♪ (upbeat gaming music) ♪
- Outlast.
Oh, 2. - I see the 2 hiding up there.
- All right, yeah. - Okay.
- Did you play Outlast 1? - I've not played any Outlast.
- I played a little of Outlast 1.
- (nervously) I'm so scared right now. - I'm so ready.
This either might be a prequel.
Or it could be like another one of your reporter buddies
coming out after all the footage got leaked.
- I just played this last night!! - Are you seri--
No, I'm SO excited. I know you're scared.
I'm so excited!
The first episode we filmed for it, I was scared shitless.
But as I got into it, I was like, "This game is so fun."
And I've been waiting for the second one.
- (FBE) We're gonna have you play
the first couple hours of the game over the span of two episodes.
You ready? - I'm kind of shaking a little bit.
I'm not gonna lie.
- Let's go. - Let's try and outlast the game.
- Okay. "Outlast 2 contains intense violence, gore,
graphic sexual content, strong..."
Yeah, that's all what I expect from Outlast.
- Then it says "Please enjoy." Please enjoy.
- I'm actually shaking (giggling) right now.
- "Lynn Langermann is an investigative journalist
seeking the answers behind a pregnant woman
murdered under impossible circumstances in rural Arizona."
- Oh, so we're somewhere else now.
- Okay. So it's still going the whole journalism route.
- Yeah. - "You are Blake Langermann, her husband,
assistant, and cameraman. Record everything.
Neither of you are fighters.
To navigate the horrors waiting for you in the desert,
your only choices (amused) are to run, hide, or die."
- There's no fight or flight here. You just run or die.
- It's just-- it's only flight.
- (female voice, hushed) Please, Blake. - Boy.
- (voice) Where are you? - So wait. She's our wife?
- (voice) Where are you? - "Where are you?"
I don't know. Where are we?
- (voice) I'm scared. - Chillin'.
- She's scared.
- (voice) He's coming. - Oh god.
(Lynn shrieks) Oh.
- (Lynn) HE'S HERE!
(shrieks) - (laughs)
NO! GET AWAY!
FAST! AAHHH!
Jesus, Blake. Are you really sleeping?
- (Blake) I'm awake.
- (Lynn) You should've slept last night.
- Is that his wife?
- Is he not gonna tell his wife that he just heard her screaming?
- (Blake) I had to get that hospital footage organized.
- (Lynn) You were calling out some other woman's name.
- Oh.
- (Lynn) Jessica, I think.
You know a Jessica? - (Blake) Oh. Uh, no. No. I mean--
- Blake been cheatin'. - (Blake) I was dreaming about
Jessica Gray... - Oh.
- (Blake) ...from when we were kids. - Nice save.
- (Lynn) I haven't thought about her in ages.
- (pilot) Hey, we're crossing into reservation land now.
You said I'm looking for some... - I mean,
what could go wrong in rural Arizona?
- (pilot) You said I'm looking for some sort of factory?
- (Blake) Yeah.
- (pilot) We can look, but there's nothing out here.
- (Blake) It does look pretty empty.
- (Lynn) All the mercury in that woman's blood.
- Oh. Are we-- no. - You know what? This is dangerous.
They're flying in clouds.
- (Lynn) She had to have spent at least a decade downstream
from some pretty heavy industry.
- Oh. - (pilot) If you say so, ma'am.
You bought the time.
- (Lynn) We should record an intro while we're up here.
- Okay. - (Lynn) Production value?
- Okay. - (Blake) Sure.
- Oh. Are we YouTubers?
- Does he at least have batteries this time?
- (Lynn) Can't work my diaphragm with this thing on.
- So we're gonna crash, right?
- 100% this chopper's going down.
- (Blake) Audio's gonna be crap.
- Oh, that's probably gonna be a thing again.
Oh shoot. - You idiot.
- (Blake) [Bleep]! - Oh, we wear glasses.
Those are gonna come off at one point.
- (pilot) Sorry about that.
Left panel's a little soft. But, uh, we're good.
- Come on, pilot. - Trying to make a movie here.
