- SO WE HAVEN'T SEEN EACH OTHER FOR A WHILE,
ALTHOUGH I HEARD THAT YOU DID SEE ME.
- I SEE YOU ALL THE TIME DRIVING DOWN...
COLDWATER CANYON IN YOUR CAR.
IT'S ALMOST LIKE YOU HAVE A LITTLE LIGHT IN THE CAR,
AND YOUR FACE JUST SHINES.
- YEAH, I KEEP A LIGHT WITH ME WHEN I DRIVE AROUND.
- SEE YOU, LIKE, A HALF A BLOCK AWAY.
"THERE SHE IS!" AND WE SEE YOU ALL THE TIME.
- I SEE--I SAW YOU THAT ONE TIME
THAT YOU COULDN'T ROLL YOUR WINDOW DOWN
'CAUSE IT WAS A NEW CAR, AND YOU--
- THE WINDOW WAS BROKEN.
- AND THEN I THINK I SEE YOU ONCE IN A WHILE,
BUT IT'S ALWAYS A DIFFERENT CAR.
I THINK YOU DRIVE A DIFFERENT CAR EVERY DAY.
I THINK. - NOT EVERY--
NO, ACTUALLY WE DRIVE THE TRUCK NOW MOST OF THE TIME.
WE DRIVE THAT RANGE ROVER MOST OF THE TIME.
- OH.
I ACTUALLY--'CAUSE IT'S FUNNY,
'CAUSE THAT'S THE ONLY TIME I SEE YOU, IS COMING UP,
BECAUSE YOU GO DOWN TO, LIKE, STARBUCKS OR...
- I GO TO COFFEE BEAN. - COFFEE BEAN.
DON'T YOU HAVE A COFFEE MACHINE AT YOUR HOUSE?
I MEAN, WHY ARE YOU-- LEAVE FOR COFFEE?
- IT'S NOT THE SAME WHEN YOU MAKE IT AT HOME.
YOU HAVE TO GO DOWN THERE AND GET THEM TO MAKE IT
THE RIGHT WAY.
- 'CAUSE YOU DON'T REALLY LEAVE--
YOU'RE LIKE ME.
I DON'T-- I'M SO MUCH A HOMEBODY.
I DON'T REALLY DO ANYTHING AT ALL.
I NEVER LEAVE MY HOUSE,
AND I UNDERSTAND YOU'RE THE SAME WAY.
- PRETTY MUCH, YEAH.
BUT I LEAVE SOMETIMES, THOUGH,
LIKE TO GO GET THAT COFFEE.
I GO THERE.
[laughs]
- SEE, I DON'T-- I WOULDN'T EVEN DO THAT.
- I LOVE MY HOUSE.
I'VE ALWAYS BEEN A HOMEBODY WHEN I WAS A KID.
AND I LOVE MY HOUSE,
AND WHERE AM I SUPPOSED TO BE?
- I DON'T KNOW.
[laughter]
YOU USED TO, LIKE--
THE ONE THING THAT I WOULD ASSUME YOU DID,
AND WHEN I WAS YOUNGER I WENT OUT, LIKE--
WHEN I LIVED IN NEW ORLEANS,
I WENT OUT TO CLUBS AT NIGHT.
I WAS ALWAYS OUT DANCING. THAT'S WHAT I DID.
- I WOULD GO-- YOU MEAN BACK IN THE 20s.
- YEAH, BUT IN OUR-- NOT THE 1920s.
BUT WHEN WE WERE 20.
- WHEN WE WERE IN OUR 20s,
I USED TO GO TO THE DISCOTHEQUE QUITE A BIT.
- AND WAS IT-- - THAT'S HOW LONG AGO IT WAS.
WE USED TO CALL IT THE DISCOTHEQUE.
- AND, LIKE, WHAT WERE SOME OF YOUR FAVORITE SONGS
THAT YOU WOULD DANCE TO?
DO YOU REMEMBER?
- YOU KNOW WHAT WAS THE HOT MUSIC THEN WAS--
"SATURDAY NIGHT FEVER" HAD JUST COME OUT,
SO RIGHT AROUND THE TIMES I WAS OLD ENOUGH TO GET IN THE CLUB,
THAT WAS THE MUSIC THAT WAS PLAYING.
- AND WOULD YOU TRY TO EMULATE JOHN TRAVOLTA'S MOVES?
