Hello, there.
Welcome to.
What was that?
You don't like my hello there?
No, you were doing all these bits before,
like picking up a phone
and pretending you were talking to someone
and then all of a sudden you got serious.
Here's the problem.
And I'm explaining this 'cause we're using this open.
Don't you think we should, Gourley?
Yes, I do.
They need to know the real truth.
They need to know we were screwing around
acting like fools and then Matt said,
"Okay, let's get going."
And I suddenly switched from.
I have an old-timey phone on my desk and I was pretending.
I was doing some stupid bit as I do,
and then it was time to start
our supposedly comedic podcast.
But you said, "Let's get going."
So I put the phone down, took one second,
and just went, "Hello, there."
And you guys start laughing.
And you're right, it's so stupid.
It's so dumb.
I'm not this respected figure that needs to say,
"And now the news."
Of course, still.
It's absurd.
Why did I go from doing stupid bits?
I don't know.
This has happened before.
With you guys that weren't being recorded.
Just being dumb and Sona saying I'm stupid.
And me saying, "Yeah, well idiot called
"and it says it's you."
Whatever.
Whatever dumb stuff we're doing back-and-forth.
Trying to hit me with
whatever you had rolled up through the computer.
You were doing something weird.
We're on Zoom.
And I have a glasses case
and I was trying to jab you with it through Zoom.
So all of this absolutely inane foolishness.
And then Gourley says, not it's time
to start the eye operation on the patient,
which then it would make sense to like,
"Okay guys, settle down."
Gourley, what you're saying is,
it's time to stop this foolishness to begin the foolishness.
The actual bullshit dick around begins now.
Yeah, stop this bullshit dick around,
Dick around.
And then I'm gonna pull this lever.
And I said, "Okay."
And then suddenly just went into
this tone of, "Hello there."
And well like who's that guy?
You become the full Cronkite.
Let's try again.
We'll keep all this stuff, but just be yourself.
Ready?
Three, two, one.
Well, Sona's bad.
What?
Why?
I'm sorry.
I thought you wanted me to be myself.
No, why?
Also, that wasn't creative at all.
That was so bad.
Oh, wait.
You don't think it's creative,
so you think I was just saying the truth?
No, I respect your slams
when they have some creativity behind them,
but when you're just like, "Sona's bad."
Here's why Picasso was great.
Oh, come on, no.
He was an incredible draftsman and incredible.
Great man.
Yeah, but also, I didn't say that.
Able to realistic.
He was great at depicting.
He could depict anything.
He could draw the human hand beautifully
which is very difficult to do.
He had studied anatomy.
He knew what to do, but then he blew it up
by going to the simple shapes, simple shapes.
And that's what I just did.
I've had my sophisticated Sona slams, but like Picasso.
No.
It's now like 1917 and I'm deciding
I gotta blow it up and do something
that'll blow everyone's mind.
And my new riff is "Sona's bad."
Let's hear another one of these blown up Sona slams.
That's my cubism.
Oh, god.
It's awful.
Sona's unprofessional.
There.
It's just stupid.
No, I don't like this.
Cubism.
'Cause it's true.
Cubism.
It's not even like, it's like funny.
'Cause it's like, yeah, I am unprofessional.
State some more facts.
No, this is my Cubist period.
And you guys say this is no good,
just saying Sona's bad.
But when they do put,
and I believe this is artwork what we're doing.
Oh, no.
Yes.
A hundred years from now,
when people wanna buy the digital snippet
of me saying Sona's bad,
it's gonna be at Christie's auction house.
It's gonna be framed somehow.
Don't ask me how.
And it's gonna be worth $35 million.
Which will be about $350.
I know.
That was such an Austin Powers moment
where Dr. Evil was like,
"And the ransom is $10,000."
Dr. Evil.
What?
Oh.
It's not 1968 anymore.