- (Lynn) Get as much of the landscape behind me as you can.
- Oh. Okay. - What is this?
- We're YouTubers. We're vlogging.
- Landscape behind her. - Nice.
Rae the camera girl. I like it.
- Looks like clouds mostly. - Oh, I'm filming right now.
I need to get my director mode going.
- (Lynn) I'm Lynn Langermann, here for newstomorrow.net.
We're flying past the Havasupai Indian Reservation
in central Arizona. - Oh great, Indian reservation,
'cause that's so-- - Okay.
- (Lynn) In search of the origins
of murder victim Jane Doe. - (Blake) Hey, Lynn.
I don't think you should say "murdered."
We don't know that.
- (Lynn) Oh, I'll say she strangled herself to death.
- (Blake) It's what the police report says.
- (Lynn) We may play this before the doctor interviews.
If this falls in the first 30,
we need to get the word "murder" in there.
We should probably mention the fetus too. I mean, how it just--
- The fetus. - How it just what?
- (Lynn) Here. Let me try a version...
- How it just what? What'd the fetus do?
- The fetus? - (Lynn) Here. Let me try a version
that conserves an intro for the whole piece.
Tell me when we're good.
- (Blake) Okay. - We're good.
- (Lynn) Two weeks ago, a young woman was found wandering,
barefoot, pregnant, and alone on a barren stretch of highway
100 miles from the nearest-- - Whoa.
- (Lynn) Oh!
- (pilot) We lost the engine! - Oh shoot.
- (Lynn) ...100 miles from the nearest--
- Oh! - Oh, what the heck?!
- (pilot) We lost the engine!
- How do you lose the engine?!
- Loud noises. - Oh no.
- (pilot) ...the engine! [Bleep]! - Yeah, you called it.
We're gonna crash. - Yep. We always crash.
- Oh. - No!
- Oh shoot.
Oh, good catch.
- (gasps) Oh, she gone!
Oh shoot. (relieved chuckle)
Aah!
- Oh my god. (shouting in game)
"1,000 feet." Wow, they're going down fast.
(frantic shouting, bloodcurdling shriek)
- Bye. - Ooh, I got chills. I got goosies.
- See why that sign.
- Oh, that's an upside-down cross too.
- (dramatically) "Outlast." - Oh GOD.
Okay, this is gonna be like some--
The last Outlast was a ghost thing.
I feel like this one's gonna be like a demon thing.
- Oh man. - Oh no.
Now we're the creepy church. - All right. We're in.
- Oh. Oh. - You remember, there's a preacher
who lit himself on fire in the last one too.
So it all has biblical references all throughout it.
- Are we in a hospital?
- It looks like a school.
A bible school, 'cause there's lockers. - Oh, yeah.
These are lock-- good catch.
- Something's gonna pop out of the lockers.
(eerie creak)
- (laughs) - Fool!
(eerie creak)
- [Bleep] that. Turn around. - Oh.
- What is this?
- "To Jessica." - Wait, Jessica.
Isn't that who we were talking about?
Jessica being from their childhood or something.
- Yeah. - Maybe this is like a flashback.
(faint clatter) - Oh.
What was that?
- Did you hear that?
- That's him walking.
- I heard something.
- That's him-- - (gasps)
- Boy.
- Oh.
- Hey. - Would you go after him?
- Go see the teacher. I think it's the principal.
We're probably late.
- The music is picking up.
That's how you know some bad shit's about to happen.
- Something's gonna pop out?
- What time is it?
6?
- Uh... we definitely shouldn't be in school.
- I'm gonna scream. I swear, I'm scared.
- Okay. Okay, it's getting dark. It's getting dark.
- Into the darkness. - You want to just go--
♪ (abrupt music) ♪ (both exclaim)
- Okay.
- Hold on. Look at the--
♪ (abrupt music) ♪ (both exclaim)
- Oh, shit!
♪ (abrupt music) ♪ - Mother Mary! Oh my god!
(both screaming) - WHAT THE [bleep]?
- Oh-- - WHAT IS THAT?!
- (whispering voice) We're not alone.
- Jessica! - Whoa!!!
