*phone rings*
Hello, Prince Leopold.
Sorry, are you BACH from your holiday?
Yeah, I’m BACH again.
I wanted to ask...
how many cantatas do you need by this week?
(Um…)
Let's make that 300.
(Oh, and don’t forget that eight-part fugue,)
and the 72 partitas.
Is that too much to HANDEL?
Oh, Handel!
Oh, of course I’m better than Handel.
That's the spirit.
By the way,
how is your family?
It’s… It's big.
But I think half of them are dead already.
Oh, that's unfortunate.
Good luck with composing.
At least you're not “decomposing.”
(Nani?!)
Ha ha! Is it too soon? Sorry, sorry.
Anyway.
Oh, FUGUE you!
Hey, Holst.
Oh, hi, John Williams!
Can I copy your homework?
'Cause it's due tomorrow and I haven't started.
Tsk.
Fine.
Just make sure to change it up a little bit, okay?
Of course!
So here's my original Star Wars soundtrack.
*gasps*
Oh my god!
Are you Antonio Vivaldi?
I'm such a big fan!
I love your music!
Thank you, thank you.
I particularly love your Four Seasons.
- Oh my lord! It’s so good! - *sighs*
Thanks, but what about my other 500 concertos I wrote?
You wrote other concertos?
Fan: But check this out!
I even got your Vivaldi merch! Look!
It’s like the Four Seasons!
Oh! So good!
Can I get your Four Seasons signature?
Fan: But I don't even want you to write your name.
Just write “Four Seasons.”
- Please. - *sighs*
Mozart, listen.
Your opera is sounding so great.
I cannot wait for tonight's prem-
HA HA HA! Thank you!
Just a question, um…
Have you finished the overture?
Conductor: I realised the concert is tonight
and I haven't yet received the orchestral part for the overture.
Oh, about that, I haven't composed-
I… I mean…
I forgot- I left it at home.
I need to go get it.
Give me 30 minutes.
- Okay okay? - Okay. Sure...
HA hA ha Ha….
Okay, and that's the cadence there.
Here you go. Done!
All right, let me have a look.
A hA HA HA! It’s aMAzInG!
This is such masterful writing!
You must have spent so long on this!
Yeah!
Spent 30 minutes-
I mean, days.
Nah, too easy.
Nah, it's too easy.
Still too easy.
Maybe I'll put them all together.
Yeah!
Too easy.
Hello?
Hi, I'm calling from the theatre.
(And I just want to check up on our…)
(upcoming performance of your composition.)
It says here that we're looking at 150 musicians.
Is that correct?
Yeah, yeah, that's just the violin section, right?
Oh. Uh…
D...don't you think that's maybe a bit too much?
Oh, I thought it wasn't enough.
I need a big sound.
Oh. Um…
Romantic composers, right?
Yeah, sure, we can arrange that.
(Can I also just check what is the…)
…length duration of your piece?
40 hours!?
Don't you think that's a little bit long, like…
I don't know, I was thinking maybe something more like…
9 hours?
I'd rather be dead!
Oh oh, by the way,
do you guys also have cannons?
Sure.
Why not?
Hey look!
I composed something.
Oh what?
Yeah, coming!
Hey look.
I composed something.
BRAVO!!
WHOA!
Hello, Cage.
Oh, hello, Schönberg.
Did you know that…
for the last 20 years of my life,
I've been pushing the boundaries of Western music theory.
And I've developed the 12-tone technique
which for the first time
abolishes the very concept of tonality itself.
Well, I composed a piece with no sound.
NANI?!
Cage: Yeah.
I even convinced an audience to listen to it
for 4 minutes and 33 seconds.
Oh hello, Dmitri.
Here's my manuscript.
"Shostakovich Symphony..."
My man…
Are you okay?
Oh okay.
I think that's 4 bars.
Command + C.
Command + V.
Oh, that's 8 bars!
Command + C.
Command + V.
16 bars!
Command + C.
Command + V.
Hey, Jordon.
What's up?
Can you compose a piece about cabbages?
(‘Cause I'm hungry.)
Sure.
Awesome. Sweet. Cheers.