AH S*** AH!!!
- Oh... OH!! - AAH!
F***!!
OHH!
F***!!!
*Incomprehensible shouting*
All right.
Welcome back.
Today we're playing a game called:
We have 20 pieces,
each one we have a one-second clip.
For some of the harder ones,
there is also a two-second clip for half a point.
Mm.
Let's get right into it.
Got it.
Uh, Dvořák...
Symphony No....
...9.
I think you're right.
Yeah.
*Brett singing the theme*
(Eddy) Yeah!
For those of you who don't know,
go listen to this symphony,
it is really epic.
Yep.
One point to me~ next one.
Mozart Symphony...
I mean...
Mozart Violin Concerto No. 3!
(Brett) Is it?
That's my guess, I locked it in.
Do I get to...
guess, if I disagree?
"The other person can answer
- IF they think the first person's wrong." Okay. - Okay.
So, I challenge.
I say "Eine Kleine Nachtmusik."
Ohhh!
- *Eddy singing melody* - Oh, of course...
I just heard "G, G,"
- *singing concerto melody* - It's a—yeah.
It's the same chord, but the...
- accompaniment part, what gave it away. - Ah, that's true. Okay, okay.
Two points to me.
Aw...
Ah! Got it.
Sibelius Violin Concerto.
- Is it? - The texture, right? The bassoons, I think so.
- Yeah! - Come on.
(Brett) Aw, but I heard
"dah-dah, D..." I was like, huh?!
*Singing excerpt*
Oh!
Okay.
I've played that concerto a lot of times,
so that was an unfair advantage.
Oh, Beethoven 5.
Ah, yeah.
- Yeah, that one was pretty obvious. - Yeah, that's... obvious.
Actually one second's all right!
Yeah, it's actually—I thought it'd be really hard!
- Yeah. - We don't need two seconds.
Uh, Peer Gynt Suite.
- Which movement—? - No, "Hall of the Mountain King!"
Yeah, yeah yeah you're right!
Nice.
- *Singing melody* - (Eddy) Three-two.
- Whoa. - All right, one-second clip.
I know the piece, but I don't know what...
who wrote it,
or what it's called...
but I know how it goes!
Should we go two seconds?
I know I won't know anyway,
'cause I know what comes afterwards.
*Singing the melody*
Yeah I know...
- It's something Strauss, or Tchaikovsky. - Yeah, yeah.
I was thinking Strauss, or it's Tchaikovsky,
but I'm not sure.
All right, let's do the two-second one.
Yeah... okay, okay, okay.
*Singing the next part*
F*** it.
I mean, I don't think I'm right, but "Blue Danube."
- It's definitely not. - (Brett) It's not.
Strauss.
Can we get, like, quarter points
if we get the composer right?
Haha, nah!
- Something, like, André Rieu would play. - Yeah.
- 100 percent. - I don't know. It's Strauss, but I don't know what.
Oh, it is!
Woohoohoo! 0.5! I'll take it!
Thank you~!
- Dammit! Ugh! - Ahahaha!
I had a feeling it was,
I just couldn't link that part to
- *singing main theme* - Yeah, that's what I was thinking!
But I was like, I feel like...
I've played it? I've definitely played it,
but it's like, this just feels familiar.
I was just thrown off because...
"Blue Danube" is D major, but that bit was in G major.
Ah, see?
That's why when you don't have perfect pitch, it helps.
Oh, Tchaikovsky Violin Concerto.
I—I guess I got Sibelius, so you... yeah.
I can literally feel my body, like,
*singing excerpt*
I know exactly where it is on the score, like, there.
Yeah.
Ah, come on, that's some...
Bro, it could be anyone!
No. I, I got nothing.
Bach...
Violin Concerto in A Minor? That's...
Yeah, I'm thinking Bach as well?
Nah, I'm just...
I'm gonna guess E Major.
Huh?!
*Both singing the excerpt*
Oh!!
Wow, that is tricky!
Nah, that was playing with us.
- Yeah, that was—it's getting harder. - I think it's getting harder.
- "La Campanella," Liszt! - Aw, f***!
Yeah, yeah... oh!!
AHAHAHAHAHA!
- Oh, I guess I didn't... - Aw, it's F sharp.
- *Singing excerpt* - Yeah, okay.
Okay, well, I didn't get it, so it's fine.
Damn.
Saint-Saëns, "Rondo Capriccioso."
I think you're right, dammit.
Hehehe!
Whoa, 4.5!
Carmen, "Les Toredades" or whatever.
- Really? - Yup.
Oh let me think.
- Can you play... can you play it again? - Bizet.