- (voice) We're not alone here.
- We ain't alone here!
- Oh, buddy. That's blood. - Ohh.
- (voice) We're not alone here.
- I'm dead. I'm dead.
- What a crazy night. Hangover 4.
- So that one was a dream, and this is what reality is.
This is after the helicopter crash.
- "Tap repeatedly."
- "Tap repeatedly." - Do it, do it, do it, do it.
- (shouts fervently)
- Repeatedly.
(Blake grunts and gasps)
- Ooh.
- Boy, you need a manicure. - Dirty.
(Blake gasps) - So you grab the camera first?
- Yes.
- You're not even gonna check if your friends are alive?
- We need views.
- I feel like I just played the first part,
so now maybe you should play this part.
- All right. We'll switch off.
- "Press Tab."
"Find Lynn. Okay."
- (Blake) Find Lynn. - Okay.
- (Blake) Nothing matters but Lynn.
- "Nothing matters but Lynn. Review footage."
- I like how this you can actually go through your footage.
- Let's not review the footage. - Okay, yeah.
We don't need to see this.
- Which way do I go? I don't know if I want to--
I don't think we can go down here. - Just jump off the cliff.
- I don't see anything.
- There we go. - Should I just
hop down here? - Yeah. I would say hop down.
- Okay, this way. That looks less steep.
There we go.
- They're killing it with the soundtrack. I love this.
(rustling)
- These graphics though. - Ooh. I know.
These are actually really nice.
- We're traveling to Mordor. - Oh.
"To jump over, press Space." Okay.
Oooh. Yes.
- Oh. You got hops, Rae.
Get on the ledge.
- "Strafe left or right."
- Dude. This guy's got balls. - I know.
- I'd be like, "All right, see you later."
- "To drop from the ledge, press Control."
- There.
- Ooh.
- Jump, boy, jump. - Ooh! Okay.
- "Important events should be captured on video."
- Hold it down.
Okay. - Wait. What is that circle?
- Until the red circle's full?
- Oh yeah, right there.
You see Lynn in there?
- "Video recorded."
- (Blake) Jesus. - Okay.
So it's saying we need to record all this stuff,
and then you can review it if you need.
- (Blake) She wasn't there. Lynn's body wasn't--
I guess that answers your question.
- (Blake) She could still be alive.
- That's cool that they actually record what I'm doing,
'cause I zoomed out, and it zoomed out.
- It's probably that way.
- OH JESUS!
- You went in the fire! - It's lit.
- (singsong voice) Oh, Lynn.
The night vision is to see in the dark.
(night vision whines on) - Aha.
- Aha.
- Ooh, what's that light over there?
- Feel like the battery's just gonna constantly run out.
- Yeah.
- Oh. Why is he freaking out? - (Blake) Oh, [bleep].
- What is it?
- Ohh, that's definitely the pilot on the tree.
- Oh shit.
- Hopefully the battery doesn't die.
- (Blake) ...did not happen in the crash.
- Oh, no, that didn't.
- That did not happen in the crash.
That's correct. - Oh my god.
Lynn's not looking too good. I don't think that's Lynn.
That's definitely the pilot. - I hope that's not Lynn.
- Eww.
Nice.
Glad we got that on camera. - Disgusting.
- Run! Get out of there! - Okay.
- Why go into the cave?
- Let's run. - "Look back by holding Left-Alt."
Ooh. Ooh. I don't like that.
I don't like having to look back.
- Oh, so it's like a quick turn-around.
- Okay, cool.
- Dude, this is scar-- "reload"? Reload what?
- Reload batteries. - Oh.
(camera whines)
- Yeah. - Cool.
- Oh my gosh. Ooh.
- Until you start dying, I'm dipping. - Okay, okay, okay.
- Fool, how do you fall down the rocks?
- Oh shoot. Okay.
- Okay. There's a little light here.
- Oh. - Little ominous.
- It's so beautiful.
- To run, hold Shift. - Oh. Why do we need a--
- Oh. - (Blake) Oh, thank God.
- That's a town?
- What? Where is the town?
