Tostao: In these times, someone who want to be attractive for someone else, for a girl
maybe, for instance. People use the Instagram now. Photos and you know showing the six
packs. I don't got any six packs, so I got to sing well. I have to be funny. Show a girl
that I'm a good guy for her. I’m no good dancer. I'm not a good dancer. If you let
me talk, okay. I can be a good guy for you because I know how to talk.
Slow Mike: If you don't know how to dance and you want to attract somebody, you got
to do it like that eh eh eh. Yeah. Ciao.
Tostao: When we start to write this song, we were in Medellin in Bulnena’s house.
Bulnena is a great song writer in the music industry. We were thinking, “Okay, the musician
or some writers, write songs about dancing, but always the same.” And somebody said,
“Okay let's do this song when the woman asks the guys to dance, not the guy asks the
woman to dance.”
Slow Mike: Working with Becky G was so nice, she's so professional.
Goya: Yeah.
Slow Mike: She is a great artist. When we were shooting the video I was beside her and
I told her, “What do you think about when we send you the song? And she say, “When
I heard this song the first time, I say it's awesome, I wanna be there.” She’s got
a good vibe, and she put the song in another level.
Goya: I singing about sensuality when the people's dancing, yeah? It's like that time.
Yeah? It's that moment.
Goya: I don't drink a lot, but when I drink, I laugh every time. I am stay happy and I'm
gonna dance and whatever. When I smile, yeah I’m drunk.
Goya: My favorite music's Afro-beat right now because I can dance. I can color and Afro-vibe.
Tostao: And lifestyle.
Goya: I love that lifestyle, yeah.
Tostao: I don't know why. Maybe because I go to school to study some music. But I love
that. The tropical themes, but always thinking about the urban flow, like. I love that kind
of music because make me smile and make me dance.
Tostao: This song is like a woman giving you an order. Like, “Okay, you got to dance
for me.” You know like a queen say, “Okay, you gotta dance.” But at the same time,
she wants me to touch her body. I say, like blind people. Okay, okay, okay.
She want me to do it like that. She asked me. Okay, Buenos Aires, it's not close from
here. It's kind of far. I can do anything for her.
Tostao: That part, the trophy and the race is she's so dope. She's so good. If we were
together in a race, “Okay, I don't wanna compete with you. Get your trophy right now
because you got it all. You smashed it.”
Slow Mike: We were dándolo todo in my last birthday.
Goyo: Yeah, yeah.
Tostao: Okay, last birthday party. Whoa.
Slow Mike: And we were dándolo todo like one day and a half.
Goyo: Yeah.
Tostao: Yes, ma'am. Goyo is the best dancer of the group.
Goyo: Okay okay okay.
Tostao: The Chocquibtown has
Goyo: Okay okay okay
Tostao: their representation just for dance.
Goyo: Okay okay okay.
Tostao: Everybody get ready. Goyo.
Slow Mike: I go to the club and I’m just laughing. Somebody say, “Hey, you want to
dance with me?” “No, if you give me a kiss.” “Yeah, yeah, yeah, yeah.” She
laugh, I laugh back. But you don't know. After the club, she gave me a kiss. She's talking
about queens making the men to dance, but I'm a king, and I'm asking for something too.
If you want me to dance, okay, give me a kiss.
Tostao: In this particular song the message is the girl runs the world. You're a queen.
I'm a queen. Okay, we're good. Let's dance together.
Let's put these guys to dance, you know?
Goyo: Yeah. We can run the world together. Yeah.
Goyo: It’s like union message too.
Goyo: Dándolo to’, Dándolo to’, Dándolo to’ contigo. Yeah. Yeah. With you. Aye.