I BET YOU COULD DO THAT. - NAH.
YOU KNOW, JOHN TRAVOLTA COULDN'T CUT IT LIKE I COULD BACK THEN.
- YEAH, THAT'S TRUE.
- [laughs] - THAT IS VERY, VERY TRUE.
- BACK THEN, I COULD DO ALL THE--
ALL THE LATEST DANCES.
- YEAH. LIKE WHAT?
- JUST WHATEVER--BACK ALL-- ANY DAMN--
THE FUNKY BROADWAY, THE FUNKY CHICKEN,
THE FUNK-- NO.
BACK THEN THERE WAS A LOT OF FUNKY DANCES.
- I KNOW THE FUNKY CHICKEN,
BUT HAVE YOU HEARD OF THE FUNKY BROADWAY?
ANYBODY? - THE FUNKY BROADWAY.
SEE? SHE HEARD OF THE FUNKY BROADWAY.
- SOME PEOPLE HAVE.
- THE FUNKY FOUR CORNERS. YOU HEARD OF THAT?
- KIND OF.
NOW EVERYTHING SOUNDS FAMILIAR.
- THE FUNKY FOUR CORNERS.
- WHEN YOU PUT "FUNKY" IN FRONT OF IT.
- IF YOU PUT "FUNKY" IN FRONT OF IT.
- THEN I GO, "YES, I HAVE HEARD FOR IT."
- THEY DON'T DO THAT NO MORE, DO THEY?
THERE'S NO "FUNKY" DANCE NOW.
- NO, THAT'S NOT HIP TO SAY ANYMORE.
- THERE'S A STANKY LEG, THOUGH.
- WELL... - YOU COULD DO THE STANKY LEG.
NOT THE FUNKY LEG.
[singing] DO THE FUNKY LEG.
[laughs]
- AND WHO MAKES YOU--
WHEN YOU'RE WATCHING PEOPLE--
WHEN YOU WATCH MOVIES, WHO MAKES YOU LAUGH NOW?
WHAT MOVIES MAKE YOU LAUGH?
- OH.
THE LAST MOVIE THAT REALLY, REALLY MADE ME LAUGH
REALLY, REALLY IS PROBABLY "BRIDESMAIDS."
- THAT WAS HILARIOUS.
[cheers and applause]
- THAT'S ONE OF MY-- THAT'S A MOVIE, I WATCH IT--
IF I'M FLIPPING THROUGH THE CHANNELS AND I SEE IT,
I STOP AND WATCH TO SEE WHICH SCENE IT IS.
I MEAN, THROUGHOUT THE WHOLE MOVIE YOU LAUGH.
- AND YOU KNOW WHAT I--
THE SAME DIRECTOR, PAUL FEIG,
AND I JUST--I HADN'T SEEN IT WHEN IT CAME OUT,
BUT "THE HEAT" WITH MELISSA MCCARTHY AND SANDRA BULLOCK.
HAVE YOU SEEN THAT? - HAVEN'T SEEN THAT MOVIE.
[cheers and applause] - OH.
SAME KIND OF THING. HILARIOUS.
YOU SHOULD SEE THAT. - YEAH.
THAT GIRL IS REALLY FUNNY.
- YEAH, KRISTEN WIIG WAS--
- NO, THE ONE THAT'S IT "THE HEAT"
THAT WAS IN "BRIDESMAIDS" AS WELL.
- YEAH, MELISSA MCCARTHY.
- YEAH, SHE'S SUPER FUNNY.
AND SO IS THE GIRL THAT WAS THE LEAD IN "BRIDESMAIDS."
WHAT'S HER NAME? SHE'S ON "SATURDAY NIGHT LIVE."
- KRISTEN WIIG. - OH, HYSTERICAL.
- YEAH, SHE'S HILARIOUS.
- AND MAYA RUDOLPH. THEY'RE BOTH REALLY FUNNY.
THE WHOLE MOVIE'S FUNNY. - YEAH, IT'S HILARIOUS.
AND WHO--WHAT DO YOU WATCH ON TV?
- I DON'T WATCH--
YOU KNOW WHAT MY FAVORITE THINGS TO WATCH ON TV?
YOU EVER WATCH THAT SHOW CALLED "JAIL"?
WHERE THEY BRING IN, LIKE, DRUNK PEOPLE?
LIKE, THE PEOPLE THAT HAD, LIKE, DUIs,
AND THEY BRING THEM IN?
