(Western whistle music)
(upbeat music)
- Beth, in her own house, comes at Summer with a knife,
and Summer holds her own pretty good.
- Who the (beep) are you?
- John Dutton can't have anything nice.
- Right.
- Y'all just calm the (beep) down and have a nice breakfast.
- Didn't she say she was gonna go get him
some anyway earlier?
- If you're gonna hire a hooker,
would you please let me get you a good one?
- For John, it's like to have this sort of strange kind
of unexpected kinship in the last place he would expect.
You know, someone whose ideology seems so kind
of diametrically opposed to his own.
That, I think, says something about John's curiosity
and John's compassion-
- His need to escape, though, also from what's so familiar.
- Is there anything to eat
that didn't have a heartbeat last week?
- Uh.
- What would your conversation at the breakfast table be?
Would you lead with, "Hey, I'm vegan."
(Jefferson laughs) (Ian laughs)
- Just to make friends.
- It's amazing, though.
She's so sort of confident in herself,
no matter where you're coming from,
you have to admire Summer's bravery.
- Orange juice didn't have a heartbeat.
- Is it non-GMO?
- I'm not sure what that means.
- What's very funny is that if you said to Gator,
"Hey man, I need a gluten-free vegan breakfast,"
he'd be like, "You got it,
give me six minutes," (Ian laughs)
and he'd bring back the most delicious thing
you'd ever eaten.
Gator can do anything.
- I can attest to that.
- The character, Gator, on the show is like, "What?"
- Maybe some pancakes.
- I don't eat gluten.
- What's gluten?
- Jimmy, you ready?
- I think, for Jimmy,
having his own room is profoundly lonely
(Jefferson laughs)
after so much time.
- Like the last thing you need.
- The only sort of solace he has
at the 6666s is throwing himself into the work.
The sort of exhaustion
of that is the only thing keeping his mind
off of the shame that he feels,
the sadness and the heartbreak
from having to sort of leave Mia.
- And like Ryan and Colby-
- Right, plus you guys also.
- Do you have any Bunkhouse camaraderie with those guys?
Any, you know, banter, any fun
that you sort of replacing it?
- You don't ride too good,
but you don't complain about it neither.
- It's like everybody's working too hard
to do these cute little jokes.
- Oh, so-
- That doesn't sound like much fun.
- It's not as much fun,
but they're, you know, more effective.
(Jefferson laughs)
- You need to learn to rope.
Rope's the only tool we got.
- Roping has been one of these things
that we've watched these guys do for years,
and then it's been such a journey to try to catch up
to the bare minimum, to sort of be able to participate.
- Just to do it once or twice consistently.
- Yeah, 'cause from the beginning,
it felt like a little bit of a challenge to us.
You know, like, can you pick up a rope for the first time,
and can you catch up to these guys
who've been doing it their whole lives?
And the answer is no,
but can you get close enough to be able to fake it?
You know?
- Yeah, you can, and there's quite a learning curve
and it's very steep, but once you get to a certain plateau,
it's like, "Oh, I know how to do this."
- Yeah, yeah.
- I can pretty consistently do it,
but also if you put it down for three days,
you fall right off the cliff
and down for a month or two versus completely starting over.
And it's just not something you do anywhere in the world,
around the house, normally-
- Especially in Brooklyn. - Is throw a rope.
- Yeah, yeah, every time I try to swing a rope
in my apartment in Brooklyn, I knock over my roommates.
(Denim laughs) (Ian laughs)
(upbeat country music)
- She's growing on you.
- She's not growing on me.
(women giggle)
Okay, she has like a couple of moves and stuff.
- Okay, let's imagine somewhere down the line,
Colby and Teeter maybe move in together.
So, let's break down some of these household tasks
and see who's gonna do what.
Teeter or Colby?
Who does the cooking?
- Well, obviously Teeter.
- Dinner's almost ready.
- You talk about cooking a lot.
I haven't seen any.
- I know, you talk a big game.
It's like, quinoa this, couscous that.
- Colby's really a night cooker.
He likes to do it when the lights are out.
(Ian laughs) (Jefferson laughs)
- That doesn't sound safe.
- All right.
(Jefferson laughs) (Ian laughs)
- He waits until it's dark to make everything.
- That's kind of how he is. - Burn you.
- Okay, Teeter and Colby.
Who's in charge of the laundry?
- Let's get naked.
(Colby sighs)
- I think Colby.
Colby is really big on...
You know, he likes to have certain fabrics.
- You have a sensitive side,
and you're taking care of things that-
- Sensitive skin.
- She might not be interested in.
So who would stock the fridge with beer?
Is that also one of your duties?
- You want some courage?
- (beep) yeah.
- No, that's her.
Colby's not a giant beer drinker.
- He's like a hard seltzer guy.
- Colby really actually drinks Cab.
- Oh yeah, he's a white wine guy.
- No, Cabernet Sauvignon.
- That's a red wine.
- Mm-hm.
- Who hands out the candy to the trick or treaters
on Halloween who make it to the Bunkhouse.
- Hey, you look like a plucked mother(beep) chicken.
- We haven't been together long enough
to really establish what that would be.
- He's like afraid to commit that they're gonna make it
to Halloween. - Yeah, so I just-
- Once you get into the fall holidays,
you have to go all the way through to-
- I know, 'cause where are you going for Christmas?
Where are you going for New Year's.
- And Valentine's, so I understand why this is a tough sell
for you. - This commitment.
And I just don't know what that looks like yet.
We're not gonna do it, so don't worry about it.
- Who takes out the trash?
- Teeter takes the trash out. - Yeah, yeah, yeah.
Who mows the lawn?
- Probably Teeter.
- Who chases out the rats living in the attic?
