[APPLAUSE]
BEARDYMAN: [SPEAKING NONSENSE LANGUAGE]
REGGIE WATTS: [SPEAKING NONSENSE LANGUAGE]
two years.
[SPEAKING NONSENSE LANGUAGE]
BEARDYMAN: [SPEAKING NONSENSE LANGUAGE]
REGGIE WATTS: [SPEAKING NONSENSE LANGUAGE]
Yeah.
[SPEAKING NONSENSE LANGUAGE]
BEARDYMAN: [SPEAKING NONSENSE LANGUAGE]
[LOOPS SPEECH IN SAMPLER]
REGGIE WATTS: [RAPPING NONSENSE]
BEARDYMAN: [SPEAKING NONSENSE LANGUAGE]
Up in monitor, please.
Very--
[SPEAKING NONSENSE LANGUAGE]
[BEATBOXING]
BEARDYMAN: [SINGING NONSENSE]
[SINGING]
Reggie up in my monitor, yo.
[SPEAKING NONSENSE LANGUAGE]
[SINGING]
Can, can you feel it?
Yeah.
I want to tell you.
It's all about, all about going on, going on the
internet and doing the bassline.
[SPEAKING]
Yo, audience at home, audience in the room, make some noise!
[CHEERING]
BEARDYMAN: Yeah, yeah, yeah!
Uh!
It's like this, y'all!
So Reggie, did you enjoy that?
REGGIE WATTS: Yeah.
It was a totally good [SPEAKING NONSENSE LANGUAGE]
all of it live, now.
Exciting!
BEARDYMAN: It's so exciting.
It's happening now.
It's all completely live.
None of this is taped ahead.
[SPEAKING UNINTELLIGIBLY FAST]
REGGIE WATTS: [SPEAKING NONSENSE LANGUAGE]
Beardyman.
[CHEERING]
BEARDYMAN: [SPEAKING NONSENSE LANGUAGE]
Reggie Watts.
REGGIE WATTS: [SPEAKING NONSENSE LANGUAGE]
BEARDYMAN: [SPEAKING NONSENSE LANGUAGE]
[BOTH SINGING NOTE TOGETHER]
[BOTH SINGING RANDOM NOTES]
[BOTH MAKING VARIOUS SOUNDS]
[BEATBOXING]
REGGIE WATTS: Yeah.
Yeah.
[LOOPING VOICE IN SAMPLER]
REGGIE WATTS: [RAPPING]
6,500 and a 30 and six.
Everybody knows you've been sucking them dicks.
Kicking them dicks, detaching that shit.
Put it on a plate with some other shit
that looks like dicks.
Yeah, everybody likes a dick.
The shape of a dick is unmistakable.
Take that dick.
Everybody knows what to do with that dick.
Stuff it in a jar.
What?
Come on.
BEARDYMAN: [RAPPING]
Yeah.
That's right.
He ain't lying.
But I'm frying my brain every day.
It's insane.
All I do is open up my head, take out my cranium, put it on
some bread.
Yeah, put some butter on it.
Do I put on jam?
No, but you call it j-j-jelly.
What?
[RAPPING NONSENSE LANGUAGE]
Bassline.
[BASSLINE PLAYS OVER BEATBOXING]
REGGIE WATTS: Yeah.
BEARDYMAN: Are our frequencies interference?
Oh my god.
Checking systems stat.
BEARDYMAN: [SINGING]
Back along by [SPEAKING NONSENSE LANGUAGE].
[MUSIC STOPS]
BEARDYMAN: Oh, do you remember the Mansom Clams?
REGGIE WATTS: I remember the Manson Twins.
And I just have to say that I loved all of their work up
until about '84.
BEARDYMAN: Yeah, really there's too
much sampling, I think.
It was too much like--
[MAKING LASER SOUNDS]
REGGIE WATTS: Whatever.
Fleetwood Mac did that.
[BOTH LAUGHING]
BEARDYMAN: [SPEAKING NONSENSE LANGUAGE]
REGGIE WATTS: Yeah, Fleetwood Mac did that.
BEARDYMAN: Hey, what about this?
[AMBIENT MUSIC PLAYING]
REGGIE WATTS: Time, a never-ending conundrum.
Can you feel it?
One time.
[BEATBOXING]
REGGIE WATTS: Rap it up, yo.
[RAPPING]
Everybody knows you've got only certain amount of time.
If you've got to do it, you can never figure out a rhyme.
If you want to do it, you can never wipe off the grime.
Grime, like you're grimy, like you wouldn't ever tell me why.
Everybody--
[LOOPS VOICE IN SAMPLER]
REGGIE WATTS: [SLOWED DOWN VOICE]
Everybody knows you've got only certain amount of time.
If you've got to do it you can never figure out a rhyme.
If you want to do it, you can never wipe off the grime.
Grime, like you're grimy, but you wouldn't ever tell me why.
[CHEERING]