Peyton: Wow, I need to go buy Charlotte: Oh!
the biggest busload of cherries. Cuz if this is what happens when you eat cherries,
I'm only eating cherries all weekend. Charlotte: Yes, yes
Jordan: Choerry is the eighth member, and she debuted in July
2017 with purple as her color and fruit bat as her animal.
Peyton: Fruit bear? Jordan: Fruit Bat Charlotte: Fruit bat
Charlotte: Not bear, bat.
Peyton: Oh, I was like, I just imagined a gigantic gummy bear
with teeth and claws and weird a prosthetic fur.
Jordan: So, Love Cherry Motion is composed by Ollipop, Hayley Aitken, and Kanata Okajima.
Umu: Haseul and Yeojin, who debut before her, the bird and frog, show up in the video's
story part, and then during the bridges of the song, two girls who she's in a subunit with appeared to dance and lip sync with her and
Choerry is known to connect all three subunits together in Loona lore. Go ahead.
Isaac: Love Cherry Motion. Boop!
Davis: Okay, all right. Starting off strong.
See, it's the same thing as like Yeonjin. It's just like the super like saturated filter over like Lindsey: Oh my God, she is beautiful.
Davis: Yeah, wow.
Rachel: This is very Katy Perry. Jeremy: Oh my God, yeah
Rachel: (singing)
Jeremy: Wait, this is a literally Teenage Dream.
Rachel: I Love that like, uh, what is it? It's like slap bass sound. It's a good bass line.
Peyton: Just like a pop funk thing.
I said funk because of the electric bass.
Ooh!
Rachel: She's like the most Alto-ish. So far.
Jeremy: Yeah. She has a lower..voice.
Rachel: I appreciate how good they are, each as soloists. Jeremy: They are, yeah, it's not like they can only sing as a group, you know.
Kevin: A little Grimes, A, A, A. That's so Grimes
Isaac: (singing)
Kevin: A little Brahms moment going on!
Elizabeth: Well, the bass is like so low in your ear
it's really hard to tell what the bass note is, so the harmonies
feel a little less clear to me than with the other ones.
Peyton: What is Cherry Motion?
Oh
Oh, sh*t!
Oh. sh*t!
Isaac: Wait, what?
Henry: What, the...
Elizabeth; Oh, there's the bat.
They're just gonna pretend that didn't happen?
Isaac: We're getting light-hearted!
Davis: Man, she had me played. I thought this video was just like another bubble-gum OK Lindsey: Yeah
Lindsey: She was so cutesy, but then all of a sudden she got like, we get that little freaky Davis: alter-ego Lindsey: little freaky alternate-universe
Davis: You know what I was gonna say before this completely freaked out was that
They really do like these
secondary dominant things, like they're staying in a very small box,
but like what they're able to like, the different combinations they're still able to make really keeps it interesting.
Rachel: They also like fly through chord changes, which is why this music interesting.
Lindsey: Yeah, like this is an aesthetic I can definitely get behind.
Davis: Yeah, purple's just a good color.
Lindsey: It's a fantastic color.
Henry: I Like that the first time it's F-minor and then the second time it's F7, because it's going somewhere else. That's smart.
Henry: Oh, her reflection. But you know what, the cherry is the central fruit this time. Oh, wow, that's pretty crazy
Isaac: Yes!
Peyton: I need to go buy the biggest busload of cherries Charlotte: Oh! Yes, yes
Peyton: Cuz if this is what happens when you eat cherries, I'm only eating cherries all weekend.
Charlotte: Oof!
Elizabeth" It's definitely get some like, exotic flavor to it with like
the augmented seconds.
That's interesting.
Rachel: Honestly impressed by how they could transition between those two things
Kevin: Nice It's a little delayed, before the beat kicks back in.
Elizabeth: This is the strongest use of color that's like her color we've seen. Henry: Yeah, I'm very into it actually.
Rachel: Her voice is very, almost like cookie cutter. I think she has a lot of control.
Peyton: That was sensual.
Charlotte: I was gonna say sensual as well.
We are so on the same page.
Peyton: Gosh. This is why we work.
Henry: Wow, I think that was maybe the most interesting one we've seen so far.
I feel like there was so there's so much to unpack in that one
Elizabeth: Yeah Henry: I don't know. I'm speaking for myself, not for you.
I don't know. Elizabeth: No, it's just it's really interesting because like on the one hand you have like the super
stereotypical, poppy, synthesized
song, and then we have the sections with like interesting modality, and the dancing changed, and it was more about like the very
heavy base beat, and I did feel in the poppier sections that like synthesized bass was really, really low in your ear,
so it was really hard to hear like the tonic of the chord.
So it still did feel like you know, there's something a little funky going on.
And then it would get to the other section that was interspersed and it'd be like, oh, there's where it is.
It was like really catchy and then
like in the first verses she's very like in the lower part of her register and it's very full and not whispery, which I appreciated.
And then yeah, there's like a bunch of like little runs,
so she sounds like she has very good control, which is hard to do on like a bop, cuz there's not much room. Jeremy: Yeah
Jeremy: It just keeps going.
Rachel: Yeah
Jeremy: Yeah, you had said she kind of has like a cookie cutter voice,
which she does. It's like, a dime a dozen, kind of, but like it does sound very good, and it was cool song. Rachel: Mm-hmm.
Charlotte: Okay, so when I was first listening to this section, I'm not gonna lie. I was like
(singing)
and I was like, okay we're gonna do this for about three minutes, and then she's
(singing)
and I was like
pleasantly surprised
I like the fact though that even though the cute, bubbly part was the same, that like her break it down, dark side
was
different, so the first time it was just like breaking it down, but the second time they added another layer of sound into it.
So it's very interesting.
It made it have more depth to it, and then like merging the two styles was a really interesting choice
Peyton: It seemed like one scene was like literally like there were little like mirror portals into the underground world
where all the like (singing) stuff was happening. You know.
Charlotte: Oh, I see where you're going.
Oh, like a portal. So like she's looking and there's like another side to herself?
Oh
Isaac: Holy sh*t!
My goodness, first of all like, she is very attractive. god damn. (Kevin: ooo choerry!) Oh my goodness.
Kevin: Ooh
Isaac: This song is like it's been hyped ever since Kevin was like, "Oh, it's great!", but like
I never knew this was so damn good. I
I thought it was very neat. You go for like a really nice, peaceful,
but still it keeps that very light natural color, and then just like, that sudden change
into like a dark
dark purple setting, and also like the vibe of the EDM, and also the environment that they go for, it's like, that was some
very dynamic dancing, dynamic music. It's very, very, enjoyable.
Kevin: Yeah
Told ya' so! Isaac: Oh, yeah
Kevin: The second time, they totally go exotic scale. We call it the Egyptian scale, but I've done some research
It's actually like a Gypsy scale. I think that especially in classical music
I think it's more well known as the Gypsy scale, just because to our culture, it's a little more relevant.
So when we hear that, I think we place it in a Gypsy, we call it a Gypsy scale.
So it is a Gypsy scale. Isaac: It could also be Phrygian Kevin: The (Blackpink) Boombayah scale Well, it's Phrygian, but then
the major 323 Isaac: 323
Kevin: Yeah Isaac: Yeah, I guess that's the difference.
. Kevin: Okay.
Hello everyone. I'm Umu, the channel runner of React to the K.
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