- I didn't know we had an attic, but if we did-
- At the top of the barn where all the cats are.
- Oh, there's so many cats out there.
- Oh, there are a lot of cats.
Awkward amount of cats. - There are so many cats
out there. - Yeah, kind of too many.
- Colby's not really big with rodents.
Yeah, so he doesn't really like...
It's very dirty.
- It might be Teeter and then they might end up
in a stew,
lil-som-bitch stew.
(Denim laughs)
He's on the lil' som bitches.
- No, I'm good.
(upbeat music)
- I'm gonna need you to stand up slowly.
- Jamie goes home to his new ranch,
finds Garrett, confronts him with a gun,
says, "You're under arrest.
We're going in right now,"
and Garrett basically has to talk his way out of it.
- Jamie's susceptible to a lullaby from a strong figure
and he can come in hot and he's done it with JD.
- You called me son, and you made me call you father.
- If he starts listening, he'll abandon his strength and...
'Cause he wants to be told.
- He wants love so badly,
and it's like anybody that just tells you like,
"You mean something or you're worth something,"
he just loses all sense of self.
- What about right or wrong?
- There's no such thing.
- Our introduction to Garrett,
we've sort of slowly kind of gotten to know him better
and kind of broken past
the first few layers. - Bits and pieces, yeah.
- And then this scene is the scene where it's like,
oh, he's also a mastermind.
- I have no agenda but giving you back a family.
- And to show that he can do that at the highest stakes,
have a gun pointed out at you
and to be able to disarm somebody,
it's like, "Oh yeah, you know how to do this."
(Jamie cries)
- So we had a fight get a little bit out of control, right?
And we're like, "Oh shit, this is really bad."
This is gonna be hard to cover up.
- So then now what?
- Get my car, bring her out front.
- In the Bunkhouse, it's so confined.
Every time something happens,
the stakes are super high.
You know, even smashing a guitar.
Fragments are going everywhere,
and you're restraining someone like Forrie,
who's pretty much just like-
- He's a strong, wiry, not controllable person.
- Yeah.
- And what's interesting for Lloyd,
when Rip came in and hit him and threw him over a table,
that didn't resonate with him.
- These series of escalations, breaking that guitar...
That guitar is like such a part of Walker's identity.
- Maybe Lloyd feels in his own weird way like,
"I'm doing a favor for Rip."
- There ain't nobody
that wants that son of a bitch dead more than me.
- And I think exactly,
'cause I think they both, Rip and Lloyd,
have both hated Walker. - Hated Walker, right?
- And Lloyd is also living with him still.
- And don't forget,
Rip was fully ready to kill Walker out in the forest.
That guy has run out on nine lies as far as I'm concerned.
- What was that about?
- Just cowboy shit, baby.
- Lloyd, Walker, this shit ends here.
- You fight, you break the rules,
we have to go to the arena.
- It's like a gladiator version.
- Yeah, and-
- Fight fair till one guy loses.
- Kayce and Rip, like, clearly,
that was their thing.
With this one, you're just kind of like,
what are we going to accomplish with this?
You know, because-
- It was almost inhumane.
- It was.
- This was like you really didn't even wanna watch it.
It's like, let's not do this.
- Yeah, we don't want this,
'cause it's sad.
- Thank God.
- So let's imagine that cowboy brawling
in the Bunkhouse becomes a new video game trend.
- Cowboy Fatality!
- I'm just gonna start out.
Walker's fatality, he sort of hits you,
you're kind of dazed, he take out his guitar-
- And plays it, strings it.
- And plays an incredibly sad song,
and your whole life kind of flashes before your eyes
and it's sort of an emotional,
like he's taking you down this journey
and his band comes in, like a bunch of other people come in
and it's...
(Jefferson clangs)
- It plays you out, or maybe at the end,
he just gets ever so close and he takes some string
off the guitar, leans in for a little kiss and.
(Ian whizzes) (Jefferson whizzes)
- Garrote wire.
- Just Garrote.
- That would be like his second finisher.
I think if it was Lloyd's finisher-
- I think it involves a bucking horse,
'cause he's an old bronc rider.
So I think it's like, he gets you
and puts you on a bucking horse
and you're bucked to pieces. - I like that.
We'll call it the Bowlegged Buck.
- The Bowlegged Buck is just...
- That's his finisher. - Fatality!
- Yeah, like he calf ropes you around your ankles
and you can still sock hop,
but then he looses a bull in to just toss you.
- I think that's great.
- Cowboy Poker!
- What would Ryan's be?
- I feel like I can just pull my boot off
and just like whack you with the heel
and do like a little dance. - The boot smacking.
Yeah, it's foundational to Ryan
that he's both a livestock agent and in the Bunkhouse.
So there could be, like, he calls in back up.
- Gets like tanks and helicopters.
- You see lights and sirens.
- And the lasers and all over the place.
I like that.
- Teeter's is, she's cooked up a pot,
like a big stew of something deeply foul.
- Dunks your head in it and then you like boil chokes.
- That would be big.
I think Colby would kill with a toothpick.
- Oh yeah or carve...
The wooden carver thing. - Carver thing.
- Jimmy runs away.
(Ian laughs)
Fight or flight!
Flight!
- Rip's, he could have the finishing brand
where it just doesn't stop.
It goes all the way through. (Jefferson gasps)
- All the way through.
- Beth would like (beep) your dad.
You know what I mean?
Like, Beth makes a phone call, "What's up?
I'm your new mom."
She starts with a child and just destroys the child
from the inside.
"I'm your new mom,
and I'm on the mortgage to your house now,
and you don't have a house."
- Is that all it takes to shake you?
You're (beep) fired.
(upbeat music)