- Whoa, that's definitely-- hold on, that's like--
- Oh shoot. Hello. - Oh, it's a windmill.
- Okay, yeah. I thought that was
something weird too. - I thought that was someone on a stake.
- Uh, maybe we should go in the house? Can you go in the house?
- Don't go inside the house. - Oh, we're gonna knock.
We're gonna be polite about it. - Carl, get back in the house!
- Knock. Yes. Why? - "I'm lost and hurt."
- (Blake) I'm lost... and hurt. (doorknob rattling)
- Jammed. - Jammed.
- We're coming, Lynn.
- Okay. There's a light.
- What is that?
- Oh, that's a little tricycle. - That's a tricycle?
That's freaking... - We're about to go see Jigsaw.
- (Blake) Is anybody there? - What are those noises?
- Oh, Jesus.
- (chuckles)
- (both) Oh! - Hey.
- (Blake) Who's... - "Sacrifice"?
Whoa, that's creepy. That's creepy.
That's creepy. That's creepy. - Okay, we're gonna go this way.
- "To peek, Q or E." Okay. But what are we peeking at?
- Oh, there's a tricycle. - I think we should--
- You know it's never good when there's a tricycle around.
- That's true also.
Oh, and it's that guy. - Oh, no, no, no, no.
- Oh, hello there, sir. Zoom in, zoom in.
Ooh. What the hell? - (shakily) What the [bleep]?
- I'm, like, slowly curling up more and more
because I'm so scared.
(nearby rattle) - Oh.
Ohhhh. - That's creepy! I don't like that.
It's a doll bathing in [bleep] blood. Are you kidding me?
- IS THAT A BABY? - It's a doll. Aah!
- Look into that window. What was--
What's going on?
- Nice cross.
- Oh. I see...
- Batteries. - Batteries!
- Battery. Battery. - Tada.
Wait. How do I-- - Pick it up.
- There we go. - There we go.
- Very nice. - Such an aggressive grab.
- Can you go in any of those houses at all?
- Do you want to?
- I mean, maybe. - What is that?
- Whoa, that's weird.
- (Blake) That's [bleep] up. - Okay.
- Of course. There's just weird dolls and tricycles.
- Ew. What is...
- Got a skull on his door.
"Open windows." - "Open windows."
Open the window.
- (whimpers)
OH! JESUS!
No! God!
- Okay. "To open windows..."
(crow screeches and flaps) - Oh!-kay.
What was that? What was that? What was that? What was that?
(crow screeches and flap) - Whoa!!
- [Bleep].
- What was that? - Damn.
I think it was a bat or a crow or some shit. I don't know.
- Michelle, stay with me. I need moral support.
- Okay, I'm here for you. - (giggles)
- (both) "Some doors have deadbolts."
- "You can hide by crawling under beds."
- Look down.
Can you zoom in on those shoes over there?
- Shoes? - Yeah.
- What are those?! Okay, sorry, I had to do that.
- Oh jeez, I'm scared. (whimpers)
Ohhhh.
Oh, it has a deadbolt.
- "Move backwards." (door creaks)
Okay.
Hey, what is that?
- Let's crawl through there.
- Yeah. - I know it seems like a good idea.
(clatter)
- What was that? You heard that? - Mm-hmm.
- There's so many crosses everywhere.
- Dude, we-- - This is WEIRD.
And dolls and baby tricycles.
- Oh no! We don't have batteries.
No, come on, come on.
Oh, I can't see anything without it!
- Oh, is there something following us, man?
I hear something. - Yeah, dude.
I'm hearing too much.
- (Blake) Satanas Inimical Dei...
- What the hell? - What kind of language was that?
- Oh, oh, who's whispering?
All right, time to go to the creepy basement.
- This looks good.
- Ohhh. - Something's gonna crawl up the stairs!
Hayah! God!
- Mmmm. - This better not be like Resident Evil 7.
(footsteps crunching)
- I don't like that the camera's not focusing.
- What the [bleep]? - Oh.
- What the [bleep]?
- Huh.
All right.
- "Midwife's Lament. The babe is coming. Ready the knife.