*Singing melody*
Oh, yeah. You're right.
Yeah. Bizet. Carmen Intro.
Oh!
Brahms, "Hungarian Dance."
- Nooooo! Of course! - I got it, let's go!
5 to 4.5!
Aw, no!
Dude, this is so intense.
Ah!
Beethoven, uh—ah s*** ah!
Symphony "Eroica."
Nah.
It's either Dvořák or Schubert.
It's the one that starts quoting Beethoven,
- but it's not Beethoven. - Ohhhh...
Is it Schubert or Dvořák?!
- Augh! - Take a guess!
Dvořák...
and... 7 or 9 or 8? I'm gonna guess...
...9?
Oh, it is Beethoven!
Oh. But it's No. 9.
F***!!!
*Both singing excerpt*
- That's what I heard. - Yeah.
But you said there's, there's one that references...
Editor-san, find the reference to prove my innocence!
5 and 4.5, right?
- Yes. - Yep.
"Summer!"
- OH! - HAHAHA!
Yeah, you're right.
5.5 and 5.
Oh, come on. Who would know that?!
Is that a guitar?!
Yeah, that's what I heard!
- I don't know guitar concertos! - Guitar or harpsichord.
*Humming excerpt*
I don't know...
Uh, I'm gonna get meh... muh...
De Falla...
"Violin Tango."
AHAHAHAHA!
Dude... he's not Argentinean, he won't write tango...
Uh, I'm gonna guess...
Just throw something out there.
Brahms, "Hungarian Dance No."...?
DUDE!
That was a harp.
Of course. B minor. Okay.
- But nah. That's too hard. - Nah, that's, like... too...
- Nah, the second—two seconds? - Yeah.
- AAAH! - AH!
Paganini...!
...No.
"Campanella!" Paganini, "La Campanella!"
- Oh, f***, it is! - YES!
I ha—I knew it was!
YES! Oh, we're both 5.5!
- Oooh! - Aw, f***, I knew it was Paganini.
*Singing excerpt*
- But I wasn't sure. - Yeah.
'Cause that pian—it just wasn't enough.
- AH! - Mendelssohn, Mendelssohn Violin Concerto!
No, that's not fair! You're doing it right now!
I didn't even hear, I just felt...
the timbre, the color, I was like...
that is Mendelssohn's sound.
Oh!
Wieniawski, um...
"Polonaise."
Sarasate, "Navarra."
Oh, you're right!
So, that equals 6.5 each. Dude, this is so close...
(Eddy) "MONTAGUES AND CAPULETS!!!" YEAH!! Let's go!
F***!
I love... we're just yelling "ARFHGDHHFGRGHDGR!"
...Also known as "Dance of the Knights."
- There's two names. - Augh...
- "Dance of the Knights," yeah. - Oh, goddamn!
- I have to clarify, "Dance of the Knights." - Yeah, yeah...
I feel like the last one's going to be really, uh...
trippy.
Ah, yeah...
- Do you wanna press this one? - Okay, let's go.
"Tzigane" by Ravel!
Ohhh sh—oh, you're right.
- The pizz, left-hand pizzicato part. - Aw, s***.
I know, I've played it before~
Dude, that's not fair!
(Eddy) Oh, it was a tie!
Well, I guess we both deserve bubble tea, then.
That's pretty fun!
- It was easier than I thought it would be. - Yeah.
I thought it'd be REALLY difficult.
Except for the one or two random, like,
- the "Swan Lake..." - the Tchaikovsky, yeah the "Swan Lake,"
- and then... - Uh, "Spring" was tricky.
- "Spring" was also tricky, yeah. - Yeah.
I don't know if you guys could play along,
if you're a musician, classical musician,
hopefully you played along.
If you're not, listen to all these pieces; they're pretty good.
Especially Dvořák symphony,
- and all the concertos there, too. - Mm.
That's it for today.
Oh, where should we put our...?
Everyone, we have this dilemma.
So here is the million... oops...
subscriber plaque.
We've had it for a while,
but we just don't know where to put it
because it doesn't fit in... here.
Comment your opinions below,
let us know if we're... if you have any ideas.
(Eddy) And then there's this plant.
Ow...
Wow, I cut myself.
- Ooh. - I'm bleeding.
Aw, GG...
- All right, I guess it's done—all right, bye! - Oh my god.
Okay. Like and subscribe, bye bye.
- Oh wow, I'm bleeding. - Oh my god, oof.
Ooh, that's sharp, gotta be careful.
- Which one? This? - Yeah.
YouTube... no, just kidding. Just kidding.