Go!
Are we rolling?
Yes!
All right this is Mozart bridge.
If you want to know where it is, ask Paul. [laughter]
Melody. Take one.
[Cello playing]
Alright! We just showed up at Tuacahn!
Tuacahn's the place! They're so awesome they let us
do so much here and Shay had came out with a brilliant idea of doing mirrors
in the first place so we've got to now figure out how to make Steve look like
there's multiple Steve's with mirrors and we had little miniature models of
this and it's a little bit different well just gotta figure it out so the
concept is sort of a Bruce Lee Enter the Dragon type thing
but more subdued not as ninja not has come true but more of a reflection on
one's life and very much in the vein of the music that you're listening to so
she gets to put in between the mirrors so we can use the lights we've got these
light shining through him you just got to get a couple more lights set up and
we're you know with how huge of a hit Adele's tuna
it could be called what people have termed an instant classic which is a bit
of an oxymoron of course we decided to put it with a real class
in here and that's lucky osa from Mozart's Requiem certainly a classic
witness withstood the test of time but you hear it all throughout the song you
hear moments of inspirational are often in between measures of Adele's below
even some right on top so this is our attempt at bringing Mozart and Adele
together of both mourning over relationship problems so in order for us
to not see the camera in the mirrors we've got the camera shooting through
the crack over there and we've got black all around it so that you can't see it
we're probably gonna do as many takes as we can with this set then we got to
change it all to a whole nother set up and then run that through a bunch of
times and then a whole nother set
well we're trying to figure out the right backlight and so he experimented
with this one but found that it was a fire hazard and a health risk and also a
extreme danger of self inflation oh did it really I could smell oh my gosh you
were smoking man
we're trying to figure out any shot we have to do left right here before we
move all these mirrors because it takes a long time to move the mirrors they're
not easy to move they're heavy
just got through with the all section now we got to do the triangle shape and
then we got the balloon own to do we haven't broken the Bears yet which is
amazing but that's probably because we have Frank and Jeremy doing it
oh hi just me and three million of my very close relatives enjoy one another's
company oh hey look okay all my life I have been told I have to think outside
of the square box and now I have to think outside of the triangle
they are the music
sounds like the fight
that was a long shoot we start at 5:00 p.m. what time is it 7:00 7:00 a.m.
shooting through the night at different angles shooting through the night but I
think one reel up really well you know it was it was sort of one of those
things where he had the experiment as you go and that we had to make lots of
adjustments and we had to sort of map it out we thought we had the plan but you
know how it always goes you sort of get into the thick of it and you have to
rearrange your plan all over the place so I think shaded a tremendous job Paul
it was Paul here Paul how was yeah Paul de Paul did great obviously Kyle did
great job Frank did a great job Jeremy did a great job Addison we all did it
all works the team today tonight this morning