The babe is coming. Night's midwife.
Mother to the Enemy stained within.
God's creation saved with sin." - "Chorus."
♪ Hallelujah ♪
- "Ezekiel waits, sharpening his blade.
Gather at the gate. We kneel and pray."
Oh... no.
- It's talking about the babe coming.
- Do you think we should-- oh.
- I just see-- dude, what the hell?
This is so weird. - Did they kill a baby?
- (whimpering loudly)
Oh, it's fine.
- Oh, the music's getting creepier.
You know that means some shit's about to--
- I should probably reload the battery
before all this creepy shit happens. - Wow, what is all of that?
What the [bleep]? - That's a pile of babies.
- Are those babies?
- They're dolls.
Are they real?
I don't want to step over this.
(crunching) - Oh!
- Is this allowed? - This sounds real.
- They had a thing of gasoline right there.
They burnt the babies, and then they left just the cross.
That's [bleep] up.
- This is the most [bleep]-up I've ever played in my life.
- Dude, yeah. All the crosses...
- Dude, the babies are in a cross. - ...and the religion aspect
just makes it scarier.
- (chuckles) Why are we playing this game?
- This is terrifying.
And there's a rocking horse.
- Swings? We got all the cliches here.
We got a rocking horse. - Oh my god, a baby's head!
Ohhh my god. - Why do they like dolls so much?
- What is wrong with this [bleep] town, bro?
Why do they have so many babies?
Like, how did they get so many babies? - (chuckles)
- There were not that many people in that village.
There were, like, four houses. - No, they got busy.
- What's this?
- A wishing well.
(demonic muttering) - What was that noise?
- Heavy breathing!
- Is that of a child or, like...
- (voice) ...a blade's baptism for the spider-eyed lamb.
- Okay, "lamb" is another reference to...
to Jesus. - Jesus.
- Batteries! - Whoo!
We're rich. We got two batteries.
- Look behind you maybe. - Why's the music picking up?
- (screaming) - Oh!
[Bleep] run! - Run! Run!
- (startled gasps)
What is that? What is that? What is that?
- Keep going toward that.
- Oh, buddy. - Okay.
- Oh, buddy. - So run, run, run.
- Aah. - Okay, we're dead.
- All right. - (chuckles)
(Blake groans)
- Holy [bleep]!
- Aah! - Oh, what the [bleep]?
- Whoa, whoa, whoa! - Where am I supposed to go?
(Blake groans) Holy shit.
- We died.
- Run!
(frantic shouting)
- I'm trying to-- - WHAT IS THAT?!
- Shift doesn't work.
What? - Who are you?
- She's killing me with a cross?
(Blake groaning weakly)
I tried running.
- Yeah.
- So avoid the voice. - So that just happened.
- (voice) Temple gate cuts the whores, bleed a price,
the true ascend. - All right.
- All right. So we're gonna avoid. - Remember there's the battery
at that one place.
- We just need somewhere to hide.
Unless I go behind that thing and then try and get behind her.
- You need to run though.
♪ (soft dramatic music) ♪
(entity moans viciously)
- Did she see me? - Yeah. The music picked up.
(entity shrieks)
- Oh, she found me.
Oh shit.
Okay, we're gonna run.
Oh, we're dead. - No, we dead. Oh, we died again.
- How the [bleep] are we supposed to do this?!
- Yeah, yeah.
Okay, run, run, run, run, run, run.
- Oh god. - Run, run.
- Shift is run. Shift is run. - I'm running.
- Oh jeez! - Aah.
(Blake groaning) - All right.
- Yeah. See, she's still there. Okay.
- No, she's coming.
- Okay, okay, okay.
♪ (music escalating) ♪
We're gonna go behind her.
- NO, WOMAN!
Keep going! Keep going!
Go straight! Go straight!
(Blake panting)
- Oh, jeez.
- "Running for an extended amount of time will exhaust you"?
- Oh no! Where do I go? Where do I go? Where do I go?
No, no, no, no, no, no, no, no!
Come on! Come on! We were so close!
I need--
Oh, come on! I just needed to know where to go!
