Welcome, Chris.
You're from video maker.
We're in San Diego testing out the cannon 60 mark two.
And we want to show you our test footage along with tell
you all the specs about the camera in this pre review of
the cannon 60 mark two.
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Here's the specs before we jump into what we think of it and
watching our test footage.
First things first, full frame 2.4 megapixel CMOS sensor.
It is a new sensor.
This is not from any other kind of camera.
It has a dual pixel AF and now includes right and left eye
select along with human and animal tracking.
It now includes planes and trains as well.
It has dual UHF, two card slots, so you can have
affordable media and an abundance of them.
It has a 3.6 million dot alert EVF and it has a three inch
1.62 million dot rear screen, which we did find was bright
enough to compete with the sun should six kay internally it
over samples it internally to 4k up to 4k 60 or if you want
to go out the HDMI you can get ten or 12 bit six k too like an
atomos ninja five plus and capture and prores raw.
Now you can shoot up to HD in 180 frames per second and it
has a headphone and mic jack.
Lastly, it's got ibis in body image stabilization along with
lens is and digital is should see log three and then as well
it has false color which is very very welcome and really
led with dual pixel autofocus and well it was very very good
for very long and now it's being updated in this camera
but we didn't find huge improvements.
What we did see is that in photo mode it was
a lot stickier.
So when we're watching a photographer shoot, it was
absolutely sticking a lot better than with video.
It's oversampled 4K.
We absolutely love the image.
We found it to be quite contrasty.
But that's that's Canon's look.
And we were shooting at a lot of contrasty situations.
What we didn't like is really how the HDR looked.
It is okay.
And I guess if you need HD, that's fine.
But it definitely I would shoot 4K and even downsample myself
to HD if I was going to be producing an HD.
But it's really nice because you can shoot up to 60 frames
per second in 4K.
I'd say let's shoot 60 frames all the time.
And we did.
And we didn't have any overheating problems
or any issues.
We talked to some of the other videographers on this trip and
of course they also had the same experience.
So no overheating while it was shooting.
And really the idea just shoot 60 and then you have slo mo if
you want it.
Otherwise just render it out at the end as like 23, nine,
seven, six or 24 frames.
But the only photo shooting that we did was
shooting time lapse.
So we shot a few time lapses.
And really getting a time lapse right is more about getting
your settings right for the subject matter.
But it has an internal interval ometer and you're able to
really easily do some nice time lapse with this camera.
Now you can see here this is a shot in C log and you can see
the dynamic range is really nice.
Definitely if you are going to be doing any grading,
shooting at sea log is going to get you that extra dynamic
range and really help with how contrasty your shot might be if
you're in a situation that needs to deal with that.
So Ken is not really known for having really
great lowlight capabilities.
However, we wanted to test it to see really at what ISO noise
started to introduce in the picture and then really what
you shouldn't shoot up to.
And we were really surprised, really there wasn't
much noise, if at all, all the way up to 12,800 ISO, and then
we would shoot at 25,600.
Everything below that was pretty nice, very usable.
And it doesn't mean you're going to be able to shoot a lot
of different situations when you have ample light or not.
So should you buy the R6 Mark two?
I'd say yes.
If you already are a canon shooter or shooting RF or
F class, probably be an upgrade from what you have.
It's an upgrade from the past version.
Now we're just checking it out pre final firmware.
The units we used are pre-production, but we
didn't have any issues, so we are pretty happy
with the camera.
We would love to have the autofocus perform a little bit
more like when you're shooting stills, it's still
pretty good and definitely great to use in those times
where it's really hard to shoot manually, like on a
gamble or something like that.
So the overall verdict, it's a great camera for the money.
If you would change your camera body from Sony or Nikon
or Panasonic, maybe, maybe not.
It really depends on your own situation.
If what this camera offers is improvement of what you have,
you might consider changing your body.
So for that, thank you for watching.
I'm interested Video maker.
Until next time, take it easy.