phi is basically source or spirits or
God in a mathematical way of thinking the math of God don't forget this
sequence is an intimate part of nature itself I'm going to call it source it is
the source of all mathematical sequences and all life in existence grows based on
five however Phi has no beginning and no end
life doesn't know how to deal with that it's like source says go and replicate
this and life says we don't know how because life doesn't know how to create
from something that has no beginning so it creates the Fibonacci sequence
instead which has a beginning but starts out crude very basic and it continually
goes closer and closer to source becoming more divine every step it does
take steps to which actually has quite a bit to do with evolution let's move on
for now though the only other sequence you need to know for this is binary
sequences this is a sequence like 2 4 8 16 32 we're just doubling the last
number instead of adding it to the previous one we're all very familiar
with this binary sequences are found in life as well for example mitotic cell
divisions are binary we go from being a single cell being to having over a
hundred trillion cells in only 46 divisions binary sequences are also how
computers work by turning on and off chips computing at its core anyways is
binary ok let's move on to something different for now but what we just
looked at will reveal itself in time this is how a polar graph usually looks
with 36 radial lines in 10 degree increments representing the 360 degrees
then concentric circles are drawn each with the same distance away as the last
creating eight equal demarcations as the one before counting the inside circle as
one think about what this represents - it's a two-dimensional drawing of a
3-dimensional sphere one of the sacred forms by projecting it onto a flat
surface this is also called the shadow form and casting shadows is a sacred way
to obtain information also a polar graph has both straight
and circular female lines both male and female energies interacting at once if
you plot a golden mean spiral at zero degrees on the polar graph it will loop
all the way around before hitting zero again exactly at the eighth circle
you'll find that this golden mean line crosses five specific places as it goes
out these places are where the female circular lines meet the male lines it
crosses at 120 degrees 190 degrees 240 degrees to 80 degrees and then it jumps
to 360 or back at zero depending on how you look at it what's interesting about
this is that it creates both a binary and Fibonacci sequence looking at the
radial increments from the center it crosses at 1 2 3 5 & 8 well that's
Fibonacci but it also crosses at 2 4 & 8 well that's a binary sequence we're
going to look at the binary sequence in particular though because what you find
is very cool if you draw lines from the outermost circles on the lines where the
binary sequence was formed you get this image it is an equilateral triangle if
you continue the spiral outward it would continue to hit these exact same places
and continue to form larger equilateral triangles let's divert yet again to look
at something very interesting there was a man named Keith Critchlow who
discovered something very important to understanding the geometry of music
first he drew a straight line through an equilateral triangle and then he
measured from the middle of the center line and drew a straight line up to the
top edge and back down to the bottom corner then he did the same but passed
through the center line of the top and back down again he did this yet again on
the other side you can keep doing this on either side as well by drawing this
funny little form he discovered something of great importance
he writes continuing in this way each successive proportion will be the
harmonic mean between the previous proportion and the total length and all
of these proportions will be musically significant 1 over to being the octave 2
over 3 being 1/5 4 over 5 being the major third 8 over 9 being the major
Toner step + 16 / 17 being the halftone er step in other words he discovered the
geometries of music or at least one aspect of them then he tried measuring
it in a different way starting at a different point of the center line at
3/4 he found the measurements for 1 / 7 1 / 4 2 / 5 4 / 7 8 / 11 and 16 / 19 all
of these numbers are musically significant this is very interesting it
means that the harmonics of music are somehow related to the proportions of
the central moving through a tetrahedron back to the
polar graph you can see that this drawing has a much greater value all of
a sudden not only that but it becomes even easier to make your measurements
thanks to the polar graph itself you can just draw a straight line through the
drawing on the graph and it will give you the center line this information has
been taken light-years beyond what I just showed you though a research team
found that you can draw these lines not only from the center but from any nodal
points inside the upper half of the triangle and you'll come up with all
known harmonics in existence basically this means that anywhere the straight
line and curved lines on the polar graph cross from 0 to 120 degrees and start
making the pattern you will come up with all known harmonic systems not only the
Western keyboard but the Eastern and even many unknown systems that have
never been used as I'm not a musician there's not much more I can show you
related to this but I would love to see what a musician could really do with
this knowledge how far could you take this alright I'm running low on time
here so I'll wrap up with this unraveling remember when we talked about
spirals in nature they often travel in twos
usually this is male and female so on this polar graph if you're going to copy
nature you don't just plot one spiral you have to plot two when you do that it
gives you this image which is a star tetrahedron inside of a sphere we
mentioned this in lesson seven and this image is more commonly known as the Star
of David do you remember the face on Mars NASA obviously tells us that it's
just a random formation on the surface of the planet but right next to the face
there are also a few pyramids and other anthropomorphic structures I know what
you're thinking why on earth would I bring that up all of a sudden well
Richard Hoagland and his colleagues have spent a long time researching and
deciphering a message on the surface of the Red Planet want to know what that
message was it was a star tetrahedron inscribed in a sphere holy balls right
there's a link in the comments to a page with all of this information if you want
to learn more it's pretty crazy and very eye-opening now that we have this
information about what this really means inside the star tetrahedron another one
fits perfectly we can continue to put more and more star tetrahedron inside or
outside of the other star tetrahedron the same way the golden means spiral can
wrap around the polar graph infinitely big or infinitely small you'll notice
that this smaller tetrahedron also happens to fit perfectly around this
sphere we'll check this out if you put this same sized sphere centered on the
point of every single star tetrahedral point guess what suddenly reveals itself
of life its back according to the Egyptians as well as the ascended
masters this is one of the holiest most sacred forms in existence of course we
already learned one of its informational systems in lesson 6 and what you just
saw was the second only in reverse order what this means is that all of the
information of music harmonics sound and spirals come out of this image not only
that but light and the dimensional levels work in the same way as harmonics
which we've already discussed in lesson 2 7 and 9 meaning that the geometric
information about light and dimensions are also related to this star
tetrahedron pattern so just briefly looking at this image that we looked at
in lesson 7 this is the fourth unraveling of the Flower of Life it is
an infinite spectrum of never-ending fruits of life within more fruits of
life this is the unraveling of dimensions so it makes a little more
sense now but I won't have time to show you anything more today so what you just
saw was the second unraveling from the third rotational pattern of Genesis the
geometry at the heart of creation
you