- (sighs heavily) Lots of pressure.
- We got this.
- Plan worked last time to go this way.
(faint demonic muttering)
And then... run.
- Let's go. Come on, lady.
- She just-- (distant scream)
- Ruuuun!
I didn't even see her. - Yep, you got it. You got it. Just run.
- Start running.
- Let's go. - Start running.
- Is she coming?
Is she coming? - Yeah, she's coming. Now go around.
- Running. Running.
Oh no, she's right there. - No, the other way!
Oh! My god! (loud whimper)
- Okay. We're gonna go this way. Going back.
(frantic shouting)
She's everywhere!
- Ohhh, I don't like these noises.
- I'm just running, dude.
Where do I have to go?
Get in. Get in. (trilling words)
Go, go, go, go, go. Go.
- Okay.
- Whoo! - We did it.
- Down here? - Get in there!
- C, C, C, C, C!
C! How do I get in? Aah! I did it!
Okay. - All right.
- (sighs heavily) - That was easy.
- Right here. Sick.
(frantically repeating "Go!")
Oh my god. Thank God.
- I need a break after that. Whoa.
- Should we peek down and see if she's still there?
- Uh, no.
- Yeah. Video game logic.
Just wrap a bandage around it, and you're good to go.
- I don't like these noises.
- He's just stepping on hay. - Oh god.
Okay, "You can move objects by holding..."
Let's bring this out.
- All right, so we're probably gonna have to move objects
to get up certain stuff like broken ladders.
(Blake grunts)
- Oh. Note. - Oh.
- "My land laid waste,
by my seed firmly set against Babylon..."
- I feel like this is like a cult happening.
- Well, yeah. It would make sense. - Yeah.
- Oh, I hear her again. - Yeah, I do hear her.
- Dude, what a sad life she has.
- I know. - Does she just do this
all day and all night? - I guess so.
- Oh.
- Oh! - Whoa!
- [Bleep]! - Okay. Well, that happened.
- Oh! Oh shit.
- Did you just die?
- No, I fell through the thing.
- Can't see anything without my glasses. Oh, jinkies.
- (Blake gasps) Jesus! - (voice) Do you want him?
- Oh. Is that her?
- No. What? No, no, no, no.
Okay, okay, okay. - (Blake) God wants me dead.
Okay. - Okay.
- Uh... oh, which way? That way or that way?
- That way. That one has hay, and it's safe.
- Okay.
- All right. Uh...
(camera whines)
- I don't see that.
Oh, we're good. - This way.
- So she's out here though. - Yeah, no doubt.
- But I don't think she's coming to get us.
'Cause she was like,
"God, if you want him, you can have him."
- Cool, another open window.
These people really like bugs in their house.
- "...hear through walls and track sounds
through cameras and microphone."
I hear something. - Yeah.
"Heavy lamentation."
- Where's the lamentation?
- They're on the other side of this.
- Okay. I don't hear anything. So...
- Slowly open. Move back and slowly open the door.
- ♪ (faint singing in game) ♪
♪ O hide you in the blood ♪
♪ Hide you in the blood ♪ - (chuckles)
- ♪ Till the dangers pass you by ♪
- What the [bleep]?
- Is he just creepily in a rocking chair?
- Yeah, I'm not sure-- - What is he holding?
Zoom in on him. - It looks like a gun.
Or... - Oh God.
(overlapping speech) - Shoot.
- They're on your left.
'Cause the left and right. - Oh!
- I think that's where it shows.
(gunshot) - Oh! Jesus Christ! No!
(Blake grunts and pants)
- We're running, we're running, we're running.
- Yeah, I guess we run.
- ♪ (humming) ♪
- Oh sh... - Oh, wonderful.
- Whoa. - Flash bang.
(screaming in game)
- Oh! [Bleep]!
What is that?
- Just run. - Oh my god!
There are so many.
- (Blake) I need help.
(man hacking)
(man shrieking intensely)
- What's going on? - What the [bleep] happened?
- Okay. So they are all blind right now.
- Let's get out of here while they're freaking out.
