JAHKEELI GARNETT: There's infinite choices of wide shots,
medium shots, Dutch angles.
There's tons of choices that we have in our toolbox
to convey the story, but where are we emotionally,
and what's the most effective way
to tell that to the audience.
At a particular point in the story
you want to emphasize certain emotion and the way
to do that is the way you stage your actors
and where the camera's placed.
So if it's a really emotional moment between two people,
we can move the camera closer to their face
to really feel them speaking to us in the movie theater.
So that's why I always cry in Pixar movies?
Who knew this many virtual choices on a virtual camera
could cause so many real emotions.