AND SOMETIMES THEY'RE, LIKE, FUN TO WATCH
AND SOMETIMES THEY'RE KIND OF SCARY?
AND SOMETIMES THEY MAKE THEM GET IN THIS RESTRAINING CHAIR?
AND IT'S JUST GREAT TELEVISION.
[laughter]
- SO YOU LIKE TO SEE PEOPLE IN TROUBLE.
- NO, BUT JUST THAT SHOW IS FUNNY
BECAUSE IT'S USUALLY DRUNK PEOPLE,
AND JUST TO SEE ALL THE DIFFERENT SHADES
OF DRUNK IS JUST--
AND IT NEVER GETS OLD.
- SO IT'S LIKE "COPS."
- NO, 'CAUSE "COPS" THEY'RE NOT ALWAYS DRUNK.
- YEAH, THAT'S TRUE.
- ON THIS SHOW, THEY'RE ALWAYS DRUNK
AND VERY CHATTY,
AND IT MAKES FOR A FUNNY SHOW.
YOU WOULD THINK IT GETS OLD.
THEY SHOW THEM EPISODES BACK TO BACK TO BACK TO BACK,
AND YOU CAN JUST WATCH 'EM FOR HOURS.
I DO.
- YOU CAN. I DON'T KNOW IF WE COULD.
- WELL, SOMEBODY DOES, 'CAUSE THEY'RE SHOWING 'EM.
- I THINK YOU'RE DRINKING YOUR COFFEE BEAN
AND WATCHING TOO MUCH TELEVISION.
- IT IS ON RIGHT AROUND THE SAME TIME.
I GET THE COFFEE; YOU SIT AND WATCH COPS.
"JAIL."
- AND IS THIS TRUE:
YOU'RE GONNA DO ANOTHER "BEVERLY HILLS COP"?
IS THAT GONNA HAPPEN?
- UH, YEAH--
[cheers and applause]
- THAT GUY RIGHT THERE.
- [chuckles]
- WHAT DO YOU THINK WHEN YOU SEE THAT?
- I WAS LOOKING, AND MY LIP LOOKED REALLY PINK.
I WAS WONDERING WHY MY LIP WAS SO...
- SOME LIP GLOSS ON THERE.
- NO, AS I'VE GOTTEN OLDER,
MY LIP HAS DARKENED.
MY BOTTOM LIP IS DARK.
[laughs]
- MAYBE THEY LIGHTENED IT
AND PUT GLOSS ON IT.
- NO, BACK THEN--THEY DON'T DO THE GLOSS AND THE STUFF.
THAT WAS THE NATURAL LOOK BACK THEN.
A BIG YOUTHFUL PINK LIP. - YEAH.
I THINK YOU LOOK GREAT, THOUGH.
I MEAN, I THINK YOU LOOK REALLY, REALLY GOOD.
[cheers and applause] - OH, THANK YOU.
THANK YOU SO MUCH. - YEAH.
SO ANSWER THE DAMN QUESTION.
ARE YOU GONNA DO ANOTHER MOVIE?
- WE ARE--WE ARE--
WE HAVE A SCRIPT THAT'S KIND OF PRETTY MUCH THERE.
WE'RE TRYING TO GET IT PERFECT,
AND THE ORIGINAL PRODUCER, JERRY BRUCKHEIMER,
WHO PRODUCED THE FIRST MOVIE,
HAS COME BACK TO PRODUCE IT.
AND WE GOT BRETT-- - RATNER.
- RATNER, THAT'S RIGHT.
VERY GOOD FRIEND BRETT RATNER.
DIRECTOR.
AND IF WE CAN GET THE SCRIPT JUST RIGHT,
IT'S SOMETHING THAT WE'LL DO.
THIS WILL BE PERFECT,
'CAUSE I DON'T WANT TO DO
ANYTHING ELSE THAT SUCKS EVER AGAIN.
[laughter]
- THAT'S A GOOD GOAL.
THAT'S A REALLY GOOD GOAL.
I THINK MOST OF US-- - THAT'S WHAT I'M STRIVING FOR.
- WELL, I HOPE-- - I DON'T WANT TO SUCK NO MORE.
- NO. [laughter]
[cheers and applause]
ALL RIGHT, WE'RE GONNA TAKE A BREAK.
WE'LL BE BACK WITH EDDIE MURPHY.