- Yeah. I'm dipping. I'm dipping.
- (man) We need to be the god!
- Oh, we're gonna die. - This battery's gonna die.
- (Blake) It's like they're hypnotized.
- Okay. Sick. We're out of here.
- What just happened? - (man) ...terrible violence?
Do you hate us, God? Do you hate this world?
- What if it's the same father from the first one?
What if he's just getting around, and now he's in Arizona?
Um... let's go a different way.
- Over here. Crouch.
- (man) God's truth is here now, come to reckon.
- I'm trying to listen for whatever we're hearing.
- I think it's coming from the speakers.
- (man) We need to be the god!
- This... way...
(people conversing) - Oh my gosh.
(angry conversations)
You really want to go in there?
Oh. Yeah. That's a safer bet.
(door creaking) - Oh, I hear something.
- Is there any batteries in this church?
- Um... these are gospels?
- The gospel of what? Sullivan?
- (both) "Sullivan Knoth."
- So this must just be some weird
cult interpretation of the Bible.
That's what I'm getting out of this. - Yeah.
- Oh.
- A lot of deadbolts.
(door opens)
Okay.
- Something's gonna crawl up the stairs, woman.
- Let's go down here.
- Why do they have these weird cult-like tunnels?
- We're going underground.
Lynn is over here somewhere.
- "Capre a--" - "Atreum."
- (man) Give me their lives.
I'll save you. - Oh God.
- Yeah, we definitely need batteries.
Aha! Sick.
- Yay, batteries.
- Batteries. Is that a flashlight?
- Why don't you get the flashlight?
- Hello?!
- Okay. Yeah, I know. I have no idea where to go.
(chuckles) - Oh, key. Where's the key?
- Aha.
- That's a key. But you're gonna need it and run.
(arguing in background)
- Oh god. Oh god, okay. Everybody stop screaming, please.
- Oh wait. There we go. There we go. - We got it.
(startled exclaiming) - Oh my god!
(panting)
(both exclaim)
- No, bro.
- Oh, Jesus!
OHH my god. I hate everyone.
Okay, let's just-- hurry up. Hurry up.
(screaming in background)
Oh, what's that? Oh, bandage.
- Oh, cool.
- I don't think they're coming for us, though, right now.
Open.
- Be careful. There's definitely people up here.
There's a battery over there too.
(camera beeps) - (nervous chuckle)
- And this guy again. - Yeah.
- Check upstairs.
Be sneaky though.
- "You can hide by entering the wardrobe."
- Great. - Oh.
(gasps)
- (distant woman) Get your [bleep] hands...
- Oh shoot.
- Oh shit. What's going on there?
- You can see-- - We're definitely not opening that.
- Save the woman.
(glass breaks)
- Oh. - (Blake) Lynn!
- (gasps)
- (gasps) - Oh, is that Lynn?
- We gotta go help her.
- Oh shit. - We're coming, Lynn!
- Wait, wait, wait!
It's me, it's me, it's me! - Lynn!
- Wait, wait, wait! - Go get Lynn.
- Just turn that way, and then go through that window.
Yes.
Oh shoot. - I can't.
(both gasp) - Lynn!
- (Blake) Are you okay? - No.
- (Blake) What the [bleep]? - What's with her eyes?
- Lynn, you don't look too good.
- Oh, yep. - All right, follow Lynn.
- Her eyes look like... what?
- I don't think her eyes are supposed to look like that.
I think it's just 'cause of the flash.
- (Lynn) ...away from here.
- All right, Lynn, let's go.
- We have Lynn now though.
- Are we holding hands? - Awww.
- (Lynn) Aah. Oh god.
- They did something to her. - Yeah.
Ah, did they put a baby in her?
- Oh my god, she's impregnated with the Antichrist or some crap.
It's gonna burst out!
- Oh, that's totally what's happening. - It's gonna kill her.
- No. We need to go.
- (Blake) We're gonna get out of here, okay?
♪ (gloomy theme) ♪ - Oh, I don't like that music.
- (Lynn) I can't talk about it.
- Why's it, like...
- Oh my god.
- Oh shoot.
- Get up. Let's go.
- You should just, like, carry Lynn.
- Hop on my back, woman!
- (man) ...with her the foul burden we've been awaiting...
- So they're gonna sacrifice her or some crap.
- (Lynn) They're all [bleep] insane. - Reload.
- (Blake) Lynn?
- (Lynn) Please, Blake. I just want to get out of here.
- The devil's in her belly.
- (Lynn) Let's just get away from this place.
Please. - (man) Kill them!
- I feel like she's just luring him into a trap.
- (man) Rip the devil from her belly
and crush it beneath your boot heels.
- Dude, what the hell? Seriously.
- Oh. There's somebody there.
- (Lynn) Stay back!
- No, don't talk to them.
- (Lynn) I swear to [bleep] Christ,
the first person who touches me loses their eyes.
- I don't know what-- - The cowboys.
- (Lynn) No!
- (both) Oh!
- (Lynn) No! - (people, droning) God wants the child.
- Hey, man. God wants the child.
- (Blake) Aah! Lynn! - (people, droning) God wants the child.
- Come on. We can't even do anything. That's so frustrating.
- (Blake) Lynn! Lynn! (Lynn screaming)
(Blake grunting)
(Blake shouts)
- She's, like, over there.
What are they doing? What are they doing?
- (Lynn) No! - (Blake) You mother[bleep]!
- (empathetic) Oh.
- What are-- (gasps)
Are they killing her? - What are they doing to her?!
- (Blake) Lynn! - Back off my woman!
- I don't know--
oh, what the [bleep] was that? - Are you controlling it at all?
- WHAT ARE YOU?
- (worriedly) What is happening?
(Blake gasping, grunting)
(faint muttering) - (flustered) What is going on?
- (flustered) I don't know.
- (voice) I watched my father [bleep] your God...
- What the [bleep] is going-- what is that thing right there?
- The thing's, like, eating my leg.
- What is happening? What is this?
There's, like, goblins and monsters.
- (Lynn) Blake! Blake!
- Wait, Lynn. I hear Lynn. Is she not dead?
- (Blake) Wait! No, wait!
- (incredulously) What the [bleep] is happening?
- (Blake) No! - (gasps) Nooo.
They're gonna murder her.
- (man) I'm gonna share my love with the father.
- (aghast) No. - Oh, she's coming for me now.
(Blake grunting)
- Dude.
- That's a man.
- (man) God doesn't love you.
- No, it's a girl. - That's a man.
- (gasps)
- (man) Not like I do.
(Blake grunting) - (gasps)
(horrified) Ugh!
(Blake grunting) - Ugh!
Ew!
- Boy, what kind of crap are you into? - Ew!!
Eww!!
- (man) Yes, my love? Ah.
- I feel dirty.
- (man) Ah. We have mother.
- I'm so uncomfortable!
- (man) I think I'll see you again.
- (disgusted) Oh god.
- Yeah, I wonder if that's papa. - What the [bleep] is that thing
though with the branches sticking out of his head;
that creature, you know? What is that?
(wallop) - (both) Oh!
- Don't talk shit, Rae. We just got hit.
- That fool just backhanded me in the face?
- Oh my god.
- Wait. I'm just so confused.
- Yo, where's Lynn doe?
- Where's Lynn doe? I think they took Lynn back.
- Yo, we are so blind right now.
- I feel like we just witnessed something.
- We did.
- (Blake) Oh shit! Lynn!
- Damn it. Not Lynn!
- (Blake) Lynn! (breathing heavily and shakily)
Oh god.
- Okay, where's Lynn? - (Blake) Lynn!
- Is she okay?
- Dude, this is freaking wild.
I don't know what's happening at all.
- That's it for today,
but we'll be back to play more of Outlast 2.
- What's gonna happen next? Subscribe to find out.
- Let us know in the comments
what other games you'd like to see us play.
- (tired groan) Google is frightening.
Okay. Hi, guys. Uh, Zach, producer at the React channel.
Thank you so much for watching this episode.
And stick around, because we got part 2 coming atcha.
No, don't lick me. Please no.